El misterio de María Roget

With all due respect to the last person who commented on this movie. I fear what the reviewer does not realize is that Marie Roget is a Poe story. In fact, Poe created the crime story. While I have not seen the movie, I feel it is important to point out that the reviewer claims the movie relies on the 'dumb cop can't figure it out, so he relies on the old smart detective to solve the crime plot' while not realizing that Poe not only created the plot, this main detective Dupin is the genesis of it. Yes, Dupin is the predecessor of Sherlock Holmes. I did notice that some changes were made in the character names, and I do not doubt that the movie is sub par. However, it is important to note that this story and the other two Poe crime stories ares what lead to the great noir films of the 40's

This cast of B actors carries off a well-written murder mystery by Edgar Allan Poe. The sister of a woman about to inherit a large fortune plots her murder. But then she herself disappears. Who killed her? Her boyfriend (who was also courting the sister), her grandmother, her estate manager. Or her sister, to protect herself?

The events unfold with a number of false leads and dead ends, and with a few red herrings. However, due to the brilliant detective work of Dr. Dupin, who plays a Sherlock Holmes-type character to the local police chief's Watson-type character. The formula works to a degree, and we have an entertaining mystery.

This one hour film is almost a paradigm for the average B movie from the 30s and 40s. It has some suspense, (it uses the great forest sets left over from The Wolf Man), and a fast pace and if you are into this type of mystery go see it, but don't go out of your way to find it. The performances, direction, etc. are all adequate and it progresses in the typical 'the dumb cop can't figure it out, so the smart young independent detective knows everything' approach. Generallly atmospheric and fun, though.

Edgar Allan Poe's three tales of Paris crime-solver C. Auguste Dupin are considered the first detective stories. "The Mystery of Marie Roget" is the least known of the three, and by far the dullest, but it has the distinction of being the first "ripped from the headlines" whodunit. Based on the unsolved murder of a minor New York celebrity named Mary Rogers, "Marie Roget" was a thinly fictionalized essay on the facts of that case and the newspapers' theories about it. (How thinly fictionalized was it? Poe even added footnotes to remind readers that he was actually talking about Mary Rogers!) There are plenty of colorful theories about why Poe came up with such a vague, confusing solution to the mystery, but he probably just didn't want to be proved wrong if the real crime was ever solved.

Any "Marie Roget" movie true to the original material would attract mostly scholars, literary buffs and insomniacs, but fortunately this film throws in elements from other Poe stories to liven things up. It also has Dupin do something a bit more exciting than sit in an armchair and deliver a lecture. He's called "Paul Dupin" here, but as Marie Roget might say, "Just call me Mary."

Maria Montez is Marie Roget. She vanishes, then reappears, then vanishes again. Some people think she will reappear again, but not police chemist Patric Knowles, who wanders around annoying police prefect Lloyd Corrigan, because he's always right.

Poe's short story was based on a real murder in New York, which he moved to Paris and actually figured out. Nothing loath, the folks at Universal kept the title, Dupin's last name, and little else. Instead, Knowles plays Dupin as a variant of Holmes, but much more annoying because he saunters. Corrigan is intended to be his Watson. A key clue is kept out of the audience's sight until after everything is solved. With Maria Ouspenskaya, John Litel, Edward Norris, and Nell O'Day.