Las viudas del jazz

It's Glenn Miller and his orchestra all right, even though the producers called him Gene Morris or something like that, and there is lots of music played by them. This movie seems to be almost unknown, yet it should by on the top of the list of every Glenn Miller fan. The sound is not bad for a 1942 recording.

The story line ... is not worse than those of hundred other movies, past and present, without redeeming musical numbers. It's about the few wives or girl friends traveling with the band, who do not necessarily make the musicians' hardships on the road any easier. In the style of these older movies, things are happening at a good clip and are never too melodramatic.

Glenn Miller plays "Glenn Miller" pretty well in a low-key manner and looks quite realistic. How could they make such great music with the smoking and the bad food at odd hours?

On Australian television, this movie has always been shown as the second half of a double bill, following 'Sun Valley Serenade'. It's a neat balancing act, the upbeat nature of 'Sun Valley Serenade' being brought back to earth by the semi-documentary flavour of 'Orchestra Wives'. The latter is a compelling movie and as another reviewer pointed out, it didn't do well in the USA. At a guess I'd put this down to the non-melodramatic but seemingly realistic performances - unusual at the time. Having been a fan of Ann Rutherford since enjoying her in the 'Andy Hardy' movies, I was struck by her excellent but out of character performance. Once again the Nicholas Brothers provide the most memorable scene but all in all, it's a fine screenplay with great production values.

In many ways a typical studio movie of its time: boy meets girl, boy falls for girl, trouble between boy and girl, etc. Resolutions to the dramatic twist are more comic than realistic, but that's standard fare for movies of that era and fans of this genre know what to expect.

The Glenn Miller orchestra with vocals by Marion Hutton, Tex Benecke, and the excellent production values inputed by the film's producers make this movie worth seeing. Also, print out the entire cast list from the IMDb and note all the stars worth identifying as the film progresses.

A must see/have for fans of Glenn Miller and the popular music of the WWII era. If you romanticize this era, as I do, you'll love the film.

This film, the second to feature the Glenn Miller Orchestra, and probably best of the many films to include bandleaders in the cast, does exactly what it says on the tin – present a film about orchestra wives, those long-suffering mates of band musicians. What plot there is can be summed up in a couple of lines, concerning romances, new marriages, old flames, and rivalries.

The production works better than ‘Sun Valley Serenade', as that film largely had to support a plot for Sonja Henje. This time, there's more scope for other characters to make their impact, however brief. And yes, that is Cesar Romero playing piano for Miller. I'm not sure why, but there you go.

Miller himself was no actor, but it is of great interest to see him lead his band on screen (and also to put faces to singers Tex Beneke and Ray Eberle). The unique arrangements were perfect for screen soundtracks and there are several hit numbers featured throughout ‘Orchestra Wives'.

SUN VALLEY SERENADE was a surprise and a big success when it came to Europe, and I don't understand why ORCHESTRA WIVES did not travel well over the Atlantic (to my knowledge). The musical numbers are quite a few, and Lucien Ballard did a tremendous work at filming them. The Nicholas Brothers are even better than in the former Miller movie (and they were at their climax the year after, in STORMY WEATHER). The plot is unessential, as in most of the musicals, but the "wives" are all good looking and the players are credible too. Special mention to singer Marion Hutton, sax player Tex Benneke and drummer Moe Purtill, all uncredited.henry caraso