Haciéndose pasar por investigador de seguros, Tom Lawrence investiga el asesinato de una profesora -falsificado como suicidio- en una universidad femenina.Haciéndose pasar por investigador de seguros, Tom Lawrence investiga el asesinato de una profesora -falsificado como suicidio- en una universidad femenina.Haciéndose pasar por investigador de seguros, Tom Lawrence investiga el asesinato de una profesora -falsificado como suicidio- en una universidad femenina.
- Dirección
- Guionistas
- Elenco
- Marguerita Serena
- (as Rita Corday)
- Detective Bates
- (as Ed Gargan)
- Second Ugh
- (as Juanita Alvarez)
- First Ugh
- (as Ruth Alvarez)
- Goodwillie
- (as Olin Howlin)
- Audience Member
- (sin créditos)
- Dowager
- (sin créditos)
- Dowager
- (sin créditos)
- Maya Harris
- (sin créditos)
Opiniones destacadas
As with most `Falcon' movies the plot is secondary. You watch to see Tom Lawrence out smart the police (ably played by Cliff Clark and Ed Gargen), flirt with pretty women (Jean Brooks) and in general act as a proto-Bond (without the gadgets and violence).
If you want to a new view of life, look for a Bergman film. If you wish to see film as art I would recommend The Cabinet of Dr. Caligari. If you want to spend a fun evening with a loved one (or ones) and a bowl of Orville with root beer, it is hard to beat a Falcon movie, and this is a good example of the serial.
Tom (the Falcon) Lawrence gets called upon to investigate the death of a teacher at Bluecliff Seminary for girls, and uncovers a seething nest of unrest. His elderly presence at the school has the hep young ladies in a flutter as well as the shifty teachers. The buildings and grounds are beautifully and atmospherically photographed after all, this was RKO's best period with films like Magnificent Ambersons, I Walked With A Zombie and Seventh Victim etc, so why not some of the sadly neglected Falcon series as well? This time Inspector Why Timothy! Cliff Clark and stalwart sidekick Ed Gargan aren't chasing the Falcon to nail him for the murders but to help him clear it all up albeit with a battery of badinage, a refreshing change.
One of the best entries in the series imho, pleasant entertainment with nothing heavy in it thankfully and thus thoroughly recommended to fans; but if you didn't like this I wouldn't recommend any of the others to you unless you're masochistic.
Rita Corday also shows some acting chops as well as beauty as the spooky Marguerita. Her psychic moments provide a good atmospheric touch. Also, those seaside scenes, especially along the cliffs, add a lot of local color. And speaking of atmosphere, credit that fine RKO team of art director D'Agostino and set decorator Silvera for taking time out from the Lewton series. Those quaking bushes, moody pathways, and elaborate interiors typify their expert hand. On a lesser note, the whodunit is rather routine, but develops into an exciting climax. At the same time, the cop humor from Clark and Gargan is thankfully understated for a change.
Anyway, in my little book, the movie's a minor gem among the many detective series of the movie-drenched 1930's and 40's.
After a young woman appeals to Tom Lawrence (The Falcon) for help at her school, Bluecliff, where one suspicious death has taken place and a psychic student has predicted another one, she steals Tom's car to get him out to the school. Once there, he meets an interesting group of people, some of whom have secrets and others who act suspiciously. As foretold, another murder takes place, and it's up to The Falcon to sort things out. He usually does so before the police.
This is a pretty good mystery with some obvious stealing from the film "Rebecca," particularly the monologue about the sea that came right out of Danvers' mouth - and for the same purpose as here. There is also an overabundance of establishing shots of the sea and its high waves. However, it's still an enjoyable film. Tom Lawrence is without an annoying fiancée, instead being followed around by three young women, the Ughs, who help him out as well as sing. Frankly, I prefer them.
Conway isn't as smooth and debonair as his brother, George Sanders, but like his brother he has a beautiful speaking voice, is an attractive man, and flirts like crazy. His Falcon is more straightforward, and he's very likable. This is a very good series that always gives the viewer a relaxing hour-plus of watching.
The setting is the quaint Blue Cliff School for Young Ladies and The Falcon is there to solve the murder of a professor. The cast is an attractive one--and once again the cast includes AMELITA WARD and JEAN BROOKS. RITA CORDAY and ISABEL JEWELL are further additions to the charming female cast and all are among the suspects when the school's headmistress is also murdered.
The usual comic relief from bumbling detectives and some silly schoolgirls in love with The Falcon, it's diverting entertainment as well as an intriguing mystery.
Worthwhile watch for Falcon fans.
¿Sabías que…?
- TriviaMost Falcon films end with a teaser previewing his next case. The first time it accurately presaged the sequel's plot was for "The Falcon and the Co-eds."
- ErroresThe young ladies referred to in the title are in an all female institution, hence are technically not "co-eds".
- Citas
Tom Lawrence, the Falcon: [Seeing Donovan and Marguerita struggling to get out of a compromising position in a chair] Timothy, I'm surprised at you!
Inspector Timothy Donovan: [Trying to find an excuse] She broke in here after something.
Tom Lawrence, the Falcon: Did she get it?
Inspector Timothy Donovan: [Bewildered] Search me!
Tom Lawrence, the Falcon: Searching her would be more to the point.
- ConexionesFollowed by The Falcon Out West (1944)
- Bandas sonorasOh Dear What Can the Matter Be?
(aka "Johnny So Long at the Fair") (uncredited)
Traditional
Arranged by Dave Dreyer
Sung by the Three Ughs - Nancy McCollum, Nita Hunter and Ruth Álvarez
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- The Falcon and the Co-eds
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h 7min(67 min)
- Color
- Relación de aspecto
- 1.37 : 1