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If you're looking for a good Sonja Henie movie, this is the one to see--and hear. It's got Glenn Miller in full swing with some of his big toe-tapping favorites--including 'Chattanooga Choo Choo' danced by Dorothy Dandridge and the Nicholas Brothers, 'I Know Why' and 'In the Mood'. Sonja's skating routines seem tame compared to what's expected of today's skating competitors but she's graceful as ever on ice and not too bad in the acting scenes. Her comic timing had vastly improved by the time she did this one. Her scenes with John Payne where she deliberately has them stranded for an overnight stay in a cabin (due to her fake skiing accident)are good for laughs. Payne actually pulls off a couple of slapstick stunts while attempting to sleep across two chairs--definitely one of his best romantic comedy roles. With all of the skating, skiing and great Miller music, this one can't miss. Once you see it, you'll understand why it was such a huge hit in the early '40s. Glenn Miller fans will be grateful for all the screen time he is given. Lynn Bari plays it straight as the jealous woman trying to keep Sonja away from Payne and her singing is obviously dubbed--but her song, 'I Know Why', is given a great treatment with the Miller band. Enjoyable entertainment is probably Sonja's best film. Fans of the skating star may be interested in the career article I've written due for publication soon in FILMS OF THE GOLDEN AGE.

What a simply fantastic movie. A chance to see Glenn Miller and his orchestra and Sonja Heine both in their prime. The music is all toe-stepping and the dance routines keep you enthralled. Plus you get to see Sonja who was considered the best skater at the time. A movie that is both entertaining and gives you a chance to look back in time to see some truly great entertainers. This would best be described as a light, romantic comedy and it does have it moments. John Payne comes close to slapstick when he tries to sleep in two chairs. Milton Berle uses his time on the screen to great advantage. If this had been in color the scenes actually filmed in Sun Valley would have really been spectacular. Even in black and white the grandeur comes through. This one can be seen many times.

Designed to provide some enjoyable light entertainment, "Sun Valley Serenade" does just that. There's plenty of variety, with good comedy, good (sometimes excellent) musical numbers, and some winter outdoors scenes. The story is lightweight, but it's supposed to be, and it is sufficient to tie the rest together.

Sonja Henie brings energy and talent to her role as a war refugee who is taken in by a band member. John Payne is good enough, though he mostly allows Henie to take the spotlight, and plays off her and the situation around him. Milton Berle adds some amusing moments as the band's agent. Glenn Miller's band and the performers in the musical sequences get lots of screen time, making good use of most of it. In particular, the 'Chattanooga Choo Choo' number is quite a show-stopper.

The atmosphere is quite pleasant, the story is enough to keep things moving, and the variety of material fits together well. It's more than enough to make for an hour-and-a-half of worthwhile watching.

John Payne plays the pianist/arranger for a big band led by Glenn Miller and managed by Milton Berle. They pick up singer Lynn Bari enabling them to get a big contract in Sun Valley, Idaho, at which point, a past publicity stunt comes back to bite them. They offered to sponsor a war refugee, thinking taking care of a baby would be publicity, and now the refugee arrives... in the form a of fully grown-up Sonja Henie. For Henie, it's love at first sight with Payne, and she vows to break up Payne's relationship with Bari. (And we're supposed to sympathize with her!) There's some good scenery of Sun Valley, at least the best they could do in black-and-white, and some absolutely horrid rear-projection. With Glenn Miller around, you know the music is going to be top-notch; the movie introduced the Oscar-nominated "Chattanooga Choo-Choo". That number also offers a scene for a young Dorothy Dandrige and the Nicholas Brothers.

Like is often true in Fox musicals, this one is a split decision The story I give just a 5/10. However, the music, at 10/10, drags the total rating to 7/10 IMHO.

Sun Valley Serenade is remembered today for being one of the two films that Glenn Miller and his Orchestra were featured in, the other one being Orchestra Wives for 20th Century Fox. Miller was the number one swing band in the country and his presence in the film was more important than stars Sonia Henie and John Payne.

Payne's a pianist/vocalist with the Miller Band and his romancing of singer Lynn Bari gets the band a gig in Sun Valley during the ski season. Which is doubly fine for Payne because he likes all kinds of winter sports, indoor and outdoor.

But then an old publicity stunt that manager Milton Berle pulled some months earlier comes back to haunt them. He had the band sponsor a refugee from one of the occupied countries of Europe and Chester Clute from Immigration arrives with the receipt while all this full blown courtship of Bari is going on. So the band goes to Ellis Island to meet their sponsored urchin, but instead it turns out to be a rather big girl who also likes winter sports, Sonia Henie.

The band thinks to park her with Berle's aunt in New Jersey, but Sonia hears about Sun Valley and that sounds too much like home to suit her. And she's got a great advantage in that Bari isn't interested in skiing nor does she want to learn. Give you a guess who Payne winds up with.

Of course this whole fluffy plot is just an excuse to hang some skating sequences and some music by the Glenn Miller Orchestra. Harry Warren and Mack Gordon contributed a fine score. In fact Sun Valley Serenade was nominated for an Oscar for black and white cinematography and musical scoring.

It also received a nomination for Best Song, one of the best known that the Glenn Miller Orchestra was known for, Chattanooga Choo Choo. John Payne gets to vocalize another great song I Know Why And So Do You which sold a few platters back in the day.

I don't know if Payne could play a piano in real life, but even if he was faking it for the film, he got a rare chance to jam with Glenn Miller as he was doing In The Mood, probably his best known hit song. I'd have paid Darryl Zanuck to do that myself.

The Miller Band's presence made a lot of folks forget this was a Sonia Henie film. Darryl Zanuck paid dear to sign Henie and she was first billed in all of her films. Her skating sequences or good, but I'm betting she didn't like being upstaged.

Nearly all the big bands in their era which was roughly 1935-1945 got into one film or another. Some got into better films than others and Miller's band did well by their two films before Glenn Miller went into the army and to his untimely disappearance over the English Channel.

Not to forget that the Nicholas Brothers and Dorothy Dandridge got to do specialty numbers. With all the talent in this film, you can't possibly go wrong giving it a look.