Infierno en la tierra

Elaborate WW2 adventure follows a newsreel photographer's intrigues and romance in China and Burma. Although Ben Hecht's screenplay is lively with macho action and jingo dialogue, the women stand out: Gene Tierney looks ravishing , while Lynn Bari steals all her scenes by underplaying with a haunting edge. Much less successful is hero George Montgomery who apparently took Clark Gable lessons, projecting all the brashness but none of the humor. Victor McLaglen gives stolid support and Robert Blake is fine as an Indian child. The real attraction here is the production: exquisite Oriental decor, imaginative lighting, and some spectacular mayhem.

George Montgomery fits the bill quite well here as the moustachioed photo journalist "Johnny" who makes a living taking pictures from war zones. This time he's been posted to Burma where he finds himself amidst quite a conflict between the invading Japanese and the local resistance. The invaders want him to act as a spy for him, and demonstrate quite succinctly what they do to those who don't play ball. He's especially valuable as he is also a pilot, and so could photograph some quite strategic sites along the new Burma Road for them. His newly arrived cellmate "Weed" (Victor McLaglen) and he make a timely escape only for him to find that some documents he accidentally pinched from his interrogators actually have coded information that might prove crucial to the war effort. He's is distracted, however, by "Haoli" (Gene Tierney) who, after a distinctly rocky start, tells him something that will thoroughly change the dynamic of just about everything in this increasingly hostile territory. When she heads off to meet with her schoolteacher father he follows hoping to rescue her - but can he stay one step ahead of his pursuers and reach her in time? It takes a while to get going this, Montgomery is pretty wooden, McLaglen hasn't the jovial whisky-stained character to deliver and so a lot of this is left to an out of sorts Tierney - she isn't really the most convincing as a Chinese lass. Neither is Lynn Bari as the imaginatively duplicitous "Capt. Fifi", and the whole film tries rather statically to mix it's wartime espionage elements with some rather flat romantic ones. The pyrotechnics are quite effective, and it does give us an idea of just how brutal this theatre of the war was in the 1940s, but there's a surfeit of dialogue and we have to wait too long for most of the action. Some nice old cars and planes, though.

I'm a big fan of George Montgomery films--and he looks rugged & handsome, as always, in this one. Both Gene Tierney & Lynn Bari fall in love with him and, frankly, who can blame them. He plays an American newsreel cameraman in Burma & China just prior to the Japanese attack on Pearl Harbor. After escaping from a Japanese prison, he goes to Mandalay where he meets & falls in love with Gene Tierney. He has a booklet containing some vital military info--so there are spy's on his trail. George Montgomery had a long Hollywood career & he was always interesting to watch (and,frankly, I see little comparison between him & Mr. Gable

The beginning is really convoluted, with the way Ms. Haoli (Gene Tierney) allows a complete stranger to carry her package, this after having told him it was glass vases worth over $15,000! The whole falling in love etc was also contrived. But one can look past all this (after all, it was the charming way they often made movies in the 1940s, in order not to waste time and precious film reel!) because, whenever Gene Tierney is onscreen, whichever the film, she truly elevates the quality by her simple presence. With no offense meant to Jaclyn Smith, Gene Tierney had to be the most beautiful woman Hollywood has ever filmed! Not only that, she was a magnificent actress. She was very underrated and should have been way more famous, certainly way more than many of her era who were neither lookers nor could act (Bette Davis, I'm looking at you here!) I have been very disappointed by most stars from the Golden Age but Gene delivers every time.

The other stunning presence here is delivered by the little Indian boy, Chandu (or Gunga Din, as the character played by Robert Montgomery's unbrother George nicknames him). He steals every scene, he is adorable. His eyes are sparkling and light up every time his disarming smile brightens up his handsome face. I looked him up, wondering if he made a successful career back home, in Bollywood. Imagine my shock and horror when I learned that that was none other than Baretta's murdering protagonist, Robert Blake. Hmm....

There is one man (character Jujubi or something like that) who is evidently trying for an impression of Sydney Greenstreet. Similar bearing, dressed all in white, sits the same way, same gravitas and pauses in delivering his lines. Can't be a coincidence! This being 1942, the year of Casablanca, I wonder how the original took it. (Maybe they couldn't afford him and went for a knockoff?) He's also a pretty good addition, here.

Anyway, the ending is disappointing, and part of why I don't give it an 8/10. I expected a Gene living happily together with George and the little cute Indian boy. Alas, that was not to be. (You'll have to find out by watching what happens to each and everyone of them.) Nevertheless, this movie is much better than most B movies of that era starring lesser and very boring (but more famous) actresses than Gene Tierney. This reminds me to watch everything she ever starred in. Well worth my time, and I hope you'll find her very worth yours too. Gene's performance is a 10/10 (as is Robert Blake's) but the movie is only a 7/10 (and would probably have been a 4/10 without the lady!)

During the early days after America's entry into WWII, Hollywood cranked up the pro-war propaganda machine to both explain and justify our late participation and urgent need to catch up in the global battle against fascism. This pre-Pearl Harbor story concerns one he-man opportunist's efforts to juggle the bad guys and bad (?) girls with questionable motives. At times it looks like a film noir and other times a spy romance/melodrama, but with cynical dialogue by the master Ben Hecht and tough-guy direction by Henry Hathaway, this chop suey has enough meat and potatoes to satisfy. Example of the catchy language: George Montgomery says to sexy Lynn Bari, "I like you because you're everything a girl should be, 115 pounds of lies, venom and kisses." Another line has spy Victor McLaglen reporting the only Japanese he could translate from a secret document was the number 7 and the word Pearl!!! Oh - and the reason most folks will be watching - the China Girl, Gene Tierney is scrumptious!