CALIFICACIÓN DE IMDb
6.7/10
1.8 k
TU CALIFICACIÓN
Agrega una trama en tu idiomaTwo newspaper photographers get mixed up with gangsters at a ski resort.Two newspaper photographers get mixed up with gangsters at a ski resort.Two newspaper photographers get mixed up with gangsters at a ski resort.
- Dirección
- Guionistas
- Elenco
- Premios
- 1 nominación en total
Joe Sawyer
- Buster
- (as Joseph Sawyer)
Bobby Barber
- Candy Butcher
- (sin créditos)
Hank Bell
- Sleigh Driver
- (sin créditos)
Wade Boteler
- Train Conductor #2
- (sin créditos)
Cordelia Campbell
- Child Skater
- (sin créditos)
Ken Christy
- Fire Chief
- (sin créditos)
Joseph Crehan
- Train Conductor #1
- (sin créditos)
Eddie Dunn
- Officer Murphy
- (sin créditos)
Pat Flaherty
- Police Lieutenant
- (sin créditos)
Opiniones destacadas
I enjoyed this one a lot. Several funny bits. Watching Lou try to ice skate makes me laugh every time. Love the skiing climax. The gangster stuff with Sheldon Leonard is pretty great, too. I'll add that Patric Knowles and Elyse Knox are likable side characters. Usually the least entertaining part of comedies like this are the romantic subplots with whatever B stars the studio is trying to push. But here they not only don't offend, they add to the picture. I actually cared about them. Anyway, it's not a top ten A&C flick maybe but it's a fun one. Lots of slapping. We don't have enough slapping in movies these days.
8tavm
Having just watched Laurel & Hardy in the Swiss Alps in Swiss Miss, I decided to then rewatch Abbott & Costello in Sun Valley in Hit the Ice. They play photographers who unwittingly get involved in taking pics of villain Sheldon Leonard and his henchmen after they rob a bank. I'll stop there and just say Bud & Lou once again are funny with their routines, like "Pack/Unpack" and "All Right!", and especially Lou's reactions and pratfalls. This was one of their early ones in which there are several musical interludes of which many are performed by Ginny Simms. I didn't mind them the first time I watched this 40 years ago and I still don't mind now. While looking at the cast list on this site, I noticed a couple of them-Edward Gargan and Mantan Moreland-had the year before appeared in Laural & Hardy's A-Haunting We Will Go. While regular A & C court jester Bobby Barber was also listed as being in this movie, I didn't recognize him anywhere here. Oh, and since I always like to cite when a player from my favorite movie It's a Wonderful Life is in another film, here it's Mr. Leonard who was, of course, Nick the Bartender in IAWL. So on that note, I truly re-enjoyed Hit the Ice. My next review will be Laurel & Hardy's short Towed in a Hole.
I've always liked this Abbott & Costello outing, probably ranking it just in their top ten - but I really don't know why! The story is so contrived and abounding with plot leaps and non-sequiteurs I wonder what everyone was thinking about in the making and release of this. I think it must be the fun and inconsequential atmosphere created so effortlessly by Universal studios during the War that brings me back to re-watch Hit The Ice every few years, along with my love of A&C of course.
Basically: 2 photographers are mixed up in bank robbery, the main perp of which is laid up as ill in hospital as an alibi. His doctor is going to Sun Valley to take up a new post, so the gangsters tag along with him taking the suspicious nurse in tow - plus A&C trying to clear their names. Ignoring all the plot inanities along the way, this would be a pleasant but ordinary comedy with ditto songs - which were beautifully produced and evocative of the time, but not very catchy. But A&C's packing and re-packing the grip routine still holds up well even with the overly childish conclusion to it. It's also a film that can be watched credulously at 10 years old, in middle age the link to the Keystone Kops is sadly more apparent - who finds them a Laugh Riot nowadays? On the other hand compared to Blazing Saddles (the personal yardstick that I regularly use to gauge the worth of various films) this is a beautiful work of Art - seriously!
