El lobo humano

Lon Chaney portrays psychological torment, guilt, and conflict so well in this film. These feelings are so absent in this century. Larry Talbot, in contrast to public officials and corporate executives, wants to do the right thing, and feels remorse at the suffering that he has caused. Chaney also does this in his later Inner Sanctum films. Maria Ouspenskaya is also great as Maleva, the gypsy. And the music is also marvelous. Films as these put contemporary horror films to shame. The former are fun and a pleasure to watch. This one is quite good.

What famous horror classic, panned by reviewers upon its initial release in December of 1941, looks better and better every year? THE WOLF MAN, starring Claude Rains, Ralph Bellamy, Evelyn Ankers, and Lon Chaney Jr. as the hapless Larry Talbot.

The story is a familiar one: Larry, the son of esteemed Sir John (Rains) returns home to Wales after many years in America, is bitten by a werewolf (well played by Bela Lugosi), and becomes a werewolf himself. What's extraordinary is the fact that the film can be so effective today.

The biggest reason for this is the acting. Some classic films, pre-Actor's Studio, look pretty pathetic when it comes to realistic characterization. Not so THE WOLF MAN. Curt Siodmak's excellent screenplay (likened to a Greek Tragedy) provides a vehicle for the stars to be at their best, and, boy, do they shine: Rains a tower of strength as the proud father; Ankers hitting just the right note as the torn female lead; Maria Ouspenskaya as the Old Gypsey Woman whose words prefigure Larry's doom....

But the standout is Lon Chaney Jr. A definite mixed-bag as an actor, he is perfect here--and this is a role calling for the use of all human emotions (unlike later Wolf Man films, where Talbot's head-pounding becomes monotonous). In fact, seeing THE WOLF MAN recently has convinced me that Chaney would have made the ideal screen Phillip Marlow (and I'm not forgetting Bogie)--big, tough, surly, yet charming when need be (a highlight early in WOLF MAN is Larry's attempts at flirting with Ankers; Chaney does the surprisingly playful dialogue with just the right touch). There's no doubt that his performance would merit accolades even today.

This is not to say that there aren't problems in the film. The continuity is off in a number of places (Chany transforms into the Wolf Man at one point wearing a sleeveless undershirt; in the very next scene, he's wearing a neatly buttoned Dickey), and there's a scene or two that's completely inexplicable (e.g., why DOES the Wolf Man pass out when caught in that trap?)....

But overall, the pace, lighting, cinematography, excellent musical score, and strong story propel the film through these rough spots, the 70-minute ride leaving the viewer wanting more. For these reasons, THE WOLF MAN is a classic.

Lon Chaney Jr lived under the shadow of his famous father, but in 'The Wolf Man' he helped create a horror icon that has lasted for over sixty years. Chaney had already shown that he could act in 'Of Mice And Men'(1939). In 'The Wolf Man' he gives another excellent performance, but this movie was both a blessing and a curse to his career I think. It forever labeled him a horror actor, and frankly he made a lot of lousy movies after this. Some good ones too, don't get me wrong, but too often he was given b-grade material to work with. Maybe his drinking problem had a lot to do with it, I don't know, but apart from a strong cameo in 'The Defiant Ones'(1958) and a great performance in Jack Hill's cult classic 'Spider Baby'(1964), he rarely was given a role as good as Larry Talbot in this movie. Chaney is surrounded by a very strong supporting cast including horror legends Claude Rains ('The Invisible Man') and Bela Lugosi (sadly only a cameo), Ralph Bellamy ('His Girl Friday'), and frequent costar Evelyn Ankers (she and Chaney made a great on screen couple but apparently hated each other off screen. Such is Hollywood!). Many people complain about the casting of Rains and Chaney as father and son. I agree it's totally unrealistic, but I don't think it hurts the movie at all. The lack of Lugosi is a bigger problem. There was more footage of him but unfortunately it wasn't used in the final cut. It's too bad as more scenes between Lugosi and Chaney would have been a treat. Of course they worked together a few times after this, but mostly in lesser movies. The real scene stealer in 'The Wolf Man' is Maria Ouspenskaya who plays the gypsy woman Maleva. She's just terrific, and gives the most memorable performance after Chaney. 'The Wolf Man' has had an enormous influence on just about every subsequent werewolf movie. Much of the lore seen on screen here isn't in fact traditional, as many people assume, but created by the talented Curt Siodmak ('Donovan's Brain') who subsequently wrote the horror classics 'I Walked With A Zombie'(1943), and 'The Beast With Five Fingers'(1946). 'The Wolf Man' is an undisputed horror classic, and just as entertaining and interesting as it ever was.

An all time classic! One of the top notch horror films of the 1940's! Superb Universal atmosphere, superb performance by Lon Chaney Jr. I won't go into the story because we all know it. Let me just say that this movie is chuck full of atmosphere and it's fair share of thrills. If your a youngster, it will still scare you just as it did all those years ago. And for us older folk, it is a great throwback and full of nostalgia. Really makes you remember where you were as a kid the first time you saw it! Rent it, buy it, treasure it! One heck of an enduring classic!

The Wolf Man is a film about a man bitten by a werewolf condemned to live the life of his antagonist. Lon Chaney Jr. does an awfully good job transcending the traditional monster out to get everyone with a humane, sympathetic portrait of the titular lycanthrope. This is Universal Studios at its best with a good old-fashioned horror yarn, excellent acting, particularly by supporting cast members Claude Rains, Evelyn Ankers, Bela Lugosi, and the outstanding Maria Ouspenskaya as the old and wise gypsy woman, wonderful sets complete with swirling fog, and special effects that were new and fresh in 1941. This film is fast-paced and deserves its rank as one of the great Universal horror classics.