Crepúsculo de muerte

Major "Chick" Davis (Pat O'Brien) argues for precision high altitude bombing rather than dive bombers. He wins in a bombing competition. It's the start of a new bombardier training program and then America is forced into the war.

There is no way that the bombers are that accurate. Those bullseye targets are impossible until laser-guided bombs. In fact, something as big as a tank would be hard to hit by any plane of that era. Of course, this is wartime propaganda and it serves its purpose. There is some miniature work along with the use of the real bombers. For its time, some of it actually looks good. The story is done in a straight, patriotic, and old fashion melodramatic way. There are a couple of familiar faces. It gets rather intense when some of them get captured which culminates in a bombastic patriotic flourish.

There were a lot of films made by Hollywood during the war years that were designed to drum up support for our troops from the public. Seen today, some might dismiss them or just see them as propaganda--which they technically are, but of a positive sort and meant to unify the nation. This film is a pretty effective and entertaining example of the genre--having a pretty realistic script and good production values. Pat O'Brien plays pretty much the same character he played in MANY other films (you know, the tough-talking, hard-driven but "swell guy"). Randolph Scott is, as always, competent and entertaining and the rest of the extras are excellent (look for a young Robert Ryan as one of the bombardiers in training). While the story is reminiscent of several other movies about our pilots and crews, the film is well-crafted enough to make it interesting and not too far-fetched. That it, perhaps, except for the very end--where the film is a bit over-the-top but also VERY satisfying. About the only serious negative, and this is mostly for nitpickers, is that some of the stock footage is somewhat sloppily integrated in the film and "nuts" like me who are both history teachers and airplane lovers will probably notice this--all others probably won't notice.

There is no question as to who is in command of the training of cadets in this film: Major Chick Davis (Pat O'Brien). O'Brien plays an officer who adheres to military discipline in the creation of a new kind of soldier from his cadets--the bombardier. But he is not so rigid as to be unfair or unfriendly. In fact, he even changes his opinion as to the value of women working in the military. He's tough when he has to be, yet at other times he is a clear mix of coach and pastor, roles he perfected in other films. His character is the foundation of the action around which everything revolves. O'Brien seems natural in the role, and plays it in fine fashion. Two things help this movie: O'Brien's performance and the spectacular special effects ending.

Richard Martin first played Chito Rafferty in this movie World War 2 movie. He would go on to play that same character 32 times, mostly in Tim Holt Westerns, but he did play it twice along side Robert Mitchem in Nevada and West of the Pecos. The Chito Rafferty character also appeared alongside James Warren in Wanderer of the Wasteland. One wonders how a character that first appeared in a modern war flick ended up being a longtime sidekick in Westerns. Interestingly, the second time Martin played his famous character was not with Tim Holt, but with Robert Mitchum in Nevada. It would not be until 1947, that the Rafferty character appeared alongside cowboy star Tim Holt in Wild Horse Mesa.

I wasn't sure at first if I was watching a documentary, propaganda film or dramatic presentation. I guess given the time of production it was a mix of all three.

Admittedly the dramatic plot was somewhat predictable. But you had a sense that there would be some interesting scenes as the movie went on. We were able to witness what appeared to be realistic training regimens and equipment.

Where this movie came together for me was closer to the end. The scenes had a realism (at least as I perceived it) that I haven't encountered often before. You could place yourself in the action and imagine the thoughts of the young combatants. This was mixed in with the usual problems of portraying passable Japanese soldiers at a time when you might think real Japanese actors would be somewhat scarce.

The movie is excellent as a source of the state of the American mindset in 1943 as the war waged with Japan. Also of interest was a dig at the Japanese with respect to the help the USA gave Japan in past years.