The Corpse Vanishes

Wallace Fox' "The Corpse Vanishes" of 1942 starring his greatness Bela Lugosi, is certainly not one of the highlights of Lugosi's career, but it is certainly underrated and its reputation of being total garbage is, in my opinion, unfair. The plot is chaotic and the movie is certainly not very good and completely illogical in many parts, but is has a certain atmosphere and its creepy moments, as well as some very funny ones.

After several brides drop dead during their marriage ceremonies and their bodies are stolen, the police are unable to find any clues. When a female journalist (Luana Walters) decides to do some research, her investigations lead her to the sinister Dr. Lorenz (Lugosi) , who lives in an eerie mansion with his sardonic wife and a bunch of freaks...

It seems to me that director Fox actually didn't do a bad job bringing a completely messy script to screen. The movie's beginning is, admittedly annoying, and so fast-paced that hardly a scene lasts longer than half a minute. The movie improves after some time, however, and even though some parts are still incredibly cheesy (and therefore unintentionally funny), "The Corpse Vanishes" becomes quite atmospheric after some time. The atmosphere is aided by a pretty nice score (mostly violin music, which fits in very well), and I really liked some of the characters.

Bela Lugosi is, of course, always a pleasure to watch, this man knew how to bring eeriness to screen in a very special and unique way and his status as one of Horror's greatest icons is more than justified. Elisabeth Russel does a great job playing Lugosi's creepy wife, a malevolent and sardonic countess, whose spiteful character becomes great fun to watch at times. Luana Walters also fits well into her role and the cast furthermore contains Angelo Rositto (the midget from Tod Browning's masterpiece "Freaks" of 1932).

All things considered, "The Corpse Vanishes" is a movie that is certainly illogical and incredibly cheesy at times, but it has a certain atmosphere, and Bela Lugosi, as well as some of the other cast members make a good effort making up for the messy script. Certainly not a must-see, but amusing and recommended to Lugosi fans. 5/10

While I had pre-conceived notions of what this film would be like, I must confess that I was pleasantly surprised with this nice little old-fashioned horror story about a doctor who kidnaps "dead" brides only to remove spinal fluid in them to inject in his wife who is really 70 some odd years but looks thirtyish. Whew! Well I never said it was a great story, but it is a fine feature in which the great Lugosi can steal any scene he is in. The rest of the cast is adequate or below...some of the cast are just plain awful as with the female lead Luana Walters and the fella that plays her boss(Boy! They stink!). Yet, the story creates enough suspense to make this film very watchable and entertaining. I think the fact that it is barely over an hour in length also helps it create its zippy pacing. Minerva Urecal(from The Ape Man with Bela) and Angelo Rossitti(from Freaks) are in here, and they are fine as mysterious mother and dwarf-son Toby. The sets are pretty good considering the budget of the film and its Poverty Row Production. The fact Bela is in it is enough reason to see it, but at least with this film you get pretty good entertainment in the old traditional horror way.

Dr. Lorenz (Bela Lugosi) drugs young brides, kidnaps their bodies and takes spinal fluid from their necks to keep his 80 year old wife looking young. OK--it's not "Citizen Kane" but the plot is kind of interesting (in a ridiculous sort of way) and they throw in some unbelievable horror cliches--i.e. Lorenzs' assistants include an old lady, her idiot son (who Lugosi whips at one point) and a dwarf! Unfortunately they throw in an extremely annoying female reporter and a totally unmotivated romance. Also it is a Monogram picture, so production values are low (to put it mildly). Still, it does work and Lugosi gives a very good performance.

Bela plays a doctor who raises orchids and gives them to girls about to be married....when they smell them, they go into a comatose state, and appear dead. Lugosi & henchmen steal the "bodies" with a hearse, and draw out the girl's spinal fluid, which is used to keep Lugosi's wife looking youthful.

This is Lugosi at his finest....and the dungeons of his home are positively creepy with Minerva Urecal and her two sons, Angelo Rossito (a dwarf) & (ex-boxer) Frank Moran. Together, with Lugosi's "wife", it makes for some nightmarish scenes.

BTW...the actress who plays Lugosi's Wife was morbidly afraid of lying in a coffin, so a "double" was used for that scene!

See It!

I had watched THE CORPSE VANISHES (1942) a couple of years ago but I have to say that I was pleasantly surprised as to how watchable and engaging it was the second time around. Who'd have thought that such fare was worth a second look? If anything, I found CORPSE to be even livelier than GHOST (which did get to be repetitious and feel constrained by its one setting): although it is never explained why Lugosi is married to an 80-year old woman (except maybe to get into high society given that she's a "Countess") or why she needs to be youthful (it's not like she's parading her "look" anywhere except at the Lorenz household), the film offers an amusing throwback to those 30s hard-boiled reporter movies and predates such rejuvenation-themed horror movies as I VAMPIRI (1956).

I found the film to be quite atmospheric and enjoyable: it was nice to watch Lugosi surrounded by such familiar faces as Elizabeth Russell (from several Val Lewton films), Angelo Rossitto (one of Tod Browning's FREAKS [1932]) and Vince Barnett (who had a memorable supporting role in Hawks' SCARFACE [1932]) among others. That said, the campier elements of the film were sometimes too silly for words: Lugosi whipping his moronic assistant, the proverbial funereal organ-playing, the even more hilarious sight of Lugosi and Russell sleeping in coffins and the final shoot-out with the police in which, of all people, it's Lugosi's dwarfish henchman who gets it!

In the end, I guess I wouldn't mind watching Lugosi's other stuff from this period but I doubt if it will make me enough of a fan to go out and purchase them in their best available prints on DVD.