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Typical BOB HOPE comedy popular during the war years when his gags were timely and always on target kidding the current political situation and the entertainment world with breezy one liners. DOROTHY LAMOUR is the fetching sweetheart who helps Bob in his efforts to win back his reputation as a Pulitzer Prize journalist after his big gaffe in predicting that Germany will never invade Russia.

It's the breezy sort of thing Hope always did so well, with a nice supporting cast of character actors who knew how to be foils for his comic gags. Among them: EDWARD CIANNELLI, LEONORE AUBERT, DONALD COOK, OTTO PREMINGER, MARION MARTIN and DONALD MacBRIDE. Cook has a surprising against type role as a crazy gangster who at one point says to Hope: "You're cool, ain't ya?" (The use of "cool" way ahead of its time!).

Directed at a fast pace by David Butler, it's certainly not one of Hope's best films but easy to see why Hope vs. Nazis was such a fun idea in those WWII days when the best villains were always those notorious Germans.

The plot has Lamour helping Hope win his reputation back by capturing a bunch of spies in Washington, D.C. Fans of Hope and Lamour should find this one satisfying enough despite its flaws.

Paramount Studios loaned out Bob Hope to Sam Goldwyn to make two films--"The Princess and the Pirate" (1944) and this film. Despite a new studio, however, the style and enjoyability of this film is about on par with Hope's films of the late 30s and through the 1940s. This was Hope's most productive period--with one excellent comedy after another. None are masterpieces, but all are consistently worth seeing.

Hope stars as an incompetent reporter. His boss is so fed up with his lack of talent in sniffing out a story that he fires him. However, when a man approaches Hope and promises to give him important secrets about the Nazis, Hope sees his chance to win his job back and tell an important story. But, unfortunately, things don't go that smoothly and soon Hope's days seem numbered, as Axis agents from all three powers are all mobilized to kill him and gain the secrets for themselves. Along for the ride is the ubiquitous Dorothy Lamour.

All in all, the film is breezy and fun--and relies more on fun situations than one-liners. It also is a good propaganda film, as although like most of these films it's a bit preachy, it's entertaining enough that you just don't care. If only Hope's later films were this much fun....

The best parts of "They Got Me Covered" are its action and chase scenes. As a comedy, this is not one of Bob Hope's best films. After a while, his stand-up comedian persona becomes irritating and doesn't seem to fit with the film or the humor. This is most evident in his aside comments to himself, usually. Nor are they very funny. The funniest scene of the entire film is that with Donald Meek who plays the little old man (the crazy one). Meek is one of the long- lasting Hollywood supporting actors whom old film buffs will recognize and enjoy. He is a real hoot in this comic scene. And that's when Hope's glance askance as though looking at the audience really works.

The story is OK, but bounces around a lot. Most of the performers are good. And the technical aspects are fine. But as a comedy, this just doesn't have enough gas or gags to make it anything better than an average film.

They Got Me Covered is one of two films Bob Hope did on loan out from Paramount to Sam Goldwyn. After that Goldwyn once again signed his own house comedian Danny Kaye so he wouldn't have to pay an exorbitant ransom Paramount put on Hope's talents.

Hope's a bumbling newspaper reporter who turned out to be the only wire service man who did not get the story of the German invasion of the Soviet Union. That got him fired by boss editor Donald MacBride in one of his patented movie temper tantrums,

If you can believe it Hope actually won a Pulitzer Prize, but we soon learn the reason for it. He's got a Rumanian source named Venescu played by John Abbott. Abbott's got another big story for him, but he manages to get himself killed. Hope and ever suffering gal pal Dorothy Lamour have to find out what happened.

This could have been the plot line for any number of melodramatic noir type films, but this is a Bob Hope film so we're talking satire of same. Hope gets a lot of help from a very good cast of players Sam Goldwyn assembled here. Representing the Axis are Otto Preminger, Philip Ahn, and Eduardo Ciannelli plus a very seductive Lenore Aubert as the traditional femme fatale.

Best moments for me are those that Hope has with Donald Meek playing an addled old caretaker who believes the Civil War is still going on. The two of them reprise a couple of old burlesque routines in Abbott and Costello style.

Also look for a really nice performance by brassy blond Marion Martin as stripper Gloria the Glo-Girl.

They Got Me Covered despite the dated World War II topical references still has quite a lot of laughs for today's audience.

This wartime Bob Hope comedy is not a classic, but it does produce laughs - including some out-loud ones - with adequate frequency. The topical elements (the Gestapo, air raids, saboteurs, etc.) are played fairly straight, which is interesting to see. Dorothy Lamour looks great as Bob's girl - I got Woody Allen-Diane Keaton vibes from their partnership. **1/2 out of 4.