Agrega una trama en tu idiomaDuring WW2, two Navy officers take command of an obsolete, World War I-vintage, destroyer that is assigned to convoy-escort duty in the Japanese-controlled waters of the South Pacific.During WW2, two Navy officers take command of an obsolete, World War I-vintage, destroyer that is assigned to convoy-escort duty in the Japanese-controlled waters of the South Pacific.During WW2, two Navy officers take command of an obsolete, World War I-vintage, destroyer that is assigned to convoy-escort duty in the Japanese-controlled waters of the South Pacific.
- Dirección
- Guionistas
- Elenco
- Nominado a 1 premio Óscar
- 1 nominación en total
Opiniones destacadas
This is the story of a young officer (Taylor) dismayed to be deployed on an old ship, a WW I destroyer with convoy escort duty. Even worse, he has to contend with a Skipper (Donlevey) who runs the ship by the book but with unseen compassion and talent. Laughton plays the fleet commander, a crotchety admiral who soon realizes the true caliber of Donlevey tho he is frustrated by the tactics Donlevey takes.
If you like WW II movies this is definitely "OK+"... not great, but entertaining throughout.
Chill Wills and Walter Brennan add to the story with both comic and tradgic portrayals.
Some very good action scenes as well.
I'd Check it out if you enjoy WW II sea stories.
-BullMoose
Laughton appoints Ivy League Navy man Taylor as executive officer of a World War I warhorse, The Warren, commanded by Donlevy. It's an old ship and needs a lot of repair work, but there are people who believe in it, most notably, Yeoman Henry Johnson (Brennan), who was with the ship in WWI.
En route to meet the convoy led by Laughton, the ship picks up survivors from a Hawaiian hospital - twenty babies and two pregnant women.
I'm pretty sure "Stand by for Action" was supposed to be a stirring propaganda drama, but once the babies come on board, it sort of becomes a comedy. Two different movies and one confused script. Some of the action was good, though.
I tend to watch Robert Taylor films as an homage to my late mother, who loved him. He always reminds me of her - after all, I knew his real name when I was still in grade school. It always cracks me up that he does roles like the Harvard grad in this, or the title role in A Yank at Oxford. He was a Nebraska farm boy who loved the outdoors and horses, something he shared with his first wife, Barbara Stanwyck. But he sure looked debonair. He did make some very fine films, my favorite being Escape, one of his best performances. After the war, he played villainous roles - go figure.
Charles Laughton is great as usual as a commander with a desk job dying to get back to active duty; Brian Donlevy is good as captain of The Warren, and Walter Brennan gives a sympathetic performance as Yeoman Johnson.
This movie needed to stick to one thing - resuscitating this barge and putting it into battle, or taking care of babies and pregnant women.
While there is a lot of predictability about the plot and some silly clichés concerning picking up some women and babies, this film has a lot going for it. First, there are four exceptional actors all at the top of their game (Robert Taylor, Charles Laughton, Brian Donlevy and Walter Brennan). Second, the action scenes were generally exceptional in quality. While some of the scenes were obviously models (particularly before the big battle), most of the special effects were exceptional and really felt and looked real. Third, while formulaic, it was GOOD formula and featured exceptional dialog for a WWII propaganda film. All these elements worked together to make a very enjoyable film.
¿Sabías que…?
- TriviaThe bands around the waists are inflatable life preservers.
- ErroresMasterman tells the captain "forward gun disabled," but his lips say "aft gun."
- Citas
Lieut. Comdr. Martin J. Roberts: Mr. Masterman, aboard a destroyer the executive officer has got to be a jack of *all* trades.
Lieut. Gregg Masterman: I'm a jack, all right.
- ConexionesReferenced in Hollywood Hist-o-Rama: Robert Taylor (1962)
- Bandas sonorasAnchors Aweigh
(1906) (uncredited)
Music by Charles A. Zimmerman
Lyrics by Alfred Hart Miles and R. Lovell
Sections played during the opening credits
Reprised in the score at the end
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Detalles
Taquilla
- Presupuesto
- USD 1,400,000 (estimado)
- Tiempo de ejecución1 hora 49 minutos
- Color
- Relación de aspecto
- 1.37 : 1