Tarzán contra el mundo

Some men come to Africa by plane looking for lions for their circus. Despite Tarzan's warnings to stay away from them, Boy is fascinated by the plane and tries to get a closer look. He's kidnapped by the circus owner, hoping to turn Boy into a big attraction back home. Tarzan, Jane, and Cheeta all head to New York to rescue him. Once there, Jane makes Tarzan obey the law and try to get Boy back the legal way. So they have to go to court to gain custody. Weird. Don't worry, this isn't a courtroom drama. There is plenty of action. Tarzan's escape from the police and the circus rescue is exciting stuff. There's also quite a bit of 'fish out of water' humor with Tarzan having to wear a suit and discovering radio and indoor plumbing for the first time. Cheeta's also lots of fun in this. That crazy laugh is something else. The phone call scene with Mantan Moreland will NOT sit well with everybody, so sensitive types be forewarned. Johnny Weissmuller, Maureen O'Sullivan, and Johnny Sheffield are all great, as usual. Good support from Paul Kelly, Charles Bickford, Virginia Grey, Chill Wills, and Cy Kendall. This is the sixth and final Tarzan film from MGM before the series relocated to RKO. It's also the last film with Maureen O'Sullivan, who didn't act again for six years. The subsequent RKO Tarzans are fun but it's hard to beat the MGM series which had, among other attributes, the wonderful chemistry between Weissmuller and O'Sullivan.

Ask anyone over the age of 30 who is the best Tarzan and you may receive several answers. Ron Ely would be a popular choice; so would Gordon Scott. But I'll lay good money that the top answer would be Johnny Weissmuller.

By the time Tarzan's New York Adventure came to be made, Weissmuller had made the loin cloth his own and something new had to be done. As sacrilegious as it sounds, it was the taking of Tarzan out of his own environment that made this the best in his long list of jungle capers.

The plot is unimportant. Tarzan's son is taken away to New York and he travels there, accompanied by Jane, to bring him back. But it's the way that the whole premise is handled that ensures that this film will remain in the memory (it's remained in mine ever since I saw it, aged 7). You know Tarzan will win but you don't expect the way that he does it.

Weissmuller was a fine actor with little to say. And here, he doesn't need to say much. There's action, drama, and humour - everything one needs. Even the effects (apart from an occasional speeded up film shot) are sufficiently effective.

After a swim, jungle king Johnny Weissmuller (as Tarzan), pretty Maureen O'Sullivan (as Jane), and son John Sheffield (as Boy) see pilot Paul Kelly (as Jimmie Shields) land his plane in their idyllic African hideaway. It is an expedition led by hunter Charles Bickford (as Buck Rand), who needs lions for his circus. But, after seeing young Sheffield's animal antics, Mr. Bickford envisions the youngster as a circus act. Animal trainer Chill Wills (as Manchester Montford) tags him "The Boy King of the Jungle." When a mishap incapacitates his adopted parents, the interlopers take Sheffield to America...

Saved by "Cheeta" the Chimp, Mr. Weissmuller goes on a New York adventure to find Sheffield and bring him home...

After twenty exciting minutes in the jungle, we switch to seeing the Tarzan family in civilization. Actually, it's "Cheeta" who takes up most of the action, which turns out to be a good idea as the chimp handles the humorous situations better than Weissmuller. However, "Tarzan" does swing into action for an stupendous conclusion. "Tarzan's New York Adventure" was the most entertaining entry since the series began. Some of the editing, visuals and effects are worthy of an award nomination. Alas, this ended the comfortably budgeted MGM film, and Ms. O'Sullivan left. The RKO era would be next...

******* Tarzan's New York Adventure (5/42) Richard Thorpe ~ Johnny Weissmuller, Maureen O'Sullivan, Johnny Sheffield, Paul Kelly

If you're a Tarzan fan of the Johnny Weismuller films, this is one you can't afford to miss.

Even the first twenty-two minutes of jungle scenes are briskly paced and amusing while JOHNNY WEISMULLER, MAUREEN O'SULLIVAN and JOHNNY SHEFFIELD encounter downed pilot PAUL KELLY and hunter CHARLES BICKFORD after their plane crashes. The plot is the usual simple one--Boy has been taken from the jungle and taken to New York City by circus exploiters--and Tarzan's mission is to recover him in time for a happy ending.

No expense has been spared in this big budget production from MGM. Although Cheetah gets lots of prime time, especially during the first half of the film, the supporting cast includes a lot of recognizable players such as Virginia Grey, Chill Wills, Charles Lane and villainous Cy Kendall. In this sixth film of the series (the last one featuring Maureen O'Sullivan as Jane), there's lots of monkey business involving tricks and stunts by a team of smart elephants worthy of any circus revue.

And thanks to director Richard Thorpe, the script plunges ahead easily to become one of the most entertaining in all the Tarzan films featuring Johnny Weismuller. At the fadeout, all is well in the jungle again after some amusing adventures in the Big City--including Tarzan's plunge from the Brooklyn Bridge.

Highly recommended for fans of the series.

As MGM knew Maureen O'Sullivan was departing the 'Tarzan' series, and budget and talent constraints were forcing the long-running series out of the studio (RKO would soon be Tarzan's new home), they decided to end things with a bang, clothing Johnny Weissmuller in a double-breasted suit, and setting him loose in New York's concrete jungle. The gamble worked, magnificently!

The premise is simple; Boy, thinking Tarzan and Jane are dead, after falling into a raging fire during a tribal attack, is whisked away by an evil circus big game hunter (Charles Bickford) in a chartered plane. (How so many planes land safely in the middle of the jungle in these films is never explained...)

Rescued by Cheetah, Tarzan and Jane hike across Africa, dress in more modern attire (a VERY funny scene!), and fly across the Atlantic to try and retrieve their son.

The fun begins when the pair reach New York. Tarzan's bemused reaction to a black taxi driver, his takes on radio, indoor plumbing, and nightclubs, are priceless (and were recreated years later in Paul Hogan's wonderful 'Crocodile Dundee'). There are a few slightly offensive racial stereotypes displayed, but considering the period of the film, these are really quite tame.

A few nagging questions about the series are addressed in this film...'What happens if Boy gets sick?' and 'How is he being educated?', although the biggest question is never addressed...How does a boy with a British 'mother' and an Ape Man 'father' end up with an American accent?

When the courts fail to return Boy (the jungle couple can't prove legal custody), Tarzan takes matters into his own hands, breaking out of the courthouse, and performing an extraordinary series of rooftop swings, leaps and acrobatics to get to the New Jersey home of the circus, climaxing with a breathtaking 100-foot dive off the Brooklyn Bridge. The sequence is still fabulous, over 50 years after the film was released!

The film concludes with the almost stereotyped rescue scene, as elephants rescue Tarzan and Boy, yet again! Evil is vanquished, the family is reunited by the court, and the judge is going to catch some really BIG fish when he comes to visit!

If you're looking for gritty realism, you won't be popping a Tarzan flick into the VCR, anyway, but if you want thrills, laughs, and wonderful escapism, look no further!