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If you're looking for a good Sonja Henie movie, this is the one to see--and hear. It's got Glenn Miller in full swing with some of his big toe-tapping favorites--including 'Chattanooga Choo Choo' danced by Dorothy Dandridge and the Nicholas Brothers, 'I Know Why' and 'In the Mood'. Sonja's skating routines seem tame compared to what's expected of today's skating competitors but she's graceful as ever on ice and not too bad in the acting scenes. Her comic timing had vastly improved by the time she did this one. Her scenes with John Payne where she deliberately has them stranded for an overnight stay in a cabin (due to her fake skiing accident)are good for laughs. Payne actually pulls off a couple of slapstick stunts while attempting to sleep across two chairs--definitely one of his best romantic comedy roles. With all of the skating, skiing and great Miller music, this one can't miss. Once you see it, you'll understand why it was such a huge hit in the early '40s. Glenn Miller fans will be grateful for all the screen time he is given. Lynn Bari plays it straight as the jealous woman trying to keep Sonja away from Payne and her singing is obviously dubbed--but her song, 'I Know Why', is given a great treatment with the Miller band. Enjoyable entertainment is probably Sonja's best film. Fans of the skating star may be interested in the career article I've written due for publication soon in FILMS OF THE GOLDEN AGE.

Anyone who has ever paid a visit to the mountain-cradled village of Sun Valley, Idaho knows that one of the luxuries of staying in its well know resort, of the same name, is that you can view this charming "boy-meets-girl, and then another girl" romantic-musical-comedy, 24 hours a day! If you are very lucky, as I was during my most recent visit, you can do so from a room overlooking the very ice rink that Sonja Henie performed upon, in this snowbound, big-band era classic "Sun Valley Serenade".

When war refugee Karen Benson (Henie) arrives from Sweden to meet her sponsor Tom Scott, the piano player for a big band played by John Payne, it is clear that she has her romantic sites set on our non-assuming hero. Scott has met, fallen in love with and proposed to Vivian Dawn (Lynn Bari), a tempestuous big band diva, just days before Karen's arrival. The band gets a gig in Sun Valley, Karen tags along, and the fun begins.

Henie's unshakable effervescence and contagious smile allow you to forgive, and even admire, her calculated attempts to win Scott's attention. Henie charms you and Scott with her thick accent and graceful fetes on both the ice and slopes. Although never recognized as an actress by the industry's standards, Henie's comedic timing is so surprising, at times, you may laugh out loud.

John Payne, as Tom Scott, is your typical 40's leading-man-- down-to-earth, charming, handsome, talented and a trust-fund baby. While the band struggles for engagements and its public relations manager needs to re-sole his shoes, the Princeton grad does not seem to have a care in the world, other than which girl to marry. He manages to keep his head just below the radar of the discrete feminine barbs at all times, with a relative air of oblivious confusion.

Milton Berle, as the band's self-deprecating public relations manager (who cooked up the adoption scheme as a publicity stunt to get Walter Wenchell's attention), keeps this comedy light-hearted despite the feeling that there is a `catfight' slowing brewing. Glen Miller's line delivery, as bandleader Phil Corey, is forgivable once the band kicks into high gear with `Chattanooga Choo-Choo', among other dance and romance tunes of the day. And now we know that Jimmy Stewart must have studied this performance prior to doing his bio-pic "The Glenn Miller Story" (1953).

Watch for cameo appearances by the adorable 18-year-old Dorothy Dandridge, the show-stopping Nicholas Brothers, and Joan Davis as Berle's gad-fly.

If you are a fan of romantic-comedies, the big-band era, ice-skating, or just an old film buff there are special moments for all. Beware, however this heart-warming comedy is addictive and you may be humming "It Happened in Sun Valley" in your sleep before you know it.

