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For the first time the 'Sun Valley Serenade' was shown in the USSR at the time of WW2. It was never forbidden by the Soviet censorship, so it could be watched in the following years as well.

The film made formidable impression on Soviet citizens. It conjured up 'the American dream' in which the USA appeared as a country where everything is excellent, all women are beautiful, life is extremely easy and cheerful, where money lies on the streets - bend down and take!

Opposite to that paradise picture they saw around them a surly Soviet reality, lack of liberty, empty shops, shabby life in overcrowded communal apartments where people had to stand in turns to get to WC, etc.

Surely, Stalin made a great mistake permitting his subjects to see this film.

A friend of mine watched this film 46 times. Glen Miller became the greatest composer to him. I saw it twice, and at the second time left the cinema long before the end.

That dream about America continued to live in hearts and minds of many people in the Soviet Union. It had been one of the factors which gave birth to the dissident movement, and at the end, made a contribution to the fall of Communism in Russia.

I'm sure that there are some people who participated in creation of the movie who are living now: do they know about their part in the History?

From the point of view of pure art, the rating, I think, is 6 out of 10.

Anyone who has ever paid a visit to the mountain-cradled village of Sun Valley, Idaho knows that one of the luxuries of staying in its well know resort, of the same name, is that you can view this charming "boy-meets-girl, and then another girl" romantic-musical-comedy, 24 hours a day! If you are very lucky, as I was during my most recent visit, you can do so from a room overlooking the very ice rink that Sonja Henie performed upon, in this snowbound, big-band era classic "Sun Valley Serenade".

When war refugee Karen Benson (Henie) arrives from Sweden to meet her sponsor Tom Scott, the piano player for a big band played by John Payne, it is clear that she has her romantic sites set on our non-assuming hero. Scott has met, fallen in love with and proposed to Vivian Dawn (Lynn Bari), a tempestuous big band diva, just days before Karen's arrival. The band gets a gig in Sun Valley, Karen tags along, and the fun begins.

Henie's unshakable effervescence and contagious smile allow you to forgive, and even admire, her calculated attempts to win Scott's attention. Henie charms you and Scott with her thick accent and graceful fetes on both the ice and slopes. Although never recognized as an actress by the industry's standards, Henie's comedic timing is so surprising, at times, you may laugh out loud.

John Payne, as Tom Scott, is your typical 40's leading-man-- down-to-earth, charming, handsome, talented and a trust-fund baby. While the band struggles for engagements and its public relations manager needs to re-sole his shoes, the Princeton grad does not seem to have a care in the world, other than which girl to marry. He manages to keep his head just below the radar of the discrete feminine barbs at all times, with a relative air of oblivious confusion.

Milton Berle, as the band's self-deprecating public relations manager (who cooked up the adoption scheme as a publicity stunt to get Walter Wenchell's attention), keeps this comedy light-hearted despite the feeling that there is a `catfight' slowing brewing. Glen Miller's line delivery, as bandleader Phil Corey, is forgivable once the band kicks into high gear with `Chattanooga Choo-Choo', among other dance and romance tunes of the day. And now we know that Jimmy Stewart must have studied this performance prior to doing his bio-pic "The Glenn Miller Story" (1953).

Watch for cameo appearances by the adorable 18-year-old Dorothy Dandridge, the show-stopping Nicholas Brothers, and Joan Davis as Berle's gad-fly.

If you are a fan of romantic-comedies, the big-band era, ice-skating, or just an old film buff there are special moments for all. Beware, however this heart-warming comedy is addictive and you may be humming "It Happened in Sun Valley" in your sleep before you know it.

Designed to provide some enjoyable light entertainment, "Sun Valley Serenade" does just that. There's plenty of variety, with good comedy, good (sometimes excellent) musical numbers, and some winter outdoors scenes. The story is lightweight, but it's supposed to be, and it is sufficient to tie the rest together.

Sonja Henie brings energy and talent to her role as a war refugee who is taken in by a band member. John Payne is good enough, though he mostly allows Henie to take the spotlight, and plays off her and the situation around him. Milton Berle adds some amusing moments as the band's agent. Glenn Miller's band and the performers in the musical sequences get lots of screen time, making good use of most of it. In particular, the 'Chattanooga Choo Choo' number is quite a show-stopper.

The atmosphere is quite pleasant, the story is enough to keep things moving, and the variety of material fits together well. It's more than enough to make for an hour-and-a-half of worthwhile watching.

Milton Berle (Nifty) manages the Glenn Miller (Phil) band that includes piano player John Payne (Ted). They land a long-term gig with famous singer Lynn Bari (Vivian) in Sun Valley. Guess what – there's romance between Payne and Bari. However, before they depart for Sun Valley, Payne has to collect a war refugee child that he has undertaken to look after. Enter Sonja Henie (Karen). And she's not a child. Everyone goes to Sun Valley but Payne can only choose one woman. Or does the woman choose him?

The story is lightweight nonsense but the music is excellent. Every musical number is a highlight with the showstopper being Glenn Miller's "Chatanooga Choo Choo" which also includes a sequence with Dorothy Dandridge and the Nicholas Brothers. Wow! The film also serves up Sonja Henie and her ice skating spins. For me, the skating sequences aren't as powerful as the musical numbers, but they are still being performed by a 3 time Olympic gold medallist!

The film is funny and entertaining and contains some legendary performers. Definitely one to watch.

You can have all the glamour and pastels of the MGM musical - for sheer fun, give me the Fox musicals, especially this one, Sun Valley Serenade, starring John Payne, Sonja Henie, Glenn Miller, Lynn Bari and Milton Berle.

For publicity, Nifty Allen (Berle), a band publicist, arranges for the band to adopt a refugee. When the refugee shows, she's a grown woman named Karen Benson (Henie) who immediately falls for her guardian, the bandleader, Ted (Payne).

She connives her way into the train that's taking the band to Sun Valley, where she quickly gets in between Ted and the band's singer, Vivian Dawn (Lynn Bari) whose claws come out in full force.

"Sun Valley Serenade" is filled with skiing, Glenn Miller music, and Henje's fabulous skating. By 1941, Henje was starring in her own ice show, and her skating in this film looks less dated technically than it does in earlier films. And there's no one today who can come close to her spin sequences.

I can't remember how it was done, but she skates on mirrored glass, and it looks great. This was an ideal role for Sonja - she gets to smile, skate and does not have to do anything too dramatic. Payne does well and sings pleasantly as her leading man.

One outstanding musical feature, "Chattanooga Choo-Choo," a Miller standard, is performed first by Tex Beneke and the Miller singers and then - brilliantly - by Dorothy Dandrige and the Nicholas Brothers. This alone makes the film worth watching.

Delightful.