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IMDbPro

Gracias a mi buena estrella

Título original: Thank Your Lucky Stars
  • 1943
  • Approved
  • 2h 7min
CALIFICACIÓN DE IMDb
6.7/10
2.2 k
TU CALIFICACIÓN
Humphrey Bogart, Bette Davis, Olivia de Havilland, Errol Flynn, John Garfield, Jack Carson, Eddie Cantor, Joan Leslie, Ida Lupino, Dennis Morgan, Ann Sheridan, Dinah Shore, and Alexis Smith in Gracias a mi buena estrella (1943)
ComedyMusical

Agrega una trama en tu idiomaTwo producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.Two producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.Two producers are putting together a wartime charity show with an all-star cast, but the egotism of radio personality Eddie Cantor disrupts their plans.

  • Dirección
    • David Butler
  • Guionistas
    • Norman Panama
    • Melvin Frank
    • James V. Kern
  • Elenco
    • Eddie Cantor
    • Dennis Morgan
    • Humphrey Bogart
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.7/10
    2.2 k
    TU CALIFICACIÓN
    • Dirección
      • David Butler
    • Guionistas
      • Norman Panama
      • Melvin Frank
      • James V. Kern
    • Elenco
      • Eddie Cantor
      • Dennis Morgan
      • Humphrey Bogart
    • 48Opiniones de los usuarios
    • 21Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
    • Nominado a 1 premio Óscar
      • 1 premio ganado y 1 nominación en total

    Fotos30

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    Elenco principal99+

    Editar
    Eddie Cantor
    Eddie Cantor
    • Eddie Cantor…
    Dennis Morgan
    Dennis Morgan
    • Tommy Randolph
    Humphrey Bogart
    Humphrey Bogart
    • Humphrey Bogart
    Bette Davis
    Bette Davis
    • Bette Davis
    Olivia de Havilland
    Olivia de Havilland
    • Olivia de Havilland
    Errol Flynn
    Errol Flynn
    • Errol Flynn
    John Garfield
    John Garfield
    • John Garfield
    Joan Leslie
    Joan Leslie
    • Pat Dixon
    Ida Lupino
    Ida Lupino
    • Ida Lupino
    Ann Sheridan
    Ann Sheridan
    • Ann Sheridan
    Dinah Shore
    Dinah Shore
    • Dinah Shore
    Alexis Smith
    Alexis Smith
    • Alexis Smith
    Jack Carson
    Jack Carson
    • Jack Carson
    Alan Hale
    Alan Hale
    • Alan Hale
    George Tobias
    George Tobias
    • George Tobias
    Edward Everett Horton
    Edward Everett Horton
    • Farnsworth
    S.Z. Sakall
    S.Z. Sakall
    • Dr. Schlenna
    • (as S.K. Sakall)
    Hattie McDaniel
    Hattie McDaniel
    • Gossip in 'Ice Cold Katy' Number
    • Dirección
      • David Butler
    • Guionistas
      • Norman Panama
      • Melvin Frank
      • James V. Kern
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios48

    6.72.2K
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    Opiniones destacadas

    jimjo1216

    Your favorite WB stars go vaudeville!

    See all of your favorite 1940s Warner Bros. stars as you've never seen them before!

    This star-studded WWII morale-booster is not unlike similar star-studded WWII morale-boosters put out by other studios, featuring the big names in brief cameos sprinkled throughout a thin "let's put on a benefit" plot. Here the WB stars perform little vaudeville sketches, singing and dancing, as part of a charity show. And we're talking some big names here: Bette Davis, Errol Flynn, Olivia de Havilland, John Garfield, Ida Lupino, Ann Sheridan, Jack Carson, etc.

    The real star, however, is Eddie Cantor. Much of the movie is about how annoying and overbearing Cantor is, with Cantor in a dual role as both a parody of himself and his resentful look-alike. In an exhibit of good-humored self-deprecation, Cantor allows his name to be dragged through the mud by critics of his corny jokes and swollen ego (his alternate character among them). As one character or the other Cantor moves the screwy plot along.

