Intriga en el Cairo

This would be OK as a wartime musical, praying that ships get back to the harbours of Home. But Robert Young's character in infuriating. The gags, the pratfalls aren't funny, or they require the mindset of the Three Stooges. This is supposed to be an investigative reporter? Classy Jeanette MacDonald is supposed to fall for this goofball? But what saves the movie, as other have noted, is Ethel Waters. Sure, she's dressed as a maid until she gets to do a stage number. And Dooley Wilson, who watches that number, is dressed as an "A-rab." And of course there's nobody else they can pair up with. But they steal the show, and inspire even MacDonald to move her hips for a moment. Not Robert Young's character, still out of it.

In one of her last movies, Miss MacDonald shows a real gift for light comedy - along with her well known vocal talents.

And for the guy who said there were too many songs...WAKE UP!!!...it's a musical! LOL That's like saying there are too many explosions in an action flick or jokes in a comedy.

"Cairo" (1942) is a typically polished MGM production - even if it does take place in an entirely Hollywood-studio Cairo. It features some surprising, for the time, "meta" humor, like Jeanette MacDonald's response to the question "Have you ever been to San Francisco?", or the final scene where she "teaches" Robert Young how to carry himself as an actor in front of a supposed camera - which is the actual camera filming them. There is perhaps a tad too much singing, although MacDonald, who looks gorgeous and younger than her age, has a remarkable voice. A fine supporting cast helps. **1/2 out of 4.

Really, they could have gone to 2-1/2. Would it have killed them? When I see two stars, I expect to see a complete disaster.

"Cairo" from 1942 is a bit convoluted, but there are some fun moments. The film stars Robert Young, Jeannette MacDonald, Ethel Waters, Lionel Atwill, Eduardo Ciannelli and Reginald Owen.

Part of the problem with "Cairo" is you're not sure what you're watching - musical, comedy, drama, what? It's a comedy with music, but a bit unsure of itself. Young plays Homer Smith, a newspaper reporter who suspects the famous singer/movie star Marcia Warren of being a Nazi spy. She suspects him of being one as well.

The best scene occurs when they go out for an evening, manage to get away from one another, and each go back to MacDonald's house to search the other's room. There's also a joke with her high C, which inadvertently opens a secret passage.

One of the assets of "Cairo" is Jeannette MacDonald, who was so beautiful, and here she's in good voice and very appealing in her performances. Ethel Waters is wonderful, though she certainly could have done more. Young was never a top-flight movie star, but he does okay. MacDonald is excellent, very charming and funny.

With a little work on the script, this could have been an excellent film. However, it looks like it was rushed out as a propaganda movie and done on the cheap.

The film has some great in jokes. When Marcia Warren and Homer Smith question one another, they learn that they are both from California. She's from the north; he's from the south. Both denigrate where the other lives. Finally Smith says to her, "Have you ever been to San Francisco?" "Once," she answers, "with Gable and Tracy and the joint fell apart."

'Cairo' is a World War II spy story with Jeanette MacDonald and Robert Young each suspecting the other of being a spy. It's a spoof of all the spy stories popular in the '40s and strains to be funny--but the script defeats the purpose. Despite obvious flaws, it's interesting to see Jeanette looking her very best and in fine voice for a good number of songs--including a clip from one of her old films. The cast includes the dependable Ethel Waters (but the script makes poor use of her abilities), Lionel Atwill, Eduardo Ciannelli and Reginald Owen. It's a muddled mixture of musical comedy and espionage intrigue salvaged in part by Jeanette's occasional bursts of song. She's obviously having fun with her role as a movie star suspected of being a spy--and there are some inside jokes thrown in for good measure--but nothing really helps. One outstanding number is a night scene using a dramatic pyramid as the background for one of her songs--too bad it's just about the only musical highlight of the film.