Infierno en la tierra

Probably "China Girl" is a movie for cinephiles (I'm not one of them, though). Hathaway is a high-level film-maker, McLaglen, Montgomery, Lynn Bari, Ruman are gifted and nice actors. The black-and-white photography is beautiful: the scenes inside the colonial hotel are indeed very evocative. Even the plot is better than one may expect and presents a noble finale. At any rate, it is so pleasant to see a film with no beastly violence and trash talk which are routine in current movies. Of course, for us happy people Gene Tierney's fans, the main recommendation for "China Girl" is the presence of our Goddess of Love and Beauty. Beyond her incomparable beauty and loveliness, Gene shows her usual (underrated) talent as an actress: with her sad dreaming eyes, her rare sweet smiles, her refusal to give way to love, even her bravery in sharing her unhappy people's sufferences, she instills in the audience the foreboding of her bitter fate.

This is an underrated film that has received reviews too dismissing, I feel. I agree with the above reviewer on some of its shortcomings, but would also point out that there is a very nice tension set up between Gene Tierney and Lynn Bari throughout most of the story — which certainly had me watch it through to the very end. Contrary to other opinions, Tierney fans will not be disappointed here, although I agree she doesn't truly shine as in some others; and Lynn Bari is at her best and definitely makes us wish she had been given more prominent parts. Some feel that Bari actually makes this movie, but this may be going too far. Moreover, I don't believe China Girl was ever intended as a war movie per se, rather a drama. The war-scene ending just happens to be the bitter twist that closes what is essentially a war-time drama between a guy and two gals — it's no more complex than that.

Also, the camera is no slouch either, in this movie. It has excellent shots in the hotel rooms where much of the action takes place, giving it a somewhat noir feel that definitely generates an overall stylish period polish that is in synch with the true noirs of the period. If you like this style, as I do, China Girl is worth seeking out. One can only hope that it will eventually become part of a Tierny Collection. I'm certainly keeping my fingers crossed!

The beginning is really convoluted, with the way Ms. Haoli (Gene Tierney) allows a complete stranger to carry her package, this after having told him it was glass vases worth over $15,000! The whole falling in love etc was also contrived. But one can look past all this (after all, it was the charming way they often made movies in the 1940s, in order not to waste time and precious film reel!) because, whenever Gene Tierney is onscreen, whichever the film, she truly elevates the quality by her simple presence. With no offense meant to Jaclyn Smith, Gene Tierney had to be the most beautiful woman Hollywood has ever filmed! Not only that, she was a magnificent actress. She was very underrated and should have been way more famous, certainly way more than many of her era who were neither lookers nor could act (Bette Davis, I'm looking at you here!) I have been very disappointed by most stars from the Golden Age but Gene delivers every time.

The other stunning presence here is delivered by the little Indian boy, Chandu (or Gunga Din, as the character played by Robert Montgomery's unbrother George nicknames him). He steals every scene, he is adorable. His eyes are sparkling and light up every time his disarming smile brightens up his handsome face. I looked him up, wondering if he made a successful career back home, in Bollywood. Imagine my shock and horror when I learned that that was none other than Baretta's murdering protagonist, Robert Blake. Hmm....

There is one man (character Jujubi or something like that) who is evidently trying for an impression of Sydney Greenstreet. Similar bearing, dressed all in white, sits the same way, same gravitas and pauses in delivering his lines. Can't be a coincidence! This being 1942, the year of Casablanca, I wonder how the original took it. (Maybe they couldn't afford him and went for a knockoff?) He's also a pretty good addition, here.

Anyway, the ending is disappointing, and part of why I don't give it an 8/10. I expected a Gene living happily together with George and the little cute Indian boy. Alas, that was not to be. (You'll have to find out by watching what happens to each and everyone of them.) Nevertheless, this movie is much better than most B movies of that era starring lesser and very boring (but more famous) actresses than Gene Tierney. This reminds me to watch everything she ever starred in. Well worth my time, and I hope you'll find her very worth yours too. Gene's performance is a 10/10 (as is Robert Blake's) but the movie is only a 7/10 (and would probably have been a 4/10 without the lady!)

Elaborate WW2 adventure follows a newsreel photographer's intrigues and romance in China and Burma. Although Ben Hecht's screenplay is lively with macho action and jingo dialogue, the women stand out: Gene Tierney looks ravishing , while Lynn Bari steals all her scenes by underplaying with a haunting edge. Much less successful is hero George Montgomery who apparently took Clark Gable lessons, projecting all the brashness but none of the humor. Victor McLaglen gives stolid support and Robert Blake is fine as an Indian child. The real attraction here is the production: exquisite Oriental decor, imaginative lighting, and some spectacular mayhem.

During the early days after America's entry into WWII, Hollywood cranked up the pro-war propaganda machine to both explain and justify our late participation and urgent need to catch up in the global battle against fascism. This pre-Pearl Harbor story concerns one he-man opportunist's efforts to juggle the bad guys and bad (?) girls with questionable motives. At times it looks like a film noir and other times a spy romance/melodrama, but with cynical dialogue by the master Ben Hecht and tough-guy direction by Henry Hathaway, this chop suey has enough meat and potatoes to satisfy. Example of the catchy language: George Montgomery says to sexy Lynn Bari, "I like you because you're everything a girl should be, 115 pounds of lies, venom and kisses." Another line has spy Victor McLaglen reporting the only Japanese he could translate from a secret document was the number 7 and the word Pearl!!! Oh - and the reason most folks will be watching - the China Girl, Gene Tierney is scrumptious!