    This movie is simply a star-studded, feel-good musical. And it is a lot of fun. The stars who really shine in this are John Garfield, Bette Davis, and Cantor. Dinah Shore is featured prominently in her first screen appearance and we even get to see Spike Jones and His City Slickers in action. Errol Flynn has a nice number and Alexis Smith shows off her dancing background. S.Z. Sakall is hilarious as always and the young romantic couple (Joan Leslie and Dennis Morgan) make sure to plug recent WB successes. (Leslie lets go with impressions of Lupino and James Cagney.)

    It's interesting, in the scene where Olivia de Havilland and Ida Lupino dance on either side of George Tobias (in a slightly awkward jive routine), to note the contrast in the actresses' performances. Both de Havilland and Lupino are in the frame, basically playing clones of each other. But it seems like de Havilland just put so much more into her performance, particularly with her facial expressions.

    It's a treat to see all of these stars in one movie and it's a treat to see them do something fun and different. The songs won't always blow you away, but they're pleasant enough. The finale is a medley of all the songs we've heard, with the welcome return of the stars we've seen. It's a fitting cap to the viewer's journey, and should leave everyone in a good mood. I think I liked the music more after hearing it all reprised in the finale.

    Top-billed Humphrey Bogart has about a minute of screen time and, though he leaves an impression, he doesn't do any singing or dancing.
    dougdoepke

    We May Not Be Polished, but We Are Enthusiastic

    There's enough bounce and energy in this Warner's showcase to light up a whole city. What great light entertainment for the boys overseas and folks on the homefront (after all, it's 1943). Eddie Cantor really comes through with the plot spark, racing around like the Energizer bunny, and playing dual roles (did they pay him double). Then there's handsome Dennis Morgan and all-American Joan Leslie making an attractive pair to hang the romantic hat on. And get a load of Bogart dropping his tough guy act if for just a moment, plus an off-key Garfield warbling, of all things.

    No, the music is nothing to write home about, but the performers are an enthusiastic bunch, so who cares. There's drama queens Lupino and de Haviland as jive-talking hepcats (note they only dance "in place"), and, of course, Warner's reigning drama queen Bette Davis doing something or other in her inimitable style. But I especially like the Hattie McDaniel free-for-all that really does light up the screen. Apparently, however, someone decided to slow things down with Ann Sheridan's static number where the girls sit around like prom princesses. But at least we boys get to ogle them.

    Too bad this rouser wasn't sent to Hitler and Tojo. They would have tossed in the towel immediately. Because it's obvious that no country with this kind of energy and dynamism could possibly lose a war. And, yes, it's still great unpolished entertainment, with what looks like a lot of people having a lot of fun.
    drednm

    Discovering Eddie Cantor

    Cantor was one of the biggest stars of his time. And this WW-II extravaganza showcases his comedy talents playing himself and a look-alike cab driver. Dennis Morgan and Joan Leslie are the lovers, Dinah Shore gets a big buildup but her songs are drippy and awful. Edward Everett Horton and S.Z. Sakall are fun as the guys running the Cavalcade that Cantor forces himself into. Humphrey Bogart does a limp cameo, and big Warners stars appear in a series of funny stage numbers. Bette Davis, Ann Sheridan, and Errol Flynn sing; Olivia de Havilland and Ida Lupino do a jive number; Hattie McDaniel sings in a Harlem number; Jack Carson and Alan Hale do an old-time Vaudeville number; Alexis Smith dances; Spike Jones does a novelty number; John Garfield sings on Cantor's radio show, etc. But aside from seeing these big stars, it's Eddie Cantor who makes this worthwhile. A HUGE stage, movie, and radio star, Cantor is wonderful lampooning himself (a la Bob Hope) and playing the nebbish cabbie (a la Woody Allen). While many of his Broadway contemporaries never quite made it in films (Sophie Tucker, Fannie Brice, George Jessell, Al Jolson, Marilyn Miller), Cantor's starring film career lasted almost 20 years, dating from the smash hit Whoopie! in 1930; his radio career lasted 30 years. Cantor is sadly forgotten now, but he was such a big star he won a special Oscar for his film work and his humanitarian efforts.
    7opsbooks

    Bird's eye view of Warners Hollywood in the early 1940s

    The unforgettable Eddie Cantor is the glue which holds this wartime extravaganza together. He was one of the few great singers who could double as a first rate comedian.

