Esta tierra es mía

I can vaguely remember seeing this movie on television years ago, and recalled it as a movie with an anti-Nazi message. Seeing it again recently, and with a lifetime of reading behind me, I realize it has further depths of meaning.

Despite the pretense of being set "somewhere in Europe," it is beyond doubt that Renoir had France very specifically in mind. He was a French émigré, and it's clear that he has a message for his countrymen about the great number of them that chose to collaborate with the Germans. But the film is not a sledgehammer, in that the Germans are not portrayed as the stereotypical jackbooted thugs. Their official voice in the film, the officer played by Walter Slezak, has a silky sort of charm and shows how easy it can be to cooperate in the name of so many things - peace, order, stability, etc. etc. Laughton's final courtroom speech has so many specific references to the situation in France that it cannot be interpreted as other than such. And the final finishing touch is Laughton's last lesson to his students before being taken away - he reads from the "Declaration of the Rights of Man" from the French Revolution.

Aside from that it is an excellent story very well told, and the production values are extremely high - the print I saw looked excellent even after 60-some years. The cast, of course, is superb, with Laughton, Slezak, and Maureen O'Hara. Particularly good is George Sanders, in a role very different from his stereotype as the suave and debonair cynic. The whole "mama's boy" aspect of Laughton's character is a bit heavy-handed, but it's still to watch Una O'Connor as his mother (you just can't help recalling her tavern woman's part in "The Invisible Man").

Thsi is not just an excellent movie, but an interesting historical artifact as well.

About half way through this film I became aware that I was in the presence of greatness. It may not be perfect but it is about as good films got during the war. Many films at the time were made that painted the Nazi occupation as a black and white issue. You will know after seeing this that that is wrong. All the characters here are in shades of gray. That is the films power. This should be a classic. Why it is not available on DVD in region 1 is a mystery to me.

The lead actors are all extremely good here, and of course a stand out performance by Charles Laughton. I have seen quite a few of Laughton's films and I am always amazed by his range of roles. He goes from heavy to hero and everything in between. He was, in my opinion, one of the very few really great actors of his time. I have seen him in some bad films but I have never seen him give a bad performance!

Speaking of heavies, did you notice that all the male leads have successfully played heavies? They all give very nuanced interpretations here that go way beyond black and white. Go see it.

Charles Laughton delivers one of the finest courtroom speeches that you are ever likely to see (it certainly ranks with Spencer Tracy in "Inherit the Wind", or Gregory Peck in "To Kill a Mockingbird" ). Here, though, Laughton is not pleading the case for the defense or the prosecution, he is pleading for his own life in a Nazi "show-trial".

Rather than saving his own life by following the instructions of the German authorities, Laughton chooses to use the opportunity presented by his conducting his own defense to launch a masterful indictment of the Nazi regime. His speech to the jurors and the packed, public galleries is delivered with the sincerity and authority which only an actor with Laughton's many talents, could hope to muster. Inspired by Laughton's speech, the jurors find the courage to acquit him and Laughton dashes from the court to the school where he is a teacher.

Having made such a speech, Laughton knows that he has signed his own death warrant. There is just time, before the German soldiers come to take him away, for one final speech to his beloved class of school-children. Once again, Laughton produces the goods in this very touching scene as he reads to the children articles from the Declaration of the Rights of Man.

Most of this film is typical, low-budget, World War Two propaganda but Laughton raises it above the mediocre. Maureen O'Hara is gorgeous as the fellow teacher with whom Laughton is in love. Also worth watching, as ever, is Una O'Connor as Laughton's mother.

In an unnamed European town (it's a symbolic stand-in for France, but the characters are all British), the German army moves in and sets up occupation. Local school teacher Albert (Charles Laughton) is more concerned with his romantic feelings for co-worker Louise (Maureen O'Hara) and escaping from the clutches of his over-protective mother (Una O'Connor). However, when a resistance movement begins against the occupation, Albert may find himself drawn into it.

Director Renoir manages to inject some originality into well-trod territory. Laughton is very good as the weak-willed Albert, and he's ably matched by the strong and beautiful O'Hara. George Sanders seems a bit wasted in his role as a collaborator, but he gets one really good scene. The biggest surprise was Kent Smith, an actor who I usually regard as a waste of space. Here, playing a daring resistance fighter operating right under the Germans' noses, he's charismatic and exciting. The movie won an Oscar for Best Sound.

One last bit of comparative trivia: This Land Is Mine was a big hit, with a record-breaking opening weekend. This was because it opened on a then-unheard-of 72 screens. Today, the big superhero movies open on thousands of screens.

In an interview with Cahiers du Cinema in the 1950s, Renoir reluctantly referred to this film as "my own propaganda." Early Hollywood depictions of the french had portrayed them as unscrupulous collaborators. (That includes Casablanca). Renoir, who was in France when it fell, was justified to feel this was an unfair portrayal. This Land is Mine was his way of showing America what it was like to be a conquered country. Each character becomes an icon of every section of French society. It's not trademark 'Renoir' and he admits it. Because it was so important to make sure the film found its audience, he says he "took less risks"

The mission worked. The film was a success and attitudes towards the French changed... two other Warner Bros films, also starring Bogart, made after Casablanca (and more importantly This Land is Mine), portray the French as heros and patriots with a just cause.

Brilliant acting, brilliant script, brilliant propaganda!