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IMDbPro

Fantasmas rumberos

Título original: Crazy House
  • 1943
  • Approved
  • 1h 20min
CALIFICACIÓN DE IMDb
6.3/10
271
TU CALIFICACIÓN
Cass Daley, Chic Johnson, Martha O'Driscoll, and Ole Olsen in Fantasmas rumberos (1943)
SlapstickComedia

Agrega una trama en tu idiomaOlsen and Johnson, stage comedians turned film stars, produce a star-studded musical comedy with an eccentric "millionaire" who hasn't got a dime.Olsen and Johnson, stage comedians turned film stars, produce a star-studded musical comedy with an eccentric "millionaire" who hasn't got a dime.Olsen and Johnson, stage comedians turned film stars, produce a star-studded musical comedy with an eccentric "millionaire" who hasn't got a dime.

  • Dirección
    • Edward F. Cline
  • Guionistas
    • Robert Lees
    • Frederic I. Rinaldo
    • Chic Johnson
  • Elenco
    • Ole Olsen
    • Chic Johnson
    • Cass Daley
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.3/10
    271
    TU CALIFICACIÓN
    • Dirección
      • Edward F. Cline
    • Guionistas
      • Robert Lees
      • Frederic I. Rinaldo
      • Chic Johnson
    • Elenco
      • Ole Olsen
      • Chic Johnson
      • Cass Daley
    • 13Opiniones de los usuarios
    • 5Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos11

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    Elenco principal99+

    Editar
    Ole Olsen
    Ole Olsen
    • Ole Olsen
    Chic Johnson
    Chic Johnson
    • Chic Johnson
    Cass Daley
    Cass Daley
    • Cass Daley…
    Patric Knowles
    Patric Knowles
    • Edmund 'Mac' MacLean
    Martha O'Driscoll
    Martha O'Driscoll
    • Marjorie Nelson alias Marjorie Wyndingham
    Leighton Noble
    Leighton Noble
    • Johnny
    • (as Leighton Noble and His Orchestra)
    Thomas Gomez
    Thomas Gomez
    • N.G. Wagstaff
    Percy Kilbride
    Percy Kilbride
    • Col. Cornelius Merriweather
    Hans Conried
    Hans Conried
    • Roco
    Richard Lane
    Richard Lane
    • S. E. Hanley
    Andrew Tombes
    Andrew Tombes
    • Horace L. Gregory
    Billy Gilbert
    Billy Gilbert
    • Sid Drake
    Chester Clute
    Chester Clute
    • Fud
    Edgar Kennedy
    Edgar Kennedy
    • Judge
    Franklin Pangborn
    Franklin Pangborn
    • Hotel Clerk
    Shemp Howard
    Shemp Howard
    • Mumbo
    Fred Sanborn
    • Jumbo
    Sally De Marco
    • Sally DeMarco
    • (as Tony and Sally DeMarco)
    • Dirección
      • Edward F. Cline
    • Guionistas
      • Robert Lees
      • Frederic I. Rinaldo
      • Chic Johnson
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios13

    6.3271
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    Opiniones destacadas

    bdewar1

    A funny thing took place when they called "Lunch, one hour."

    Once the movie....in the movie--the "Crazy House" outdoor set starts; watch for the two boys licking the barber pole. The skinny, seven year old boy in the sideways striped shirt is me!!! One of those watching is Shemp Howard (in a cutaway shot). The other boy and I were having a hard time licking that barber pole; it was just dry painted wood, and even in a B&W "el-cheepo", many takes were made. Then (before the director was satisified and called, "O.K., print it); the A.D. called, "Lunch, one hour," and we walked off and around some corners to the back lot for lunch on outdoor tables. A strange event took place while we were gone and I am writing about it in a book called, "Peeping Into Hollywood." The non-fiction book takes place around 1962, when I myself was directing a film called, "BACHELOR TOM PEEPING." (Look it up on IMDB). In that book I tell many stories about my eighteen years as a child extra and sometimes bit player. Watch for the book, due out some day? The barber pole and it's aftermath is a funny, strange event.
    6kevinolzak

    Olsen and Johnson invade Universal Studios

    1943's "Crazy House" may not strike many as Ole Olsen and Chic Johnson's best film, but it's one of the highlights of their Universal resurgence in the 1940s, a gaggle of guest stars in a wacky satire of Tinseltown that would be repeated by Mel Brooks' "Silent Movie" in 1976, and "The Happy Hooker Goes Hollywood" in 1980. The picture opens with Olsen and Johnson making their triumphant return through the studio gates, or rather flying over it since studio chief N. G. Wagstaff (Thomas Gomez) made it clear that they stay locked out; they proclaim themselves 'Universal's most sensational comedy team,' and are immediately welcomed as Abbott and Costello! This is by far the most engaging part, familiar faces scrambling to escape the shadow of Olsen and Johnson, from Andy Devine and Leo Carrillo preferring the company of a skunk, to Nigel Bruce's Doctor Watson making the announcement to Basil Rathbone's Sherlock Holmes, who is already aware of their presence: "I am Sherlock Holmes, I know everything!" (the duo were currently shooting "The Spider Woman"). Nothing else comes close to this self spoofing, and six contract players include this title on their resumes without actually appearing on screen: Lon Chaney, Evelyn Ankers, Louise Allbritton, Turhan Bey, Grace McDonald, and Gale Sondergaard. Chaney would join Andy Devine and Leo Carrillo for the next Olsen and Johnson caper, "Ghost Catchers," but not their screen finale, 1945's "See My Lawyer." Today's viewers might understandably find it difficult to tell the team apart, Ole Olsen the short one with high pitched giggle, his more straight laced partner a smidgen taller.
    8binapiraeus

    Prepare for another CRAZY Olsen and Johnson movie!

