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Siete días de licencia

Título original: Seven Days' Leave
  • 1942
  • Approved
  • 1h 27min
CALIFICACIÓN DE IMDb
5.8/10
433
TU CALIFICACIÓN
Lucille Ball, Victor Mature, Marcy McGuire, Harold Peary, and Arnold Stang in Siete días de licencia (1942)
SlapstickComedyMusicalRomance

Agrega una trama en tu idiomaSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a cat... Leer todoSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's C... Leer todoSoldier Johnny Grey is engaged to marry singer Mapy Cortes, but his plans go awry when he learns that he is the heir to $100,000 from his great-grandfather -- a bequest that comes with a catch: before claiming the money, Johnny must marry a descendant of his great-grandfather's Civil War enemy, General Havelock-Allen. Not wanting to disrupt his planned marriage to Map... Leer todo

  • Dirección
    • Tim Whelan
  • Guionistas
    • William Bowers
    • Ralph Spence
    • Curtis Kenyon
  • Elenco
    • Victor Mature
    • Lucille Ball
    • Harold Peary
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    5.8/10
    433
    TU CALIFICACIÓN
    • Dirección
      • Tim Whelan
    • Guionistas
      • William Bowers
      • Ralph Spence
      • Curtis Kenyon
    • Elenco
      • Victor Mature
      • Lucille Ball
      • Harold Peary
    • 11Opiniones de los usuarios
    • 3Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos4

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    Elenco principal45

    Editar
    Victor Mature
    Victor Mature
    • Johnny Grey
    Lucille Ball
    Lucille Ball
    • Terry Havalok-Allen
    Harold Peary
    Harold Peary
    • Throckmorton P. Gildersleeve
    • (as Harold Peary {The Great Gildersleeve})
    Mapy Cortés
    Mapy Cortés
    • Mapy
    • (as Mapy Cortes)
    Ginny Simms
    Ginny Simms
    • Ginny Simms
    Freddy Martin
    Freddy Martin
    • Freddy Martin
    Les Brown
    Les Brown
    • Les Brown
    Marcy McGuire
    Marcy McGuire
    • Mickey Havalok-Allen
    Arnold Stang
    Arnold Stang
    • Bitsy Slater
    Lynn Royce & Vanya
    • Specialty Dancers
    • (as Lynn, Royce & Vanya)
    Ralph Edwards
    Ralph Edwards
    • Ralph Edwards
    Ralph Edwards & Co.
    • Radio Performers
    Peter Lind Hayes
    Peter Lind Hayes
    • Pvt. Pete Jackson
    Walter Reed
    Walter Reed
    • Ralph Bell
    Wallace Ford
    Wallace Ford
    • Sgt. Mead
    Buddy Clark
    Buddy Clark
    • Buddy Clark
    Charles Victor
    Charles Victor
    • Mr. Charles Victor
    King Kennedy
    • Gifford
    • Dirección
      • Tim Whelan
    • Guionistas
      • William Bowers
      • Ralph Spence
      • Curtis Kenyon
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios11

    5.8433
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    Opiniones destacadas

    6Patriotlad@aol.com

    War Is Hell Unless You Are Victor Mature

    This film is a most interesting and intriguing cultural document: it was released in November of 1942, or less than a year after the attack at Pearl Harbor. As most any person who paid attention in their American history class might know, the first year of the declared war against Japan, Germany and Italy did NOT go very well for the United States. Aside from the shocking losses sustained by the fleet at Pearl Harbor and by the Army Air Corps units there, and the deaths of civilians on Hawai'i, there was the slow-moving disaster in the Philippines as the Japanese forces invaded, and rolled up the resistance.

    U.S. and Philippino losses in that first year of the war were heavy, and the treatment of the prisoners of war there was shocking and brutal, and fairly well-known before 1945.

    Watching this film, now, some sixty-four years later, one almost gets the sense of this being a "mockumentary." Of course, it isn't. It's a romantic comedy. But Victor Mature and his Army buddies are entirely too happy for newly minted soldiers facing the grim reality of mortal combat.

    This film is a goofy, confusing and fast-paced romantic comedy. It has some nice comedic moments but the true value of this film fiction lies in the romantic music and in the performance of Lucille Ball.

    Personality wise, Victor Mature comes off as being kind of ... cheesy ... which is unfair because many people who have considered his entire career find in him an actor capable of subtle and nuanced performances. He could and did play 'noble and heroic' types and he could also be the less-than-acceptable Cad & Bounder. In this film he's a high-voltage goof-ball surrounded by screwball types.

    Film buffs who do not know much about cinema productions made during the war really ought to make it their mission to see this film the next time it comes around on Turner Classic Movies. It is fun, in the aforementioned goofy way, Ms. Ball scintillates, and the singing of Ginny Simms and the big band music is exceptional, truly exceptional.

    Some day, some day soon, hopefully, some august person will write a dissertation or a pop culture book on the subject of ...

    Where Did Rock & Roll Go Wrong ?

    Looking back at Bill Haley & The Comets, Buddy Holly & The Crickets, the doo-wop era and the blues-oriented vocal groups of the 1950s, most anyone can see that rock & roll music grew out of the "swing" movement in the big band era.