    Other reviewers have pretty much covered all angles but for me the high point is the appearance of Spike Jones and his City Slickers, performing one of their hilarious numbers. Once you've experienced Spike, you just can't get enough of his unique style, if that's the right word.

    Bogart's appearance is amusing while Miss Davis provides a memorable performance. None of the other Warners stars really stand out. For me, 'Starlift' is a better star vehicle, though it would come almost a decade later.
    Doylenf

    All-star wartime film is breezy fun thanks to Eddie Cantor's antics...

    Before I comment on the film, I just have to say that Dinah Shore's songs in this film are as bad as the "bad" song Joan Leslie is supposed to have written. I think she called it "Moondust" or some such thing.

    While the stars occasionally shine in this Warner Bros. musical tribute, it's Eddie Cantor who deserves the most praise for providing most of the laughs. Cantor's dual role as a taxicab driver and an Eddie Cantor lookalike gives him some hilarious moments as he helps Joan Leslie and Dennis Morgan crash the studio gates with his Cantor impersonation. The Warner stock company (including S.Z. Sakall, Edward Everett Horton and many others) is on hand in supporting roles while the stars are given some amusing skits to appear in.

    Errol Flynn is amusing in a cockney song-and-dance routine in a pub, Bette Davis talk-sings her way through 'They're Either Too Young Or Too Old', Ida Lupino and Olivia de Havilland do a jive number, mugging outrageously while chewing gum and mouthing words to a song called 'The Dreamer', Dinah Shore warbles an undistinguished song or two, Alexis Smith dances with style and grace, Ann Sheridan does a rather tiresome song number and Jack Carson and Alan Hale struggle through a less than witty routine that defeats both of them.

    Humphrey Bogart, John Garfield (obviously tone deaf when he renders "Blues in the Night") and Sydney Greenstreet make fleeting appearances. Hattie McDaniel appears in an unusual novelty number. As one reviewer pointed out, "It's more like amateur night at the studio." But thanks to Cantor, the perky charm of Joan Leslie despite some awful songs and the appealing Dennis Morgan, it all comes together--silly, but lots of fun. Must have been a big hit with the servicemen during the war years, but just don't expect Grade A entertainment.

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    • Trivia
      When Conrad Wiedell takes Bette Davis and does the jitterbug, she felt he was holding back in rehearsals and told him to treat her like an experienced dance partner. When the cameras rolled, Wiedell--a national jitterbug champion hired specifically for this dance--pulled out all the stops and swung her around and she fell on her knee. As she finishes her song, she is seen limping out of the nightclub set and leaning against a post, rubbing her knee. This was a real injury, but she finished the song despite the pain. When director David Butler asked Davis to "try it once more," she replied, "No! No! I said one take, and that was it." She then turned to the press who had shown up to watch her number, telling them "Show's over, gentlemen. Now get the hell out."
    • Errores
      In one of the scenes, Eddie Cantor dressed as an American Indian, is being chased by other men dressed as American Indians, the film negative has been flipped; the signs on store windows are backward/mirror images.
    • Citas

      Humphrey Bogart: [after an effort at being tough has no effect whatsoever on S.K. Sakall] Hey, I must be losing my touch! I hope my movie fans don't hear about this!

    • Créditos curiosos
      At the end, the words "THE END" are sewn into the curtains.
    • Conexiones
      Featured in Arena: Bette Davis: A Basically Benevolent Volcano (1983)
    • Bandas sonoras
      Thank Your Lucky Stars
      (1943) (uncredited)

      Music by Arthur Schwartz

      Lyrics by Frank Loesser

      Performed by Dinah Shore on a radio show

      Reprised by a chorus at the end

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    Preguntas Frecuentes19

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    • Chicago Opening Happened When?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de diciembre de 1943 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Thank Your Lucky Stars
    • Locaciones de filmación
      • Beverly Hills, California, Estados Unidos(tour of stars' homes)
    • Productora
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 1,568,000 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      2 horas 7 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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    Humphrey Bogart, Bette Davis, Olivia de Havilland, Errol Flynn, John Garfield, Jack Carson, Eddie Cantor, Joan Leslie, Ida Lupino, Dennis Morgan, Ann Sheridan, Dinah Shore, and Alexis Smith in Gracias a mi buena estrella (1943)
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