CALIFICACIÓN DE IMDb
5.0/10
1.7 k
TU CALIFICACIÓN
Los East Side Kids intentan arreglar una casa para unos recién casados, pero descubren que el lugar de al lado está "embrujado" por hombres misteriosos.Los East Side Kids intentan arreglar una casa para unos recién casados, pero descubren que el lugar de al lado está "embrujado" por hombres misteriosos.Los East Side Kids intentan arreglar una casa para unos recién casados, pero descubren que el lugar de al lado está "embrujado" por hombres misteriosos.
- Dirección
- Guionista
- Elenco
Ernest Morrison
- Scruno
- (as Sammy Morrison)
William 'Billy' Benedict
- Benny
- (as Billy Benedict)
Harry Depp
- John G. Elwood
- (sin créditos)
Tom Herbert
- Park Central Plaza Desk Clerk
- (sin créditos)
- Dirección
- Guionista
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
8tavm
This was another East Side Kids movie that was pretty funny from beginning to end, largely due to the antics of Leo Gorcey and Huntz Hall as well as Ernie "Sunshine Sammy" Morrison. This was Bela Lugosi's second appearance (after Spooks Run Wild) in a film with this gang though he rarely has any scenes with any of them. This was also one of Ava Gardner's early roles in the movies and she's not in it much, either. As the title implies, this takes place in a supposed haunted house with strange things happening. So on that note, I recommend Ghosts on the Loose. P.S. It's amusing that New Orleans native Morrison says "Who Dat!" at one point since that's now the rallying cry for that Crescent City's NFL football team, the Saints. Also loved it when Glimpy asks "Who?" before Muggs says, "Who is on first."
Slapstick meets Bela Lugosi in this all-but-forgotten 1943 comedy. Just think about that statement... Comedy, Bela Lugosi. And that right there is why I allowed myself to splurge 2 bucks for a used VHS copy, because the very concept made me crack a smile.
But although Lugosi's performance can't be argued with, the plot underpinning his role certainly doesn't help to elevate this film to award-winning, or even memorable, status. There isn't any "bad" acting from anyone on the cast. It would be more accurate to say that each part was played with about as much talent and gusto as it required. While Lugosi can just walk on screen and be effective by looking like himself, the other parts are a little trickier. There is a doofus, a few cronies, a guy getting married, or a very flat Ava Gardner, so take your pick. There isn't much depth behind those parts that a halfhack drama student couldn't pull off with a hangover, so they are adequately acted.
But all criticisms of writing and the very nature of crackerjack comedy aside, the whole thing was pretty good. There are plenty of gags and stupid lines to keep anyone with at least half a heart interested. Paintings with moving eyes, secret passages, etc. The gags get old from the start but some of the lines just snap off like popcorn and I appreciate that type of writing. It's an older, fast-talking style that Hollywood tends to ignore nowadays, if people are even writing like that any longer, but I doubt it; there's too much interest in color film, sex and violence to make dialogue important.
This film has no blood, no senseless violence, no gratuitous sex, and no crass language. Don't get me wrong, there is an upside (heh). So I'm not going to pretend that I'm too cool to say this wasn't any good, because it's funny, simple, and downright ridiculous. All I mean to say is that when those factors are combined in a script today, they doubtlessly create a tasteless, fluffy PG sleeper not worth the price of the ticket. This movie is different, however, just don't expect a cinematic masterpiece. Expect it to be what the title suggests, a simple and stupid comedy starring Bela Lugosi as a secret Nazi, and you've got to love that.
But although Lugosi's performance can't be argued with, the plot underpinning his role certainly doesn't help to elevate this film to award-winning, or even memorable, status. There isn't any "bad" acting from anyone on the cast. It would be more accurate to say that each part was played with about as much talent and gusto as it required. While Lugosi can just walk on screen and be effective by looking like himself, the other parts are a little trickier. There is a doofus, a few cronies, a guy getting married, or a very flat Ava Gardner, so take your pick. There isn't much depth behind those parts that a halfhack drama student couldn't pull off with a hangover, so they are adequately acted.
