El hijo de la furia

Some may remember Kenneth Anger taking this lush film's title and gender-bending it a bit to give his Frances Farmer chapter in "Hollywood Babylon" its tabloid tone, but this is truly a great movie (outside of the fact that it features not one, but two Tinseltown beauties who, in Anger's salacious words "drank at the well of madness") ... Farmer, after a string of uneven pictures, is relegated to a supporting role here, but actually fares better than leading lady Gene Tierney because 1) her role is far more complex and 2) her on-screen chemistry with star Tyrone Power is much more palpable. Perhaps the saddest thing about "Son of Fury" is the knowledge that despite the now recurrent difficulties being reported from the set, Farmer had caught herself a break and maybe a chance to finally ride out Paramount's punishment -- starting in 1938, of course, with the aptly-named (and perfectly awful) "Ride A Crooked Mile". But as we all know, the road got bumpier, the turns sharper and the potholes unavoidable ... To see Farmer surrounded not only by the likes of such A-list talent as Power and Tierney, but a stellar George Sanders and very young Roddy McDowell is to get a glimpse of what might have been. To read accounts of Farmer being tricked into watching this film years later while incarcerated in an insane asylum, if indeed true, is unforgivable ... Watch "Son of Fury" for everything the Golden Age of Hollywood purported to be -- solid, if not overly- spectacular, entertainment. It may not be the last film of Farmer's short-lived career, but it is our last look at this fine young actress at her peak -- as stunning and mythic as she was years earlier in "Come And Get It" -- but now with an undeniable sadness melting from within.

This is a pretty entertaining film that works pretty well due to decent writing and an excellent villain in the form of George Sanders. The film begins with a young boy being forcibly taken from his loving grandfather and the boy is made a stable boy for a rich baronet. It seems that this rich guy (Sanders) is actually the kid's uncle but instead of being kind, he treats the kid like dirt. The reasons are because the uncle wants to keep the family fortune for himself AND because something about his dead brother and his wife bother him so intensely that he wants to make their child's life hell. The boy is played by Roddy McDowell, but after the first 15 minutes or so, he is "Hollywood aged" and is played by Tyrone Power. Power is very good in the film, but a few macho scenes didn't seem all that plausible--especially after seeing his rather scrawny frame once he took his shirt off part-way through the film.

Well, Power cannot stay at the manor to take the abuse forever, especially since the uncle seems intent on eventually killing him--beating him savagely and making up a story that Power attacked and tried to kill him! So, he runs off to sea and meets up with a friend, John Carradine --in one of his non-crazy or monster roles. Together they plan to jump ship, make their fortunes and return to England. Well, all this DOESN'T go exactly as planned and Power meets a beautiful native girl played pretty convincingly by Gene Tierney. What happens next I really don't want to divulge--it would spoil the film's many surprises. However, the film does have many twists and surprises--especially at the end and enough that it elevates this film above the norm and makes it very watchable--nearly earning it a score of 8.

...George Sanders would still have style (Ray Davis,"Celluloid heroes") Treacherous,diabolical,suave,cynical,sadistic ,but with a lot of class ,a touch of aristocracy ,an infinite refinement and a zest of noblesse oblige,Sanders was the villain of that era ;To see him play opposite dashing Tyrone Power is once more cause for celebration.Add Gene Tierney and it is a dream come true;too bad the actress's appearance does not exceed 20 min,but Power has nevertheless plenty of time to teach this Tahitian girl some elements of Shakespeare's language.

Power portrays the proud hero ,whose wicked uncle takes to his home (the young man's home in fact)to make him a stable lad.This lord has stolen everything from his late brother but the nephew is not prepared to accept it.He is abetted by his grand pa and a crude girl with a golden heart.

Very entertaining and the scenes where Power and Sanders play together are just a joy.

Hasn't the ending got something from Rousseau or Thoreau?

Most movies of Hollywood Golden Age are attractive. They share cleverly constructed plot and dialogue, high-standard direction and actors' performances. Perhaps because of the charm of past times, as a rule the characters are very nice guys, even the villains, like in "Son of Fury": who is really able to detest George Sanders? Yet sometimes a motive in the movie makes it outstanding. This is the case of "Son of Fury". In fact it shows the materialization of the most romantic dream of our youth, even improving it: to live in Polynesia and... with Gene Tierney! Gene is the improvement to our own dream. Her capacity to be lovely is unbelievable: just the scene when she uses a fork like a comb would be worth seeing the movie. And what about her polynesian dance in grass-skirt? When Tyrone Power leaves the island to take his revenge in England, the audience is disappointed: we don't see the point in leaving Paradise. The director seems to realize this feeling: in fact, Power's come-back to England is more an act of justice than of revenge. Anyway, we feel relieved when he finally settles his business and returns to the island, to his friends, to her. And there she is, alone on the reef... What is more common in a movie than the final kiss? Yet this one has something special. In that instant, we all are Tyrone Power and she... she is Gene Tierney, what could be better?

Those who claim Elizabeth Taylor and Montgomery Clift were the screen's all-time most beautiful couple apparently have never seen Tyrone Power and Gene Tierney. SON OF FURY is a wonderful multi-genre picture that goes from British period piece to South Seas romance quite smoothly. The film's plot has been well-explained by multiple IMDb members so I'll just concentrate on the performances.

The entire cast does fine work. Gene Tierney doesn't appear until a full hour as passed and her role doesn't require much except smiling and looking utterly beautiful and that she does to perfection. George Sanders (looking amazingly like John Wayne in the early scenes) has one of his most brutally villainous roles and he plays it without flinching, this is no character you love to hate, he's one scary SOB. This major 1942 film is also notable for giving breaks to two actresses who had been brushed off by many in Hollywood, the troubled Frances Farmer who plays Sanders' daughter (and Power's first love) and early talkie star Kay Johnson, making a very rare appearance, as Sander's wife. John Carradine has one of his most likable roles as a seedy castaway who turns out to be a great friend. There's also an exceptional performance from Harry Davenport (best known as Doc Meade from GONE WITH THE WIND) as Power's beloved grandfather.

And I've saved the best for last, the one, the only Tyrone Power. Was there ever a more gorgeous man in movies? And SON OF FURY fairly revels in his beauty, his beautiful mop of thick black hair, his stunning profile, manly arms, friendly eyes and infectious smile. And as a bonus, there are numerous scenes of Power shirtless, running around the island in sarong-like swim-shorts. To top it all off, Tyrone is a fantastic actor, one of classic Hollywood's best. He would have been a superstar in any era.