Milton Berle (Nifty) manages the Glenn Miller (Phil) band that includes piano player John Payne (Ted). They land a long-term gig with famous singer Lynn Bari (Vivian) in Sun Valley. Guess what – there's romance between Payne and Bari. However, before they depart for Sun Valley, Payne has to collect a war refugee child that he has undertaken to look after. Enter Sonja Henie (Karen). And she's not a child. Everyone goes to Sun Valley but Payne can only choose one woman. Or does the woman choose him?

The story is lightweight nonsense but the music is excellent. Every musical number is a highlight with the showstopper being Glenn Miller's "Chatanooga Choo Choo" which also includes a sequence with Dorothy Dandridge and the Nicholas Brothers. Wow! The film also serves up Sonja Henie and her ice skating spins. For me, the skating sequences aren't as powerful as the musical numbers, but they are still being performed by a 3 time Olympic gold medallist!

The film is funny and entertaining and contains some legendary performers. Definitely one to watch.

What's not to like about the movie? The great soundtrack, featuring then-new now-classic Glen Miller orchestra sounds? The bubbly Sonja Henie in a completely agreeable innocuous script? The same Miss Henie gamely trying to sing a few bars here and there? John Payne (Miracle on 34th Street) crooning in alternation with the song stylings of Lynn Bari? The amazingly young Uncle Miltie Berle playing the second man? Dorothy Dandridge in her prime, singing "Chattanooga Choo Choo" with full orchestral accompaniment, and the Nicholas Brothers doing a dance to boot? The skiing, the skating, the soundstage snow shenanigans?

Answer: nada. One of the lesser known (possibly because of the short running time and limited number of songs, but probably just because it's black and white and incredibly quaint), but absolutely classic movie musicals.

Sun Valley Serenade is remembered today for being one of the two films that Glenn Miller and his Orchestra were featured in, the other one being Orchestra Wives for 20th Century Fox. Miller was the number one swing band in the country and his presence in the film was more important than stars Sonia Henie and John Payne.

Payne's a pianist/vocalist with the Miller Band and his romancing of singer Lynn Bari gets the band a gig in Sun Valley during the ski season. Which is doubly fine for Payne because he likes all kinds of winter sports, indoor and outdoor.

But then an old publicity stunt that manager Milton Berle pulled some months earlier comes back to haunt them. He had the band sponsor a refugee from one of the occupied countries of Europe and Chester Clute from Immigration arrives with the receipt while all this full blown courtship of Bari is going on. So the band goes to Ellis Island to meet their sponsored urchin, but instead it turns out to be a rather big girl who also likes winter sports, Sonia Henie.

The band thinks to park her with Berle's aunt in New Jersey, but Sonia hears about Sun Valley and that sounds too much like home to suit her. And she's got a great advantage in that Bari isn't interested in skiing nor does she want to learn. Give you a guess who Payne winds up with.

Of course this whole fluffy plot is just an excuse to hang some skating sequences and some music by the Glenn Miller Orchestra. Harry Warren and Mack Gordon contributed a fine score. In fact Sun Valley Serenade was nominated for an Oscar for black and white cinematography and musical scoring.

It also received a nomination for Best Song, one of the best known that the Glenn Miller Orchestra was known for, Chattanooga Choo Choo. John Payne gets to vocalize another great song I Know Why And So Do You which sold a few platters back in the day.

I don't know if Payne could play a piano in real life, but even if he was faking it for the film, he got a rare chance to jam with Glenn Miller as he was doing In The Mood, probably his best known hit song. I'd have paid Darryl Zanuck to do that myself.

The Miller Band's presence made a lot of folks forget this was a Sonia Henie film. Darryl Zanuck paid dear to sign Henie and she was first billed in all of her films. Her skating sequences or good, but I'm betting she didn't like being upstaged.

Nearly all the big bands in their era which was roughly 1935-1945 got into one film or another. Some got into better films than others and Miller's band did well by their two films before Glenn Miller went into the army and to his untimely disappearance over the English Channel.

Not to forget that the Nicholas Brothers and Dorothy Dandridge got to do specialty numbers. With all the talent in this film, you can't possibly go wrong giving it a look.