But all criticisms of writing and the very nature of crackerjack comedy aside, the whole thing was pretty good. There are plenty of gags and stupid lines to keep anyone with at least half a heart interested. Paintings with moving eyes, secret passages, etc. The gags get old from the start but some of the lines just snap off like popcorn and I appreciate that type of writing. It's an older, fast-talking style that Hollywood tends to ignore nowadays, if people are even writing like that any longer, but I doubt it; there's too much interest in color film, sex and violence to make dialogue important.
This film has no blood, no senseless violence, no gratuitous sex, and no crass language. Don't get me wrong, there is an upside (heh). So I'm not going to pretend that I'm too cool to say this wasn't any good, because it's funny, simple, and downright ridiculous. All I mean to say is that when those factors are combined in a script today, they doubtlessly create a tasteless, fluffy PG sleeper not worth the price of the ticket. This movie is different, however, just don't expect a cinematic masterpiece. Expect it to be what the title suggests, a simple and stupid comedy starring Bela Lugosi as a secret Nazi, and you've got to love that.
I've tried to like this film, but at best it's merely tolerable. I thought that there would be more to it. There are basically two parts to the film: 1)Ava Gardner and Rick Vallin's wedding 2) At the two country houses. The first half of "Ghosts on the Loose" is a total gyp. It's got nothing to do with ghosts (neither does the second half) and is frankly quite boring. The only pluses in this half of the film are the moments with young Ava and her fiancé/husband Rick. The second half of the film is a let-down. The East Side Kids arrive in the country and spend many dull moments redecorating what they think is the honeymoon couples house. They move furniture around while the most awful, dreary canned background music is played (the same awful music that was used in "The Ape Man" and other Monogram films). By the time a printing press starts getting moved around from house to house this film almost becomes a sleep inducing bore. What a shame! If Monogram had used better background music I would have added a star to my rating. Lugosi has very little time on screen here. Like others have said "Spooks Run Wild" is the better of the two Lugosi-East Side Kids outings...much better!
The East Side Kids decide to do some redecorating for a pal on his honeymoon. He's marrying Ava Gardner and the gang wants to give him a token of friendship. However, Bela Lugosi appears talking about being surrounded by imbeciles. No spooks, but some WWII spies. An early version of the Bowery Boys, this film is silly entertainment. Gorcey, Hall, Jordan, and Billy Benedict are more youthful, which adds to the escapades. 2 out of 4 stars
I have some bias with regards to this classic slapstick comedy because I watched it several times at a young age, but I must admit it's still VERY funny in what is at least 15 years later. Sure, the characters and acting are all extremely dated, but that's the beauty of it! The Bowery Boy gang's line of films can be compared to the comedic stylings of the Thee Stooges and other similar old Hollywood comedies. I found myself grinning through much of the duration of this film. It's good, fun comedy. The kind of humor that you can really enjoy at any age. If you go into this film (and all the others like it) without cynicism, then you'll undoubtedly enjoy it.
¿Sabías que…?
- TriviaFinal appearance of Ernest Morrison (Scruno) as an active member of the East Side Gang. Morrison would later appear in Follow the Leader (1944), but only in a flashback sequence using archive footage from Rotana (1942).
- ErroresIn the credits, Bobby Stone is billed as playing "Dave," Bill Bates is billed as playing "Sleepy," and Billy Benedict is billed as playing "Benny." In actuality, Stone plays the role of "Rocky," and it's Bates who plays "Dave" (a character who is, indeed, defined by his sleepiness). Benedict indeed plays Benny, but several times he's called "Skinny," his character name in other movies.
- ConexionesEdited into The Our Gang Story (1994)
- Bandas sonorasDrink to Me Only with Thine Eyes
(uncredited)
Music by R. Melish (1780 ?)
Lyrics (poem To Celia) by Ben Jonson (1616)
Played on an organ by Bill Bates and sung by The East Side Kids
Reprised by them at the wedding
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Detalles
Taquilla
- Presupuesto
- USD 85,000 (estimado)
- Tiempo de ejecución
- 1h 7min(67 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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