Mi amiga Flicka

"In this touching family film based on the celebrated novel by Mary O'Hara, ten-year-old Kenny McLaughlin (Roddy McDowall), a rancher's son, desperately wants a horse of his own. When his father (Preston Foster) finally agrees to let him choose a foal, Ken picks Flicka, a beautiful but high-spirited filly who comes from a bloodline considers hopelessly wild. It is up to Ken to prove Flicka is tamable or risk losing her. Along the way, Ken and his family learn some important lessons in the poignant tale of love, patience, faith, and hope beyond hope," according to the DVD synopsis.

The most obvious outstanding feature of this excellent family drama is the stunningly beautiful Technicolor photography by Dewey Wrigley, with Natalie Kalmus and Henri Jaffa assisting. Both the Utah location and 20th Century-Fox lots are spectacular, often with a gentle breeze highlighting the scenery. The studio could have easily pushed for an "Academy Award" (to compete with MGM's "Lassie Come Home") in the "Best Color Cinematography" category.

According to my Svenska grandfather, "Flicka" means just "girl" in Swedish, not as the film states, "little girl." The story trims the book to make "My Friend Flicka" seem more about the curiously cold relationship father Foster has with his son. By the film's end, you expect the distant dad will be closer to young McDowall. He and "Flicka" are tremendously appealing, and charmed viewers through sequels, a TV series, and numerous repeats through the 1950s.

******** My Friend Flicka (5/26/43) Harold Schuster ~ Roddy McDowall, Preston Foster, Rita Johnson, James Bell

One of Roddy McDowell's most endearing roles as a child actor was as young Ken McLaughlin in My Friend Flicka. The film has deservedly become an international children's classic.

Young Mr. McLaughlin has become quite the headache for his parents Preston Foster and Rita Johnson, his grades slipping and his chores on the horse ranch they have left undone. Johnson decides that he should get a colt anyway to teach him a sense of responsibility and Foster goes along with the idea, a bit reluctantly.

The bonding of the colt Flicka with McDowell is something to see. It's quite touching and real and the two see through some rough patches. The colt's mother has a streak of crazy wildness in her and a particular piece of wildness kills her. This is where Preston Foster gets his doubts, but love between the boy and horse win out.

Studios which were starting to use color before the war pretty much switched to black and white. 20th Century Fox probably did more color features than other studios, mostly for their splashy musicals. The color cinematography here makes My Friend Flicka timeless and salable for today's taste.

Good family film, still holds up well since the World War II years.

This is a very dated movie with obvious sets. It is about a young, impressionable boy who does not seem to fit into the Wyoming ranch life his father loves. As a result, his father puts him in charge of a horse. The movie is replete with with its Hollywood make-up, perfect ranch clothing, sets, and backdrops that are just terribly apparent. The young boy speaks with such perfection of speech, such respect, and such politeness, it is just foreign to the backdrop of a Wyoming rancher. But---but,the story is timeless. What both the father and son learn---from Flicka--endures to this day. I saw it for the first time on television this afternoon. I was extremely touched and at the point of tears. It is, indeed, a classic, for children as well as for adults, and simply an endearing movie to enjoy. I recommend it. Great acting by the horse, too.

Why B-movie hack Schuster was hired to direct from my understanding a pretty popular and beloved children's book is beyond me. It shows the kind of nonsense old screenwriter DFZ loved to do at his studio Fox. The Fox classics from his era of running the studio are classics to only those who don't love movies. I have never read the book but I feel very suspiciously that much of it has been thrown into the gutter. That's alright. I have no big qualms with that as long as what you do stands on its own and is as good or better than what is in the book. In this case, syrup flows from this thing and never stops. I continually could look away from the screen, nod my head and lose absolutely nothing in this story about a dumb-dumb taming the wild or is it loco? bronc. What saves this treacly story is the fine and natural performances by everyone in the cast and I am a twenty-five year old guy, so I guess the movie isn't meant for me, and i believe the young uns might enjoy it, so rent it for the kids. A new version is currently being made. Hopefully, that one will offer something for both kids and adults.

This is a mediocre movie from a brilliant book. The script writers did everything they could to slaughter it, making it into a cutesy children's movie. Not to be outdone, the casting department then finished pulling everything apart, leaving it to the actors to attempt a salvage. Roddy McDowall turned in a good performance as always; there was just something about his English accent that seemed out of place on the Wyoming plane.I voted a six, because it's a fair movie if you forget that it's supposed to be from the book, which apparently nobody in the crew read.