    But what happened to the genius deployed in the big band styles ? How could it have become obsolete so quickly ? Was it "television" that killed the big bands ?? Get a load of the song stylings in this peculiar film, crafted, clearly crafted, as a form of 'feel good' entertainment for the home-front at a time when the news was bad, grim and getting grimmer, and most anyone will have to ask -- where did all those brilliant singers go ??? This is a good film and got a six, but only because the plot is entirely paper-thin. But that didn't stop either Ball or Mature from hamming it up and having a very good time on the silver screen.
    7rajaroberts33

    Enjoyable B Movie

    Can't really put my finger on it, but I really enjoyed this movie. The plot is completely implausible and corny, but that is beside the point. Lucille Ball is gorgeous, and seeing Victor Mature being charming and having fun is a treat. I also truly enjoyed the songs and dancing which came out of left field, but all brought a smile to my face. A very pleasant diversion on a Sunday afternoon, and I can't say that about a lot of movies. Enjoy.
    dougdoepke

    Early Ball and Mature

    Bouncy little musical programmer. For Lucy fans, there's little of her slap-stick comedic talents. Instead Ball gets to parade around statuesque style in high fashions of the day. And what a gorgeous young woman she was. Plot-wise, there's the usual romantic mix-ups this type musical trades on-- plus, token numbers from the bands including luscious songbird Ginny Simms, and a couple of forgettable novelty acts. Comedy's supplied by the inimitable Arnold Stang (before Milton Berle drafted him), an impish Marcy McGuire, and a gravel-voice Harold Peary soon to get his own Gildersleeve series. But get a load of Victor Mature. He's looser than I've ever seen him, mugging it up in hammy style, and a long long way from his later noir persona. The movie's pretty typical of war escapism, lots of winsome girls and brave servicemen to lighten the load. Nothing special, but a good chance to view Ball in a different kind of role, along with a goofy Victor Mature, of all things.
    7edwardsrc

    See Lucy in her glamour days as a young starlet, in this cheesy but fun WWII-era musical comedy.

    "Seven Days' Leave" is a WWII-era musical comedy about a young Army soldier [Mature] who is due a large inheritance. The problem is, he must marry a certain girl [Ball] whom he does not love, in order to collect.

    If one is a Lucy fan, this movie is a great watch. Lucy is actually drop-dead gorgeous in this flick, more so than she had ever been in her entire career, in my opinion.

    Also, Harold 'The Great Gildersleeve' Peary adds to the fun, along with Marcy McGuire as the younger sister to Lucy's character.

    Unfortunately, this film as a whole is quite mediocre. And, Victor Mature sings twice. FFWD required.

    All in all, one watch of this movie is definitely worth it. The video is even worth owning if you like Lucy.
    5bkoganbing

    What I'd Do For Money

    Unless you are of that age and those are some of our most senior citizens nowadays or familiar with the culture of the times, Seven Days Leave will probably be way out of the league of some of our younger viewers.

    Through the magic of cable television, today's viewers are of course familiar with leading lady Lucille Ball. Her name will be what attracts viewers to this film. She's a descendant of a Confederate general and a girl with some means. And according to the screwball plot of this film, Victor Mature means to marry her and get some means because he's the last descendant of a Union general who wanted one of his offspring to marry one of the Confederate heirs and bind the nation's wounds so to speak.

    Mature is just a buck private, not quite like Abbott&Costello were, but still a buck private and a man with a way with the ladies. I think you can figure out where this one is going.

    The film and its silly plot just serve as an excuse to showcase some radio shows and big bands and other assorted acts from the World War II era. Mature is found on a real popular radio program of the day that traced missing heirs and he also appears on Truth Or Consequences with Ralph Edwards. And Harold Peary makes an appearance as the Great Gildersleeve and unless you are familiar with that popular radio comedy you probably won't understand Peary and his significance in being in Seven Days Leave.

    Singer Buddy Clark is in the film and when I saw his name in the credits I looked forward to hearing him. Sad his numbers probably wound up on RKO's cutting room floor. I'm sure that bothered him no end.

    Seven Days Leave is one terribly dated World War II era film that folks not brought up in that culture will not really enjoy.

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    Argumento

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    ¿Sabías que…?

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    • Trivia
      This film was a hit at the box office, earning RKO a profit of $673,000 (over $12.6M in 2024) according to studio records.
    • Errores
      Between the credits and two shots showing the hyphenated surname of Terry Havalok-Allen's family in print, there are three different spellings of the first half of the surname and two different spellings of the second half of the surname.
    • Citas

      Mickey Havalok-Allen: I never saw you kiss Ralph like that!

      Terry Havalok-Allen: Like what?

      Terry Havalok-Allen: Like you kissed Johnny. It was more like a transfusion!

    • Conexiones
      Edited from Ritmo loco (1936)
    • Bandas sonoras
      Please Won't You Leave My Girl Alone
      (1942)

      Music by Jimmy McHugh

      Lyrics by Frank Loesser

      Played during the opening credits

      Sung and danced by the soldiers in the barracks, including Victor Mature, Peter Lind Hayes and Arnold Stang

      Reprised at he end by soldiers on the ship and civilians waving goodbye

      Played often as part of the score

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    Detalles

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    • Fecha de lanzamiento
      • 5 de febrero de 1943 (México)
    • País de origen
      • Estados Unidos
    • Idioma
      • Inglés
    • También se conoce como
      • Seven Days' Leave
    • Locaciones de filmación
      • RKO Studios - 780 N. Gower Street, Hollywood, Los Ángeles, California, Estados Unidos(Studio)
    • Productora
      • RKO Radio Pictures
    • Ver más créditos de la compañía en IMDbPro

    Taquilla

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    • Presupuesto
      • USD 561,325 (estimado)
    Ver la información detallada de la taquilla en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 27 minutos
    • Color
      • Black and White
    • Relación de aspecto
      • 1.37 : 1

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