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hedy Lamar has no peer when it comes to beauty. her role in this movie showed a beautiful face and a gorgeous figure. she holds her own with a great performance. this movie is chalk full of great actors that seem to be fulfilling a studio contract commitment. nevertheless, Walter pigeon, Henry o'O'Neil, frank Morgan, Richard Carlson,and a personal favorite of mine Reginald Owen. show they are old pro's. the chronological recollection by pigeons character seems fitting and a staple of pigeon throughout his career. hedy Lamar was a very good actress and I thought her role here was outstanding. her role in 'conspiritors' was her most outstanding role with another bevy of great actors. she was a icon when it came to beauty, Bergman, Loren, Margret, even Hayworth, teirney, Monroe. were not in her class. she was a good actress as well. probably not why she had so much success.

Almost every film buff would watch this and immediately write WHITE CARGO (1942) off the map due to the 'anti camp' syndrome. Although this movie is definitely campy, it is still a work of art. Take it to the camping ground and watch it at night by the fire. There is a certain magic to this movie that is sure to make the atmosphere of s'mores and grilled hot dogs all the more enjoyable.

HEDY LAMARR's caked-on brown makeup reminded me of Jennifer Jones' 'Pearl Chavez' in the (at times) campy classic DUEL IN THE SUN(which is a personal favorite of mine) made four years later in 1946. LAMARR has an over the top accent that is hardly believable. However, she pulled it off! Believe me, White Cargo is worth it just to see Hedy sweat on her dark skin wearing a one-piece bikini top throughout this movie! Walter Pigeon is a flame of fire all the way to the end. Very obscure part for Walter to be playing with such intensity.

The story takes absurd and wild twists and turns and is nothing if not purely fun entertainment. It doesn't have a long runtime, only about 80 minutes or so. It's not a large commitment of time. If you are a fan of camp, don't miss this classic.

This film certainly was not one of the best films of 1942. However, I do believe it succeeds as purely escapist entertainment. Yes, the plot was silly, the script was poor, and the performances were mostly indifferent; but Hedy's entrance, with the line 'My name is Tondelayo', became a vintage moment in film history. She was a beguiling and breathtakingly beauty, and she seemed to enjoy this role. Hedy made this a major box-office hit in 1942, and became a pin-up favorite of many WW2 vets. This was a showcase for Hedy's beauty, as previously noted the cinematography was very good. Note, the use of shadows against Hedy's face, to accentuate every incredible feature. The one thing that annoyed me, was the insufferably long and boring 30 minutes or more, before Hedy made her entrance

All criticisms aside though, a film like this needs to be viewed, within the context of escapist film entertainment, circa 1942. The studios were cranking out many more films than they do today. The world was within the grips of the worst war in history, and nearly half of the country's population was going to the movies, at least once a week! There were great films being released, but most films were released just to entertain audiences, who would then have an excuse to buy popcorn and perhaps a soda. So this campy movie was made, with Hedy Lamarr as the incredibly beautiful and seductive Tondelayo, and made millions for MGM. Thus, 'White Cargo' with legendary beauty Hedy Lamarr rates a 7/10, for providing some fairly mindless, but visually compelling entertainment.

"I am Tondelayo" at one time was a phrase bandied about, though you don't hear it much, if ever, anymore. "White Cargo" is a 1942 film starring Hedy Lamarr, Walter Pidgeon, Richard Carlson, Frank Morgan, and Henry O'Neill.

The story concerns men on a rubber plantation, bored, hot, and hating it. When Mr. Langford (Richard Carlson) joins them, he's fresh and rarin' to go. As the others predict, his optimism doesn't last long.

Then along comes the scourge of the jungle, Tondelayo (Lamarr). She's Egyptian and Arab so she could pass the Hays office, which said whites and blacks couldn't cavort. Apparently Tonde has given quite a few white jungle dwellers, including the Pidgeon carrier, quite a ride. He detests her, and warns Carlson to stay away from her. But he can't. Soon she works her magic on him and his destruction begins.

Among Holllywood's spectacular beauties, Hedy Lamarr was in the top 5. She had something besides beauty (intelligence, but that doesn't come into play here) -- sex appeal. You certainly didn't have to be womanless in the jungle to find her gorgeous, especially half-dressed. Sporting dark makeup, a bad accent and bad accent, Tondelayo proves to be problematic.

I think this was intended as a serious film, and it's very well made, not like some campy movie. True, Lamarr's role is campy, and it would have been no matter who had acted in it.

You can mark this down as an entertaining film about the tropics, a favorite topic over at MGM. And maybe on Jeopardy Alec Trebek had to run through the "Hedy Lamarr" topic all by himself while the clueless contestants just stood there, but there was a time when everybody had heard of her -- and Tondelayo.

Why wasn't this mentioned in the "Bad Movies We Love" book? Hedy looks great and acts badly, and generally seems to be having the time of her life as a Native Girl interested only in cheap sex and even cheaper jewelry. She seems ecstatic whenever she has a whip in her hand, and delivers her lines with gorgeous pouts and stimulating winks. But beware! She doesn't appear for the first thirty minutes, which we spend listening to White Males bark at each other about how miserable they are. A little bit too much like being at work!