Agrega una trama en tu idiomaA female doctor is sent to prison for a mercy killing. She manages to escape, get married and lead a model life, but one day her secret is exposed.A female doctor is sent to prison for a mercy killing. She manages to escape, get married and lead a model life, but one day her secret is exposed.A female doctor is sent to prison for a mercy killing. She manages to escape, get married and lead a model life, but one day her secret is exposed.
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Doctor Rose Hobart has one month to go on her prison term for assisted suicide. Before she is let out, a couple of gangsters break their molls out, and take Dr. Hobart with them because she was so good to them in the stir. Finally, she talks them into letting her get out, so she's walking back to prison, when she stops to help some people who are sick. She has settled them down well when Doctor John Litel shows up, stashes her at his plantation. They fall in love. He proposes marriage. At the judge's she gives her real name, so she can finally serve her time out. While she's waiting, the gangsters who "helped" her before show up, rob the local bank, and take her along, because one of their little group has been shot. So Litel is on trial for harboring a fugitive, while Doctor Hobart is trying to get out of her situation.
While it's a PRC production, so there's not much , if any, money wasted on incidentals like a script that makes sense, the leads bring a reality to their line readings, and William Beaudine shows that when he's working with professionals, like them, actor John Ince and Ruby Dandridge, and cinematographer Marcel Le Picard, he can turn out a pretty good movie. Then, of course, some inept performer like Lynn Starr opens her mouth, and unchewed word hash falls out, or someone decides the ending isn't happy enough, so writer Arthur St. Clare has someone else do it, a pardon is issued, and too bad about the five years in prison and your lifted license, but now it's not on your record. Blech.
Still, when it's just the professionals at work, it's pretty good.
While it's a PRC production, so there's not much , if any, money wasted on incidentals like a script that makes sense, the leads bring a reality to their line readings, and William Beaudine shows that when he's working with professionals, like them, actor John Ince and Ruby Dandridge, and cinematographer Marcel Le Picard, he can turn out a pretty good movie. Then, of course, some inept performer like Lynn Starr opens her mouth, and unchewed word hash falls out, or someone decides the ending isn't happy enough, so writer Arthur St. Clare has someone else do it, a pardon is issued, and too bad about the five years in prison and your lifted license, but now it's not on your record. Blech.
Still, when it's just the professionals at work, it's pretty good.
The story begins with a break from a ladies' chain gang. Dr. Rosemary Walsh is one of the prisoners and she's handcuffed to a lady who is about to escape. Once the guard (the dumbest guard in film history) is overwhelmed, Rosemary is forced to go along with the other escaping prisoners...though she has no interest in escaping since her sentence is almost complete. Her intention is to turn herself in to the authorities as soon as possible, but because she's a doctor, she ends up sticking around and treating some needy country folk. In the process, she ends up meeting Dr. Steve Carey...and she tells him her true identity. He decides to help her and soon the pair fall in love. What's next? See the film.
One part of the film that might shock you is the film's handling of race. If you are the sort who cannot watch an old film if there's politically incorrect content, then try some other movie! I see it as a sad product of the times...and looked past it.
So, despite the film's handling of race, is it any good? Well, compared to most PRC movies, this one is pretty good...though this isn't saying much since nearly 90% of PRC's films were awfully bad! This one isn't great, as so much of the plot seems far-fetched...especially at the end. But it is enjoyable and makes for a decent time-passer despite its very humble origins.
One part of the film that might shock you is the film's handling of race. If you are the sort who cannot watch an old film if there's politically incorrect content, then try some other movie! I see it as a sad product of the times...and looked past it.
So, despite the film's handling of race, is it any good? Well, compared to most PRC movies, this one is pretty good...though this isn't saying much since nearly 90% of PRC's films were awfully bad! This one isn't great, as so much of the plot seems far-fetched...especially at the end. But it is enjoyable and makes for a decent time-passer despite its very humble origins.
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- TriviaThe earliest documented telecasts of this film in the New York City area occurred 22 October 1945 on pioneer television station WNBT (Channel 1) and Monday 11 November 1946 on the DuMont Television Network's WABD (Channel 5). In Detroit it first aired Wednesday 2 March 1949 on WXYZ (Channel 7), in both Washington DC and in Baltimore Saturday 9 April 1949 on WMAL (Channel 7) and on WAAM (Channel 13), in Dayton Tuesday 26 April 1949 on WHIO (Channel 13), in Minneapolis Tuesday 19 July 1949 on WTCN (Channel 4), in Albuquerque Saturday 27 August 1949 on KOB (Channel 4), in Atlanta Saturday 8 October 1949 on WAGA (Channel 5), and in Los Angeles Wednesday 12 April 1950 on KTLA (Channel 5).
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- Fecha de lanzamiento
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- También se conoce como
- Prison Girls
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- Tiempo de ejecución1 hora 8 minutos
- Color
- Relación de aspecto
- 1.37 : 1
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By what name was Gallant Lady (1942) officially released in Canada in English?
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