So's Your Aunt Emma!

Allowances made to poverty row productions; this is really fun. I'm saddened by a recent read that many aged under 20 have never watched a b&w film. They'll never know the charm of, " Go on, take a powder. "

Zasu Pitts is wonderful as Emma Bates, an unassuming small town lady who makes a trip to the big city to see a boxing match and ends up holding her own in the middle of a mob battle.

Zasu is sweet and odd as Aunt Emma, staid in appearance, a respectable woman; however, Zasu is a riot when she takes on the role of "Ma Parker," that much-feared lady gangster who carries a gun in her umbrella and can "shoot silver dollars out of the air."

The plot, for what it's worth, involves Emma's visit to see the boxer son of an old flame, some gangsters running the boxing game, some shooting and kidnapping, and a newspaperman who can't catch a scoop if it lands in his lap but is nevertheless a good hearted guy with whom Zasu strikes up a friendship. It all wouldn't make much sense, I'm sure, if you were to study it too closely…but why would you?

Lots of fun, especially for anyone who's a fan of Zasu's peculiar charm.

It's an eye-catching title, sure to get attention of wartime audiences looking for escape. Pitts' character Aunt Emma is an inventive comedic creation. On one hand, she's a sedate old maid ruled by two prim sisters; on the other, once outside their influence and taking up with newspaper reporter Terry (Pryor), she gains self-confidence and transforms subtly into an assertive mastermind. Too bad the clotted narrative crowds her transformative humor; that is, until the end when she gets needed showcase having mastered the street-tough lingo of that day. It's like Mother Hubbard sounding like Al Capone.

The supporting cast includes familiar faces, such as Fowley, Hymer, Elliot, and Coffin. But I especially glom onto Elizabeth Russell. With her cat-like eyes, once you see her you don't forget her, as the great Val Lewton knew when he cast her in a number of his classic horror films of the 40's, eg. Cat People (1942).

All in all, it's an unusual light-hearted crime flick that unfortunately piles on too much plot that the clever Pitts and her fluttery humor must compete with.

Zasu Pitts plays Emma--a spinster who lives with her very legalistic and sexless sisters. Despite this, Emma is a pretty nice old lady--sheltered but sweet. One days she's reading about a young boxer who just happens to be the son of an old boyfriend--a boxer of whom her nasty sisters did not approve decades earlier. On a lark, Emma decides to head to the city to watch the guy fight.

Once in town, she sees that the young boxer is not at all focused and is a bit of a weenie. Emma decides to stick around and give him a bit of advice. However, some gangsters see her and think she's the dreaded 'Ma Parker' (a takeoff on Ma Barker of gangster fame from the 1930s). And, though a series of mistakes, she's caught up the middle of a murder and the police think she might be responsible! Oddly, however, instead of running from this mistaken identity, Emma decides to play it up to the hilt and pretend to actually be Ma Parker! Why, in order to infiltrate the mob and discover where the young boxer is--as he was just kidnapped.

All in all, a crazy and unbelievable sort of plot but it was made enjoyable by Pitts' sweet character. Despite being a B-film from a third-rate studio (Monogram), it's a very enjoyable little comedy mixed with a bit of film noir. Not great--but certainly a lot better than you'd expect.

What makes this daft little crime thriller so much fun, is the underlying premiss that even the nastiest of criminal types will still defer to a determined, feisty old lady - even if they would otherwise happily pull out the teeth of their enemies with a blunt screwdriver! Zasu Pitts is just such an old spinster, who becomes ensnared with a gang who are rigging boxing matches before unexpectedly (and really completely implausibly) being implicated with the deadly murderess "Ma Parker"! It's a lovely, simple little yarn - peppered with some wonderfully Mary Poppins-esque language; never a cuss word crosses her lips; and her ability to get squiffy by just holding the glass adds a gentle, friendly, class to this simple story. There are others in the cast, but they don't - nor d.