    When the news spreads around Universal Studios that Olsen and Johnson are back, panic breaks out and everybody runs away as fast as they can - because they can still remember the making of "Hellzapoppin'" (and who of us doesn't remember "Hellzapoppin'"? If there was such a thing as an award for 'the looniest picture', it would CERTAINLY go to this one!)... So, when they're thrown right over the studio walls out on the street, Ole and Chic just try to look for an 'angel' to finance the movie they're planning to make, and a director and cast of course! And as the title clearly suggests to us, "Crazy House" will be very little less loony than "Hellzapoppin'"...

    Only this time, there's more emphasis put on the many music numbers, some of which are really wonderful (especially the exotic 'Tropicana') - and besides the musical entertainment and the - as always - hilarious humor of the crazy duo, we can spot a lot of Universal regulars in cameo appearances, from Franklin Pangborn (distressed-looking as ever) to Basil Rathbone and Nigel Bruce as Holmes and Watson!

    Of course, the movie's filled to the brim with surprises and jokes - nothing highbrow or ambitious, just REAL good, plain entertainment to make us laugh and forget all our problems for just a while... And that wasn't only VITAL back in 1943 during the War, but it's still a GREAT thing today - and always will be!
    ChungMo

    Too much "entertainment" not enough O & J

    A strange concoction. Some of the Olsen and Johnson visual routines are incredible and some are painfully corny (and I like corny routines). Their standup routine in a nightclub is really bad. The sight gags seem to be inspired by animated cartoons as the two pull out all sorts of weird items at a moments notice. The hotel scene is a standout example.

    There are way too many standard 1940's musical numbers for my taste. But the other acts were sometimes entertaining. The harp and violin hobos were funny.

    This was shown on the TRIO network as part of Quentin Tarantino's favorite movie month. I think he likes it because of the "shocking" ending, that's it. I wouldn't suggest go out of your way to see it although.
    7bkoganbing

    Olsen&Johnson make a movie

    The frantic and anarchic style of Olsen And Johnson was never put to better use than in Crazy House. The boys have Universal Pictures in a state of siege at the thought of their returning to the lot after the success of Hellzapoppin'. Great success, but no one wants to work with them again. A whole lot of familiar faces show up to tell them just that.

    When they do get to see producer Thomas Gomez he dismisses them, but aspiring director Patric Knowles sticks up for them. So Ole, Chic, and Pat decide to make their own film and when name stars refuse them, they hire unknowns like carhop Martha O'Driscoll as a singer.

    The big problem is when they mistake Percy Kilbride for a wealthy backer. Percy is a refugee from a rubber room who only thinks he has great wealth. So when the creditors don't get paid, they hatch a plot to steal Olsen and Johnson's labor of love and laughs.

    Just about everyone who was working on the Universal lot with the exception of Abbott&Costello and Deanna Durbin got into Crazy House even for only a walk on. And I did love the fact that a whole slew of second banana comics got a bit in this film and that would include Billy Gilbert, Shemp Howard, and Edgar Kennedy as a sorely tried judge. And Cass Daley gets a dual role as Cass Daley and her lookalike cousin Sadie whom the boys sign for the film.

    Add Allan Jones singing The Donkey Serenade and you have a great comic film. Jones does this as part of a stall during the premiere of their masterpiece. Why they are stalling is for you to see. And still more musical guest stars that I can't name all of them. In fact this is the only all star extravaganza that was filmed from 1941-45 without a single reference to the war.

    Ole and Chic were not really at their best on screen. Like Al Jolson you had to see them live to get the full effect of their zany comedy. Rowan&Martin were the closest to them with their anarchic Laugh-In show. Still Crazy House and Hellzapoppin' are the best examples of their work.

    Argumento

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    ¿Sabías que…?

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    • Trivia
      Basil Rathbone and Nigel Bruce are playing themselves, seen on the Universal studio lot. They call each other "Holmes" and "Watson" as a joke because they were currently playing these characters in Universal movies.
    • Citas

      [questioning the artist about his abstract painting "Moonlight Over Manhattan"]

      Prosecutor: Will you kindly tell us where the moonlight is?

      Roco: Well, it's all moonlight.

      Prosecutor: Then where's Manhattan?

      Roco: Between Brooklyn and Jersey. Everybody knows that.

    • Conexiones
      Featured in Hollywood: The Gift of Laughter (1982)
    • Bandas sonoras
      Humoresque Op. 101 No. 7
      (uncredited)

      Written by Antonín Dvorák

      Performed by uncredited harp and violin duet

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    Preguntas Frecuentes1

    • Chicago Opening Happened When?

    Detalles

    Editar
    • Fecha de lanzamiento
      • 11 de octubre de 1944 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Crazy House
    • Locaciones de filmación
      • Universal Studios - 100 Universal City Plaza, Universal City, California, Estados Unidos(Studio)
    • Productora
      • Universal Pictures
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

    Editar
    • Tiempo de ejecución
      • 1h 20min(80 min)
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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