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So Proudly We Hail was Paramount Pictures tribute to the nurses who were tending the casualties at Bataan. The film got four Oscar nominations and great roles for some of Paramout's female stars like Claudette Colbert, Paulette Goddard, and Veronica Lake, all playing nurses and also joined by Barbara Britton, Mary Treen, Dorothy Adams, Ann Doran and so many others.

Claudette is in charge of this group which sets out from San Francisco for assignment at Pearl Harbor. But the Japanese attack diverts the ship for the Phillipines where the nurses are rushed into tending the casualties on Bataan and Corregidor.

Having gone to the Phillipines as a tourist and having seen both places I thought Paramount did a remarkable job in re-creating both areas. The battle and evacuation scenes were very well done, one of the nominations that So Proudly We Hail got was for Special Effects.

Colbert gets herself involved with George Reeves and this was probably his best big screen performance. What an incredible tragedy that he went in the service and could not get his career momentum back as so many others did. Of course we all know he went on to be television's Superman and the tragedy that came out of that.

The military's no fraternization policy got a second wink when Goddard gets herself involved with Sonny Tufts in the film that got him his first notice. He plays a former football star from Kansas and appropriately named same in the film with a kind of goofball charm that was his trademark. Now wartime audiences either didn't notice or didn't care, but his New England accent stood out all over for a guy who was supposed to be from Kansas. Tufts was from the old New England WASP family that among other things endowed Tufts University. Why didn't they just call him Boston for the film?

The other Oscar nominations that So Proudly We Hail got was for Best Supporting Actress for Paulette Goddard, for Screenplay, and for Original Story. The film has held up remarkably well over the past several generations and it's a great tribute still to our army nurses in any war.

SO PROUDLY WE HAIL! (1943) has hard-hitting battleground action while telling a story about women (U.S. Army nurses) and women's issues. It's very well-done. The nurses struggle with their duty and their personal lives (romances, etc.) while facing the horrors of war. The special effects are surprisingly effective, rocking the camera with brutal explosions, and the war-zone drama is sure to bring a tear to one's eye.

The setting of the action is the Bataan Peninsula in the Philippines, where U.S. forces were hopelessly outnumbered and cut off from relief early in WWII. The film was made in the middle of the war when the outcome was anything but certain. It's a bit unusual in Hollywood films to see the U.S. losing battles. Seeing the Americans routed by the Japanese in the Philippines almost makes one wonder if the U.S. had a chance in the Pacific. The film has a patriotic flavor and seems to say that Americans have the courage and the spirit to overcome the early setbacks and get the job done (in the name of freedom, etc.).

Claudette Colbert is solid as always in the lead, playing the selfless officer looking after the other girls. Paulette Goddard gives a great performance, earning an Oscar nomination. She's all personality. She's funny, but not overly so, and has some touching dramatic moments. Viewers will also see a side to Veronica Lake they'd never expect. Dark and serious.

George Reeves plays the soldier who falls in love with Colbert, giving her someone to worry about while she works to keep the hospital base running despite short supplies and occasional Japanese air raids. Marine Sonny Tufts pairs off with Goddard in a sweet, but more comical relationship.

Directed by Astaire-Rogers musical-comedy veteran Mark Sandrich, SO PROUDLY WE HAIL! is a very effective war drama. Even though it focuses on the nurses and not the soldiers, the depiction of war is gritty and tough. The action scenes pull no punches. Viewers sympathize with the characters in their personal struggles, but also with the greater American forces in the context of the war. It's interesting to see a film like this made during WWII when things could've gone either way for the "good guys". Sonny Tufts can't believe the U.S. is on the losing side of the Battle of Bataan. Claudette Colbert gives a speech about the reality of war, with Americans being killed in places Americans used to think of as exotic and far away. It's a global affair and the U.S. was in it now, for keeps.

7.5/10

"So Proudly We Hail!" is an absolutely magnificent film in every way. This movie was NOT a propaganda film like so many made during that time were. There was no "rah-rah" attitude anywhere in this film. This is one of the first films that put women in the spotlight as true war heroes, and in the front lines. The movie was extremely important for women, and how women are viewed in films. This film centers around the true horrors that the courageous nurses who served in WWII at Corregidor went through. NOTHING at all was candy coated, so to speak. As you watch this film, and remember that it was made in 1943, you will be shocked at some of the content for that time period. Amazing performances by all, including the great Claudette Colbert, George Reeves (from Superman fame), Veronica Lake (In certainly her finest performance), and Paullette Goddard who was nominated for an Academy Award. The script for this film was written by using the stories from journals, and diaries of the actual nurses who served at Corregidor. Some of these nurses made it back, and some didn't. Some of the surviving nurses of Corregidor were also brought in during production as technical advisors to the film makers. A few of them were even used as extras. Issues of Life magazine, and photographers from Life magazine who were there, were brought in assure even more accuracy concerning uniforms, and surroundings. The fact that this movie was released while the war was still going on, is further testament to it's courageous stance in not candy coating the horrors of war. This is one of the few old WWII films that I would love to see remade. A remake of this film could be as huge as "Saving Private Ryan" As you watch the film, you will see what I mean. This film was well written, had outstanding acting, mature subject matter for the time period, and was an historical achievement for putting courageous women in the spotlight. All of these elements together, make for a classic film that is a MUST SEE for everyone. Why this film is not in the AFI Top 100 is a mystery to me.

Hollywood deserves a big hand of applause for making SO PROUDLY WE HAIL at a time when the U.S. was still involved in WW2 and our struggles to overcome the Japanese in the Pacific. It opened to popular acclaim at New York's Radio City Music Hall where it played to contented audiences who were both entertained and impressed by the war realism depicted as nurses undergo the rigors of work among the wounded.

It's still pretty impressive, although some of the flag-waving gets a little heavy and the suds flow pretty freely when the nurses discover romance. Claudette Colbert leads the pack of nurses with a nobility only Claudette could demonstrate--and sincerity. In lesser roles, Veronica Lake and Paulette Goddard acquit themselves well, with Goddard receiving a Supporting Actress nomination.

Sonny Tufts achieved instant popularity with his role as the bumbling Kansas and George Reeves had one of the best roles of his career as Colbert's love interest.

What makes the film remarkable for its time is the way it handles all of the action sequences--and there are plenty of them. The explosions don't look as if they're happening on a studio set but in the jungles and terrain of the story--and they're mighty effective in their realism, something even today's audiences can appreciate.

On the debit side, the story is a little overlong and the flashback technique might not appeal to everyone. Still, it has holding power and is an example of one of the finer films of the period to deal with the role of women during World War II.

Way ahead of its time. Intelligently written, movingly acted, extremely compelling battle scenes for a film of its era. Excellent, realistic performances by Veronica Lake, Paulette Goddard, Sonny Tufts, Walter Abel, Hugh Ho Chang, even George Reeves. I don't understand why this film isn't mentioned among the best of American-made war movies.

Some reviewers here have called it "propaganda," but it is hardly that in the context of the time. I was actually quite surprised by its even-handedness. (Yes, there are non-PC references to "Japs," as with every other American war movie of the era.) Disregard any disparaging critiques posted here and SEE THIS FILM.