So the bottom line is if like me you can overlook plot and you like A&C then you'll do alright, if not, well, it's definitely not their best anyway!
Basically: 2 photographers are mixed up in bank robbery, the main perp of which is laid up as ill in hospital as an alibi. His doctor is going to Sun Valley to take up a new post, so the gangsters tag along with him taking the suspicious nurse in tow - plus A&C trying to clear their names. Ignoring all the plot inanities along the way, this would be a pleasant but ordinary comedy with ditto songs - which were beautifully produced and evocative of the time, but not very catchy. But A&C's packing and re-packing the grip routine still holds up well even with the overly childish conclusion to it. It's also a film that can be watched credulously at 10 years old, in middle age the link to the Keystone Kops is sadly more apparent - who finds them a Laugh Riot nowadays? On the other hand compared to Blazing Saddles (the personal yardstick that I regularly use to gauge the worth of various films) this is a beautiful work of Art - seriously!
So the bottom line is if like me you can overlook plot and you like A&C then you'll do alright, if not, well, it's definitely not their best anyway!
Underrated A&C slapstick. The boys are photographers who get mixed up with bank robbers, ending up in a whirlwind ski run at Sun Valley. It's a darn near perfect mix of Costello prat-falls, big band tunes, and mock theatrics. Note how Lou often plays to the camera, acknowledging our presence in humorous fashion.
Plus, it's a great supporting cast of baddies, including a menacing Sheldon Leonard, a sinister Marc Lawrence, and a thuggish Joe Sawyer. And get a load of songstress Ginny Simms-. I'd stamp her name on my fuselage any day. Then there's the sweetly pretty Elyse Knox who, unfortunately, passed away just a short time ago.
Happily, the gags fly thick and fast in a script loaded with clever gimmicks, such as the handkerchief trick that's no sure thing as Lou finds out. Plus, there's the ice rink that made me appreciate what an expert athlete Costello is despite his ungainly appearance.
Anyway, the material is fresh, the boys are energetic, and the pacing is snappy, making this a top-notch entry in the A&C sweepstakes.
Plus, it's a great supporting cast of baddies, including a menacing Sheldon Leonard, a sinister Marc Lawrence, and a thuggish Joe Sawyer. And get a load of songstress Ginny Simms-. I'd stamp her name on my fuselage any day. Then there's the sweetly pretty Elyse Knox who, unfortunately, passed away just a short time ago.
Happily, the gags fly thick and fast in a script loaded with clever gimmicks, such as the handkerchief trick that's no sure thing as Lou finds out. Plus, there's the ice rink that made me appreciate what an expert athlete Costello is despite his ungainly appearance.
Anyway, the material is fresh, the boys are energetic, and the pacing is snappy, making this a top-notch entry in the A&C sweepstakes.
Photographers Flash and Tubby believe they have land a paying job when they agree to cover a group of men coming out of a bank. Little do they know that the men are bank robbers who have mistaken the two for hired guns, booked to cover the entrance during the job. They discovery this too late and suddenly find themselves suspected of the robbery themselves. With only the photographs they took as leverage, the two follow the crooks to a mountain ski resort where they plan to expose them and clear their own names.
Abbott & Costello are always a duo I come back to but yet they are also a duo that tend to deliver solid amusement rather than great films. Hit the Ice is another one of those because it is roundly "ok" even if it does have some bits that capture why people love these two. The plot is a simple affair with the usual misunderstandings and scrapes along the way but it does work, providing the love interest for Costello to flirt with and also the tough guys for him to face off against. There are a few routines that are good fun like the "teller" one or the bit where Costello packs and unpacks repeatedly, while the pratfalls and chases are amusing and are done with energy. It doesn't have enough to be considered a great film or anything but it is amusing enough to please fans and also children.
