Donald Reclutado

Donald Duck wants to join the army. First he got tested, this is a pretty funny sequence. Then his real training begins. This part has some little funny moments but overall it is a bit boring. An average Disney short.

Donald gets drafted into the U.S. Army, undergoing a grueling medical examination and a chaotic training regimen with Pete, his superior.

There's some funny moments here and there, especially the part where Donald goes through his physical examination and him standing on an anthill.

The music score and song to the cartoon were catchy and easy to the ears, makes you want to sing along. Not the best Donald cartoon out there, but not bad overall.

Grade B-

I know there's a reason they did these, but let's face it, it's Donald Duck going into the Army. With big Pete as his drill sergeant, we know that ugly things will be done to Donald. As it turns out, he is pretty much tortured. I know they are trying to portray the military as tough but making him stand on an anthill while the things go after him is a bit much.

I was able to get this along with several other Donald Duck cartoons on tape. In the opening title, a man sings "The army's not the army anymore, it's better than it's ever been before." After his physical, Donald enters the army with Pete as his drill seargent. In the end, poor Donald ends up peeling potatoes in the mess hall. In this first army short of Donald, we also learn that his middle name is Fauntelroy by reading it on his draft card.

A Walt Disney DONALD DUCK Cartoon.

DONALD GETS DRAFTED into the World War Two Army and immediately gets to experience marching, drilling & kitchen patrol.

The travails of Donald in this funny little film would have struck a sympathetic chord with millions of enlisted men suddenly thrust into military life. Pete makes the first of his appearances as the Duck's beefy sergeant. This is the cartoon, co-written by the legendary Carl Barks, where we learn that Donald's middle name is 'Fauntleroy' - Clarence Nash supplies him with his unique voice.

Walt Disney (1901-1966) was always intrigued by pictures & drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew comic figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a storm of naysayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that childlike simplicity of message and lots of hard work always pay off.