Bambi

People frequently say that the death of Bambi's mother is the scene most people cry in. You would have to be to be incredibly shallow and insensitive not to cry. Its a pretty good test of a person and I am so pleased that all these years later I still blubbered like a baby. Bambi looks wonderful and time has treated Walt's favourite film very well.Visually the movie is stunning. All the more remarkable in that it was made in 1942. The scenes of the animals in the meadow enjoying the airy freedom away from the safety of the forest lifts your spirits; it is just beauitiful. The music is brilliant and that rain drop song with the beautiful visuals is a glorious moment in film making. Indeed all the music is wondrous; the score for the fire is rich and exciting. The characters are wonderful. I love the much malinged American skunk, a truly remarkable little creature.I love Flower but Thumper is worthy of the recognition he has got over the years as one of Walt's greatest creations. There are so many wonderful scenes in the film. I love the raindrop scene, the parade and introduction of the stags. Bambi's father is a great creation, almost spiritual. The movie never speaks down to children and the final scene as Bambi's dad disappears is so gracious and beautiful. I love the images in the courting of Bambi and his girl friend. Bambi is a love story and its impossible not to be touched by this magical story. It has always struck me as odd how any one could kill or shoot wild animals and call it sport. Such people are obviously mentally unstable and certainly uncivilised. I dream of a day that recreational hunters get what they deserve. They are the most unworthy people on the planet.Bambi is a lesson in life and its a film that will live for ever as a masterful example of great animation. I really prefer it to the Pixar of today.

I was staying over at the home of my three-year old niece; after everyone had gone to bed, I found and popped this title in the VCR. I had only a rough familiarity with the plot (like everyone, I knew Bambi's mother gets killed) and was also aware that "Bambism" has been used as describing a overly sentimental love of wildlife.

Oh wow. I found that while this movie certainly has a heart for its characters, it is not at all sugarcoated about the realities of animal life. Consider the following points it makes:

1) Animals do not live in nuclear families. Bambi lives with his mother only, his presumptive father is off in the background.

2). Animals often go hungry in the winter.

3). Male animals must be prepared to fight rivals as a prelude to mating.

4). Man (here assisted by canine lackeys) is easily the most dangerous threat creatures face.

Rather than putting a Hollywood gloss on animal life, "Bambi" if anything is better than what would be made today. Remember that the same studio recently put Hercules into a doting nuclear family, the actual circumstances of the hero's birth apparently thought too scandalous for contemporary children to be exposed to (though one presumes ancient Greek children handled them well enough).

Plus when you consider that a large sector of the populace takes a "humanity couldn't possibly be at fault" attitude toward the decimation of animal populations, you know that Point 4). above would today be softpedaled if not entirely neutralized by the addition of sympathetic human characters. Look what happened with the otherwise excellent TBS production of "Animal Farm."

And the animation!! The gorgeous, pencil-drawn Impressionistic renditions of the rhythms of the woodlands makes you wonder if modern animators haven't been spoiled by computer graphics. I'm only sorry I probably won't ever see this film in a theatre, as it was meant to be seen.

As cliche as it may sound, this is a timeless film for all ages. I cannot praise it highly enough.

Walt Disney didn't make another full-length animated film until 1950, by which time his golden age had well and truly passed. Was `Bambi' a quiet, gentle farewell, then? If you haven't seen it you could be forgiven for thinking so; and the slightly over-sugared opening scenes might confirm this view. But prepare to be jolted out of your seat. The forest contains darkness as well as light. The gunshots that ring out across the silences are truly alarming (and there are many ways Disney and Hand make them more alarming: consider the scene where a flock of birds are cowering in the grass, until one decides to fly into the air and risk death rather than put up with the suspense). Also worth noting about `Bambi' is its use of psychological colour. In at least three key scenes, the colour scheme shifts wildly, not because the sun has set or anything of that kind, but in order to illustrate Bambi's psychological state. Particularly fine is the scene where he is running away from the clearing in fear and the world turns into just a few pale and dirty shades of yellow.

The greatest thing is the way Disney manages to convince us that there is nothing else in the world, outside the forest. Not once do we see a horizon. Nor do we sense one. By some standards not much happens in the forest - a few deaths, a few births, what else is new? But when the forest is the whole world they matter a good deal.

Blissful, playful, moving and inspiring, Walt Disney's "Bambi" is a precious jewel that will last longer than most of us will. Indeed, it has a timeless quality, matched with a charming music score and wonderful character voices. Pauline Kael of The New Yorker poked fun at the voice-changes when the infant animals grow up over winter (sort of a puberty-in-the-thicket), but what other way was there to show the passage of time and how it changes everything, even the woodland creatures we take for granted? It's an amazing achievement. The song score never elicited a hit the size of, say, "When You Wish Upon a Star", but it does feature the sprightly "Little April Showers", which underscores the very best sequence. ***1/2 from ****

From the opening scene where the multiplane camera glides through a quiet forest until the stirring forest fire climax, a viewer has to be aware he is watching one of the all-time great films. So much of the cycle of life is covered that it's hard to realize the film is a mere 69 minutes. In a book called 'The Making of Bambi', Ollie Johnston reveals that originally there was much more footage that Disney eventually trimmed, cutting out whole sequences before the film previewed. Obviously, he made a wide decision.

There is no extraneous scene here, it moves seamlessly through its cycle of life story with the charming animal creatures carrying the story to its logical conclusion. The background music complements all of the drama and comedy. The storm sequence is the most beautiful blend of music and drawings ever achieved by the Disney artists. The naturally drawn deer are the result of months of careful preparation and study, giving the entire film the feel of a nature study as well as giving the audience great entertainment.

The choral work is extremely effective, particularly on songs like 'Love Is A Song' (Oscar nominated), 'I Bring You A Song' and 'Little April Shower'. The impressionistic forest glows with a life of its own and is the real star of the film, thanks to the influence of Japanese artist Tyrus Wong. No wonder this was Disney's favorite film. It will stay fresh and young forever. An awesome achievement!

In conclusion, having done some choral work myself as a glee club singer, I especially appreciated the great contribution made by the mixed chorus (male/female) that does such a wonderful job on all of the choruses that blend so seamlessly with the rich background score. Truly exceptional choral vocals conducted by Charles Henderson.