Yo dormí con un fantasma

Canadian nurse Betsy Connell (Frances Dee) is employed by wealthy Paul Holland (Tom Conway) to take care of his catatonic wife Jessica in the West Indies. It is never said exactly where in the West Indies this is, but it is mentioned that there is a strong presence of voodoo on the island.

Betsy is told by Jessica's doctor that Jessica has been this way since she had a bad case of a tropical fever, and the catatonia was the aftermath. Jessica can walk and follow simple commands, but she is mute and doesn't seem to comprehend what is going on around her.

Betsy gets to know both her boss Paul, who is a joyless curmudgeon who proves to be secretly sensitive, as well as his brother Wesley, who is outwardly charming but dangerously embittered. But it's the permanently unavailable Paul whom she grows to love. When a voodoo-believing servant tells Betsy that voodoo has the power to cure Jessica, Betsy takes Jessica to the voodoo encampment to see if they can cause her to reclaim her sanity. Complications ensue.

The film is for sure atmospheric, like all of the entries from Val Lewton during this time period. That atmosphere includes lumbering women in billowing long white gowns, tall stone staircases, and high gray ceilings. A great sense of unease runs through the veins of this movie from start to finish.

What did I not like? Character development is very abbreviated. And the locals who inhabit the island seem more like they are sporting the accent of the blacks of the American south than the West Indies. Plus the explanation of events is delivered in just a couple of sentences at the end and left me very unsatisfied - Show me, don't tell me! But then this was meant to be a 70-minute RKO quickie, not a horror classic, so it is remarkable that with such a small budget it has managed to have such staying power over the years. I'd recommend it.

Director Jacques Tourneur and producer Val Lewton are noted for their more cerebral forays into the horror genre and this is one of the finest of their partnership. The basic story centers around voodoo in the islands and the real or imagined effects it has on one particular family. I never know whether Tom Conway is a good, low-key actor or not an actor at all but here he does a passable job as the tortured husband. Frances Dee is sweet as the nurse who gets entangled in the family problems and tries to help to no avail. Although Christine Gordon says not a word during the whole film, her image and unusual beauty is haunting. Edith Barrett, an actress who was pitifully under used in film, is outstanding as the mother who plays a rather surprising role. The whole film is based on atmosphere and great cinematography....it is chilling without showing much, therefore leaving a lot to the imagination. There is no violence,no special effects and no gore but it will hold you in suspense just the same. The choice of title is unfortunate (but so was "I Married a Monster from Outer Space" which was also a good film). I rate this movie as one of the Tourneur/Lewton masterpieces and highly recommend it to all lovers of the genre.

The Canadian nurse Betsy Connell (Frances Dee) is hired to travel to St. Sebastian, in West Indies, to work at Fort Holland nursing Jessica Holland (Christine Gordon), the wife of the sugar plantation owner Paul Holland (Tom Conway). Betsy meets Paul in the ship and is welcomed by Paul's estranged half-brother Wesley "Wes" Rand (James Ellison) in the farmhouse. During the night, she overhears a woman crying and she believes that might be Jessica and goes to her room. She finds a creepy mute woman and she learns that Jessica had a mental paralysis after a severe tropical fever and is a hopeless case, unable to speak or have power. Soon Betsy falls in love with Paul and she decides to help Jessica to be cured to make Paul happier. She suggests an experimental treatment with shock to Dr. Maxwell (James Bell) but it fails. While talking to the maid Alma (Theresa Harris), she discovers that another woman was cured in a voodoo ceremony by a voodoo priest and she decides to use witchcraft to cure Jessica. However the natives believe that Jessica is a zombie that cannot be cured. When Betsy meets Paul and Wesley's mother Mrs. Rand (Edith Barrett), she finds that Jessica was the pivot of a fight between Paul and Wes and she believes that her daughter-in-law is a zombie.

"I Walked with a Zombie" is an ambiguous zombie movie directed by Jacques Tourneur. The plot is a family drama and the zombies in this movie are not like in George Romero's trilogy or "The Walking Dead", but related to voodoo in a Caribbean Island. There is a creepy atmosphere with a beautiful cinematography, the non-stop voodoo drums and the native Carrefour, but no gore, violent death or scream. The conclusion is ambiguous after the revelation of Mrs. Rand. My vote is seven.

Title (Brazil): "A Morta-Viva" ("The Living Dead")

The film opens with Betsy Connell (Frances Dee) being interviewed for a home-care nursing position. Oddly, she's asked during the interview if she believes in witchcraft. She gets the position, working for Paul Holland (Tom Conway), who is a wealthy plantation owner on the Caribbean island of St. Sebastian. Holland has hired her to take care of his wife, Jessica (Christine Gordon), who is in a perpetual state that resembles somnambulance. As Betsy spends more time on the island, she learns that most of the population believes in and practices voodoo, and she learns that Jessica had a relatively tumultuous past with Holland's family.

This was director Jacques Tourneur and producer Val Lewton's second horror/thriller collaboration (the first being Cat People (1942) and the third The Leopard Man (1943)). For many viewers, it is their favorite of the three. While I like the film, I don't like it quite that much--I prefer Cat People. But still, I Walked With A Zombie ends up with a 7 out of 10 from me.

The horror aspects of I Walked With A Zombie are really very minor. They're really present only as a kind of personification of the results of complicated romantic and familial relationships. Yes, there is an admirable "haunted house"-styled scene involving a spooky stairway and creepy, distant sounds, and yes, the trek to the voodoo "home fort" is well done, but this kind of material doesn't work as well for me here as it did in Cat People, because here it's not really the focus of the story. It's ancillary material with the function of helping to solve a very different kind of mystery. Also, much of the voodoo material (such as the actual ceremony) tends to be overrated in my opinion, although the final sequence related to the voodoo theme is appropriately eerie.

But what works best for me in I Walked With A Zombie are the many dialogue-heavy scenes where the three main characters--Connell, Holland and Wesley Rand (James Ellison)--gradually learn more about one another, and where the "mystery" is gradually uncovered. A scene where a local "minstrel" sings part of the backstory while Connell and Rand are having a drink is exquisite, for example. Yet, even with this positive aspect, I never felt that the backstory was sufficiently explained. The mystery remains, and the moralizing bookends of the film do not help, either.

Still, I Walked With A Zombie is definitely worth a watch, and based on the extravagant praise that many viewers utter towards the film, you might like it much better than I do.

"I Walked with a Zombie", besides having one of the oddest movie titles, took a different approach to the horror genre than the popular Universal movies of the day. Maybe it harkens back to the earlier Universal heavies like "Dracula" and "Bride of Frankenstein". Made by Val Lewton and Jacques Tourneur, they crafted their collaborations using a poetic, dreamlike approach to cinematic storytelling. Lyrical and atmospheric, "I Walked with a Zombie" recounts the story of a Canadian nurse sent to a small West Indian sugar island to tend for a young comatose woman, the wife of the island's plantation owner. What's wrong with her? Hints abound through the songs of the calypso singers, bits of dialogue, objects in the movie. The story, as odd as it is, is not told directly. You may think it is, but at the end of the film, you're not so certain of what's happened. Were the events the work of the supernatural? Was a crime committed? Or both? Or neither? It's difficult to say. I recommend this movie, it's important not to forget the older, off-beat films.