CALIFICACIÓN DE IMDb
5.7/10
621
TU CALIFICACIÓN
Agrega una trama en tu idiomaA count who ignores an infatuated secretary thinks he has met his match when an angel from Heaven shows up.A count who ignores an infatuated secretary thinks he has met his match when an angel from Heaven shows up.A count who ignores an infatuated secretary thinks he has met his match when an angel from Heaven shows up.
- Dirección
- Guionistas
- Elenco
Ruth Adler
- Knight #1
- (sin créditos)
Luis Alberni
- Jean Frederique
- (sin créditos)
Rafael Alcayde
- Berti
- (sin créditos)
Maude Allen
- Gossiper #3 at Reception
- (sin créditos)
Sig Arno
- Waiter with Champagne
- (sin créditos)
Evelyn Atchinson
- Marie Antoinette
- (sin créditos)
Opiniones destacadas
10laurak23
I know a lot of people don't like this movie, but I just think it is adorable. There's not much I can say, but the movie is a feel-good movie I guess. The songs are beautiful, the costumes are beautiful, the voices are beautiful, and there are a lot of funny lines in the movie, especially as Briggitta learns about the do's and don't's of society. If you like musicals, I'd say you'd like this one!
This movie is a wonderful fantasy to watch! The MacDonald-Eddy team step outside of their usual plot formulas and into something very different but still entertaining. Several of the scenes (e.g., the Tira-Lira-Loo costume ball sequence) have the look and feel of the Emerald City of OZ, which is perfect for the whimsical plot. Too bad the movie wasn't filmed in Technicolor because the costuming, sets and musical numbers are all well done.
The stars and character support actors all appear well-suited to their roles and the storyline is quite unique and perhaps ahead of its time.
Too bad the film was released at the start of America's entry into World War II, because most audiences were probably more in a mood for something patriotic than whimsy.
I'm guessing L. B. Mayer did little to promote the film because he hated Nelson Eddy and probably wanted to end his successful teaming with Jeanette MacDonald.
If released in another era, this film may have returned a profit and enabled Nelson and Jeanette to continue their movie operetta careers together! Give it a look.
The stars and character support actors all appear well-suited to their roles and the storyline is quite unique and perhaps ahead of its time.
Too bad the film was released at the start of America's entry into World War II, because most audiences were probably more in a mood for something patriotic than whimsy.
I'm guessing L. B. Mayer did little to promote the film because he hated Nelson Eddy and probably wanted to end his successful teaming with Jeanette MacDonald.
If released in another era, this film may have returned a profit and enabled Nelson and Jeanette to continue their movie operetta careers together! Give it a look.
It appears that there's no middle ground on this movie! Most of it takes place in a dream and, like most dreams, it's often foolish and illogical. It's also a gorgeous production with some great songs and fine performances, especially by our angel.
Jeanette's deadpan, unknowing insults and various other faux pas at the dream reception are hilarious, and her jitterbug with Binnie Barnes is a surprise and a delight. At one point, she gets to sing a snippet from Carmen, followed by the final trio of Faust (holding a lapdog, for some strange reason), then "Aloha Oe" on the beach!
It's a surreal comedy--tremendously entertaining if you can get into the groove.
Jeanette's deadpan, unknowing insults and various other faux pas at the dream reception are hilarious, and her jitterbug with Binnie Barnes is a surprise and a delight. At one point, she gets to sing a snippet from Carmen, followed by the final trio of Faust (holding a lapdog, for some strange reason), then "Aloha Oe" on the beach!
It's a surreal comedy--tremendously entertaining if you can get into the groove.
One used to say, concerning Nathaniel Hawthorne, that his failures were more interesting than his successes. I believe that the same remark could suit to McDonald-Eddy's pictures. And especially this one.
It apparently possesses many characteristics of a failed movie: it's kitsch, the script, because of censorship, sounds inconsistent Yet, this movie gets also some good points: good Rodgers-Hart's music ("I married an angel", "Tira tira tira la"), good acting with E.E.Horton and Reginald Owen.
Anyway, if you may dislike it, you can't forget it. This strange movie actually leaves a very strong, dreamlike, impression, and you are very likely to keep it in mind for days, maybe for weeks. Why? In the thirties and the beginning of the forties, movies didn't have the same mean than today: it aimed, like a dream, to divert the public in order to make it forget a difficult reality. Of all the the dream-movies that was made, in that time, this one stands as particularly powerful.
In short, let's say that the better way to appreciate this movie, is to watch it without wondering whether it's good or bad. To watch it, like you would watch a dream.
It apparently possesses many characteristics of a failed movie: it's kitsch, the script, because of censorship, sounds inconsistent Yet, this movie gets also some good points: good Rodgers-Hart's music ("I married an angel", "Tira tira tira la"), good acting with E.E.Horton and Reginald Owen.
Anyway, if you may dislike it, you can't forget it. This strange movie actually leaves a very strong, dreamlike, impression, and you are very likely to keep it in mind for days, maybe for weeks. Why? In the thirties and the beginning of the forties, movies didn't have the same mean than today: it aimed, like a dream, to divert the public in order to make it forget a difficult reality. Of all the the dream-movies that was made, in that time, this one stands as particularly powerful.
In short, let's say that the better way to appreciate this movie, is to watch it without wondering whether it's good or bad. To watch it, like you would watch a dream.
This movie improves with every viewing! Because it's a fantasy, every time you see it, you notice different things going on in the background. I used to mind the occasional cut-aways to Willie asleep on the couch, but I realize that even now---perhaps especially now---audiences need to be reminded that it is a dream they're watching. If some parts of the narrative are disconcerting, it seems that several scenes were cut before release, scenes that explain things like the crowd in the street in front of the Palaffi Bank when Willie arrives for work, Peter's sudden appearance and instant dislike of Anna, and how "all of a sudden" Peggy becomes Anna's best friend. But it is a delightful film with beautiful singing, memorable songs, and sly satire that works on several levels. A real treat: watch it! (Regarding Anna's wings at the party: Foil-covered cardboard and a costume made ofbed linen are jealous Marika's attempt to make Anna look foolish.)
¿Sabías que…?
- TriviaOriginally planned as a vehicle for Jeanette MacDonald 10 years earlier, but the somewhat racy content put the musical on hold at MGM, until it was a hit on Broadway in 1938.
- ErroresWhen the count (Nelson Eddy) removes the feathers from his wife's new hat, the feathers are a different type and color, and attached differently, from the feathers on the hat shown to his wife (Jeanette MacDonald) seconds before.
- ConexionesFeatured in Nelson and Jeanette (1993)
- Bandas sonorasI Married an Angel
(1938)
Music by Richard Rodgers
Added music by Herbert Stothart
Lyrics by Lorenz Hart
Added lyrics by Bob Wright and Chet Forrest
Played during the opening credits
Sung by Jeanette MacDonald
Reprised by Jeanette MacDonald and Nelson Eddy often
Played also as background music
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Detalles
- Tiempo de ejecución
- 1h 24min(84 min)
- Color
- Relación de aspecto
- 1.37 : 1
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