El terror de los espías

The score for Spy Smasher, a variation on Beethoven's fifth symphony, is a fabulous reminder of the era in which this classic serial was made.

While Spy Smasher is certainly one of the top 5 adventure serials ever made at Republic, it also is a rousing WW2 propaganda film. Check out the title sequence -- three dots and a dash appear on the screen, coinciding with the first four notes of Beethoven's fifth. Three dots and a dash are Morse code for the letter "V," made famous by Churchill's hand sign as a determination to defeat the Nazis and their cronies. Twin searchlights in the title sequence freeze into another V. The coded messages abound in Spy Smasher--even on Spy Smasher's belt buckle.

The action here is top notch, the cast capable, the stunt work great (as always at Republic) and the special effects likewise. If you like Republic serials (Zorro's Fighting Legion, Adventures of Captain Marvel, etc.) you MUST take a look at this one. It is one of the very best. Kane Richmond later went on to play the Shadow in a couple of films, one of which featured a killer who pulled his victims to their deaths off of balconies using a bullwhip, a stunt which was first seen in Spy Smasher. One thing I love about this chapterplay is the acknowledgment that we would not win the war without suffering losses. Great pacing, great action, great serial!

The Movie Serial, at least since the advent of sound, has always been considered a sort of poor relative of the feature, if not an out and out bastard cousin. They were always sort of viewed with the cartoons as being strictly made for the Matinée, the juvenile trade. As a result, there really is no "CITIZEN KANE" of Serials. SPY SMASHER comes close.

To be sure,it is a product of Republic Pictures' "thrill factory"*, and has plenty of stock footage of explosions, fires, floods and other assorted calamities through out.All of these are skillfully woven into the final product. It still has a bright, vital out of doors look;as well as convincing indoor sets. It also has an excellent cast which is headed by energetic,athletic Kane Richmond. Next to Buster Crabbe, Mr. Richmond is probably the best leading man in the Sound Serials. He was also prolific,having been in several other serials.

We have over 100 Serials in VHS or DVD formats in our household.This one is a top notch film,period. See it, but don't expect any 'Camp Humor". It's just not there.**

NOTE* Republic adapted it from the popular comic book feature appearing in WHIZ COMICS. It was property of Fawcett Publications, whose CAPTAIN MARVEL was previously brought to the screen by Republc, in 1941.

NOTE **See also SPY SMASHER RETURNS (1966), the edited-down feature version made for Television.

This is an extremely well made serial. The cast is capable and the script is fast paced. Each chapter seems to contain at least one unexpected plot twist. There are no resolutions to cliff hangers which consist of the hero standing up, brushing himself off and walking away after experiencing a cataclysmic explosion, crash, fire, cave in, etc. Highly recommended.

This 12-chapter action serial from Republic Pictures, based on the Fawcett comic book character, was directed by William Witney. Alan Armstrong (Kane Richmond), in the guise of masked hero Spy Smasher, battles Nazi bad guys in occupied France. He follows their trail back to the US, where a secret gang of Nazi villains, led by the Mask (Hans Schumm), plots a campaign of sabotage and terror. Alan enlists the aid of his twin brother Jack (also Richmond), as well as retired Admiral Corby (Sam Flint) and his plucky daughter Eve (Marguerite Chapman), to stop the German menace.

This largely forgotten costumed hero makes for a good serial, with some of the best stunt work put to film, supervised by the legendary Yakima Canutt. The serial is also exceedingly violent compared to others of the time, with lots of gun play, including by the hero, who isn't above machine-gunning a foe or running one over with a car. Speaking of vehicles, there's also a lot of nice action scenes involving car chases, high-speed boats, and Spy Smasher's custom motorcycle. Although the action is above-average, the script is weaker, with unmemorable characters and only a vague understanding of who's doing what and why. Still, this is one of the better serials, and is recommended to fans of such.

I do so love to watch professionals at work.

When you watch "Spy Smasher," you see a genre and a studio at the top of their form. Everything in this serial clicks and hums along like a well-oiled machine. The plot is exciting and as logical as it need be, the music fast and inspiring, the cliffhangers harrowing, and the acting professional and dead-on. It's Republic Studios at the height of their game, ancestor to the big action flicks of today, and sheer pleasure to watch.