Agrega una trama en tu idiomaSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a cat... Leer todoSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's C... Leer todoSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's Civil War enemy, General Havelock-Allen. Not wanting to disrupt his planned marriage to Map... Leer todo
- Dirección
- Guionistas
- Elenco
- Throckmorton P. Gildersleeve
- (as Harold Peary {The Great Gildersleeve})
- Mapy
- (as Mapy Cortes)
- Specialty Dancers
- (as Lynn, Royce & Vanya)
Opiniones destacadas
So, you've got a VERY contrived plot, lots of silly and superfluous singing and Victor Mature doing comedy. All in all, it sounds pretty bad...and it is. Even worse is when a fourth-rate guy does imitations of various celebrities. They announce each one before he begins--and you really need to be told who they are supposed to be because you really cannot tell by listening to him! A silly and forgettable film.
By the way, there is a very strange character in the film. Throckmorton P. Gildersleeve (Harold Peary) is the lawyer who handles the estate, right? Well, this same character (and actor) played Gildersleeve in quite a few other films. Plus, Gildersleeve was a very popular radio character who appeared regularly on "Fibber McGee and Molly" and later had his own spin off radio show starring, who else, Peary!
U.S. and Philippino losses in that first year of the war were heavy, and the treatment of the prisoners of war there was shocking and brutal, and fairly well-known before 1945.
Watching this film, now, some sixty-four years later, one almost gets the sense of this being a "mockumentary." Of course, it isn't. It's a romantic comedy. But Victor Mature and his Army buddies are entirely too happy for newly minted soldiers facing the grim reality of mortal combat.
This film is a goofy, confusing and fast-paced romantic comedy. It has some nice comedic moments but the true value of this film fiction lies in the romantic music and in the performance of Lucille Ball.
Personality wise, Victor Mature comes off as being kind of ... cheesy ... which is unfair because many people who have considered his entire career find in him an actor capable of subtle and nuanced performances. He could and did play 'noble and heroic' types and he could also be the less-than-acceptable Cad & Bounder. In this film he's a high-voltage goof-ball surrounded by screwball types.
Film buffs who do not know much about cinema productions made during the war really ought to make it their mission to see this film the next time it comes around on Turner Classic Movies. It is fun, in the aforementioned goofy way, Ms. Ball scintillates, and the singing of Ginny Simms and the big band music is exceptional, truly exceptional.
Some day, some day soon, hopefully, some august person will write a dissertation or a pop culture book on the subject of ...
Where Did Rock & Roll Go Wrong ?
Looking back at Bill Haley & The Comets, Buddy Holly & The Crickets, the doo-wop era and the blues-oriented vocal groups of the 1950s, most anyone can see that rock & roll music grew out of the "swing" movement in the big band era.
But what happened to the genius deployed in the big band styles ? How could it have become obsolete so quickly ? Was it "television" that killed the big bands ?? Get a load of the song stylings in this peculiar film, crafted, clearly crafted, as a form of 'feel good' entertainment for the home-front at a time when the news was bad, grim and getting grimmer, and most anyone will have to ask -- where did all those brilliant singers go ??? This is a good film and got a six, but only because the plot is entirely paper-thin. But that didn't stop either Ball or Mature from hamming it up and having a very good time on the silver screen.
If one is a Lucy fan, this movie is a great watch. Lucy is actually drop-dead gorgeous in this flick, more so than she had ever been in her entire career, in my opinion.
Also, Harold 'The Great Gildersleeve' Peary adds to the fun, along with Marcy McGuire as the younger sister to Lucy's character.
Unfortunately, this film as a whole is quite mediocre. And, Victor Mature sings twice. FFWD required.
All in all, one watch of this movie is definitely worth it. The video is even worth owning if you like Lucy.
¿Sabías que…?
- TriviaThis film was a hit at the box office, earning RKO a profit of $673,000 (over $12.6M in 2024) according to studio records.
- ErroresBetween the credits and two shots showing the hyphenated surname of Terry Havalok-Allen's family in print, there are three different spellings of the first half of the surname and two different spellings of the second half of the surname.
- Citas
Mickey Havalok-Allen: I never saw you kiss Ralph like that!
Terry Havalok-Allen: Like what?
Terry Havalok-Allen: Like you kissed Johnny. It was more like a transfusion!
- ConexionesEdited from Ritmo loco (1936)
- Bandas sonorasPlease Won't You Leave My Girl Alone
(1942)
Music by Jimmy McHugh
Lyrics by Frank Loesser
Played during the opening credits
Sung and danced by the soldiers in the barracks, including Victor Mature, Peter Lind Hayes and Arnold Stang
Reprised at he end by soldiers on the ship and civilians waving goodbye
Played often as part of the score
Selecciones populares
Detalles
- Fecha de lanzamiento
- País de origen
- Idioma
- También se conoce como
- Seven Days' Leave
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
Taquilla
- Presupuesto
- USD 561,325 (estimado)
- Tiempo de ejecución1 hora 27 minutos
- Color
- Relación de aspecto
- 1.37 : 1