Al compás de la música

Time Out for Rhythm (1941)

** 1/2 (out of 4)

A great cast elevates this musical-comedy but it can't quite reach a good level. The story itself is pretty simple as business partners (Richard Lane, Rudy Vallee) try to get Frances Lewis (Rosemary Lane) into the big time. The duo eventually break up so the Lane character tries to make Kitty Brown (Ann Miller) a superstar.

TIME OUT FOR Rhythm features a pretty good cast full of familiar faces but the plot is just so routine and predictable that the film never manages to be more than a decent "B" picture. I think the best thing the film has going for it is the cast, which is certainly good enough to keep film buffs entertained throughout the short running time. Lane is actually pretty good and believable in his role here and Vallee makes for a nice rival. Allen Jenkins is also good in his supporting bit as a piano player and there's no question that Lane is good. Ann Miller easily steals the film in her role and her dancing is certainly the highlight. THe Three Stooges appear throughout the film in brief skits as they are constantly trying to break into show business. I found their skits to be decent but at the same time they take away from the main focus of the story.

As I said, there are some problems here with the screenplay being the biggest issue. There's a love conflict that's thrown in but just adds a bunch of boring scenes and you know where they're going to go. The musical numbers are fairly good considering the budget. TIME OUT FOR Rhythm isn't a classic but if you're a fan of the cast then it's certainly worth sitting through.

This little known Columbia musical stars Rudy Vallee and Ann Miller, but is of great interest due to the appearance of Moe Howard, Larry Fine, and Curly Howard (aka The Three Stooges). Although they are not starred and have nothing to do with the nonexistent plot of the film, the Stooges have a good amount of screen time and what they have is stellar. In this film, they perform their trademark set piece "Maharajah". Compare this version to the 1946 version with a sick Curly. Here Curly is high energy and the piece is full of life. It is also superior to their television versions with Shemp and Curly Joe. The Stooges show up often in the film for a handful of gags and they participate in a group of musical numbers. The finale with the Stooges "au natural" is priceless. Vallee had developed into a fine character comedian as well and Miller's dancing is always welcome. This is a light, fun budget musical comedy.

I first read of this rare Three Stooges-Moe, Larry, and Curly-feature when reading the book "The Stooges' Lost Episodes" which loved the Stooges' routines here especially the "Maharraja of Vulgaria" one when Curly hadn't yet suffered his stroke as they say was evidenced when he later performed that in the Three Little Pirates short. Anyway, the Stooges aren't the only highlights here, tap dancer Ann Miller is introed by her glamorous legs first before we then see the rest of her in her maid outfit. No wonder Columbia gave her a long-term contract after she performed in this. Character actor Allen Jenkins Is also on hand doing fine comedy takes as well as occasionally doing a musical number as he does with Ms. Miller here. Crooner Rudy Vallee does occasionally sing with one of the numbers being with Joan Merrill who warbles a couple more solo. Besides the Stooges, Blanche Stewart and Elvira Allman also provide comic relief as secretaries Brenda and Cobina. Watch both teams during the rumba number near the end, what laughs! So on that note, I highly recommend Time Out for Rhythm for all the Stooges fans out there.

With a cast that included Rudy Vallee, Ann Miller, Allen Jenkins and The Three Stooges, this looked like being quite an enticing movie. Unfortunately, however, it turned out to be as dull as ditchwater.

The only good thing about it was, in fact, the presence of the extremely talented dancer Ann Miller, who acquitted herself admirably in this, her debut in movies as a dancer.

I'm usually quite fond of The Three Stooges, just as long as Shemp Howard was part of the trio. Those others (Curly Howard, Joe Besser and Joe DeRita) hardly ever made me smile, let alone laugh. In this movie it was the unfunny Curly Howard who appeared, and most of the schticks they performed have been seen before in their short subjects.

I found Blanche Stewart and Eliva Allman (I've never heard of either of them) as Brenda and Cabrina respectively, most unamusing.

With a terrible plot, about two constantly quarreling agents, the movie gave me little watching pleasure.

The five stars are strictly for Ann Miller.

When Sony/Columbia announced they were going to put their library on DVD, I thought it would probably be a cold day in you-know-where before they issued any of Ann Miller's films. But they have indeed released this film, and not only that, it's digitally remastered so the quality is pristine. No more bootleg copies made from wonky TV broadcasts.

This is the film Miller made for Columbia before she got her long-term contract with that studio and it was her performance here that assured the outcome. She got top billing over veterans Rudy Vallee and Rosemary Lane, which must indicate that Columbia already thought highly of her.

In this film, Miller dances more than in any of her other Columbia films. So if you're a Miller fan, you will be satisfied with acquiring a copy.