The film is padded far too much with musical numbers. You expect one or maybe two but there are loads of them here and they never feel like anything other than filler. Abbott and Costello are both on pretty good form here, they feel like they are working well off one another – with Costello in particular putting effort into his falls and double-takes. Simms' songs perhaps don't appeal but she certainly does – stunningly beautiful and she has an easy screen presence that helps as well – I feel for Knox who has to compete but doesn't really. Leonard is fun as the main villain while Knowles is about as vanilla and dull as he could have been.
Overall this is an OK piece of comedy that fans will like as well as kids. There are a couple of funny routines and, although it has too much of it, the pratfall-style comedy is OK too. The musical numbers are overused and slow the film down but at least you get to look at Simms while they are on (well, mostly). Solid but unremarkable.
Abbott & Costello are always a duo I come back to but yet they are also a duo that tend to deliver solid amusement rather than great films. Hit the Ice is another one of those because it is roundly "ok" even if it does have some bits that capture why people love these two. The plot is a simple affair with the usual misunderstandings and scrapes along the way but it does work, providing the love interest for Costello to flirt with and also the tough guys for him to face off against. There are a few routines that are good fun like the "teller" one or the bit where Costello packs and unpacks repeatedly, while the pratfalls and chases are amusing and are done with energy. It doesn't have enough to be considered a great film or anything but it is amusing enough to please fans and also children.
The film is padded far too much with musical numbers. You expect one or maybe two but there are loads of them here and they never feel like anything other than filler. Abbott and Costello are both on pretty good form here, they feel like they are working well off one another – with Costello in particular putting effort into his falls and double-takes. Simms' songs perhaps don't appeal but she certainly does – stunningly beautiful and she has an easy screen presence that helps as well – I feel for Knox who has to compete but doesn't really. Leonard is fun as the main villain while Knowles is about as vanilla and dull as he could have been.
Overall this is an OK piece of comedy that fans will like as well as kids. There are a couple of funny routines and, although it has too much of it, the pratfall-style comedy is OK too. The musical numbers are overused and slow the film down but at least you get to look at Simms while they are on (well, mostly). Solid but unremarkable.
¿Sabías que…?
- TriviaLou Costello always suspected that their studio, Universal Pictures, wasn't giving he and Bud Abbott the agreed-upon share of the profits the studio made from their films (a suspicion later proven--as a result of legal action they took against the studio--to be true). Therefore, he developed a habit of picking out furniture he liked from the sets of their films and taking them home, considering it payback for what he believed to be Universal's cheating. One day director Charles Lamont showed up on the set to shoot a scene at the ice skating rink only to discover that all the wrought-iron patio furniture that had been there the previous day had disappeared. Costello denied any knowledge of it, and Lamont said he would shoot no more scenes until the furniture was returned. A compromise was finally reached whereby Costello would bring back the furniture, the scene would be shot, and then he would be allowed to take all of the furniture back home.
- ErroresWhen Flash and Tubby arrive at the ski cabin, you can see their shadows on the trees in the backdrop behind them.
- Citas
Weejie 'Tubby' McCoy: Hey! Where's the fire?
Mac: In your eyes.
- ConexionesEdited into Snowtime Jubilee (1949)
- Bandas sonorasHappiness Bound
(1943)
(Also known as "Happiness Ahead")
Music by Harry Revel
Lyrics by Paul Francis Webster
Played during the opening and closing credits
Played on a sleigh ride by Johnny Long and His Orchestra (uncredited) and sung by them, the Four Teens (uncredited) and Ginny Simms (uncredited)
Selecciones populares
Inicia sesión para calificar y agrega a la lista de videos para obtener recomendaciones personalizadas
- How long is Hit the Ice?Con tecnología de Alexa
Detalles
- Tiempo de ejecución1 hora 22 minutos
- Color
- Relación de aspecto
- 1.37 : 1
Contribuir a esta página
Sugiere una edición o agrega el contenido que falta
Principales brechas de datos
What is the Spanish language plot outline for Pistoleros sin pistola (1943)?
Responda