Superman: El Científico Loco

One day, I was on YouTube trying to find these old Superman shorts that had been my childhood (we borrowed then from the library and watched them on VCR). And they were so fascinating I watched the entire Youtube series in a sitting. Here are my thoughts:

Highs: Animation is gorgeous. I guess the budget was higher in he 40s, because actual effort was put into every scene. Compare this to something like the 60s Spiderman or some of today's kids shows and you will see a gigantic difference. The stories are exciting and easy to follow. Lois is an intrepid character and really is the Lois we know and love today. Superman is unchanged from today, other than his lack of heat vision. The shorts are exciting throughout.

Lows: There is propaganda against the Japanese, but it was 1941! What do you expect?

Verdict: One of the best animated cartoons ever made. Do yourself a favor and try to find these.

I just bought the 2 disc set of the Fleisher cartoons and Lost Episodes. They were perhaps restored but they are not sharp at all. They look about as good as a VHS Tape at EP. The opening menu is very sharp like a DVD should be but the cartoons are very soft in focus. These cartoons were on Nikolodeon some time ago and comparing my EP tapes recorded then and the DVD that I just bought, I have to say my EP tape looks MUCH better. There must have been something wrong with the dubbing process as I was expecting to be dazzled not disappointed.

This is the first of a series of Superman shorts done by the Fleischer Studios and the only one of the series nominated for an Oscar. The animation style is different and recognizable as Fleischer work and the cartoons hold up reasonably well, but there's nothing terrifically remarkable or special about this particular cartoon. Worth watching.

This is the first of what would turn out to be 17 Superman cartoons produced by the Fleischer brothers for Paramount Studios. This cartoon was released on September 26, 1941. The plot is as follows: An evil mad scientist threatens to attack the city at midnight. Lois Lane hops in her airplane and flies to the scientists hide out. The scientist captures her, and then procedes to attack Gotham. Blowing up a bridge, and attempting to topple the Empire State Building, until Superman arrives and saves the day.

The New York Times said of this cartoon " {this cartoon} is among the brothers' less successful efforts. The Fleischers show so little aptitude for -or interest in-realistic animation styles. Superman and Lois Lane are at their most wooden. So is the story's villain, a mad scientist. But the scientist's raven is wildly alive, like any real Fleischer creation, and the film sneaks in as many raven's-eye glimpses as possible. Heroic human figures have little to do with the grim, witty hallmarks of the Fleischers' imagination."

I must disagree with the Times' opinion. If one was to look at Superman comic strips from this point of time, one would see that the Superman of the comic books and the Superman of the cartoons, looks essentially the same. Yes, the raven is the most "cartoon" like character in the cartoon, but the film is still enjoyable, and is a snapshot of what cartoons were like right before the start of WWII.

That Arguably All-American Genre of the Super Hero was still a new and still growing staple in the Comic Books publishing field in 1941. Coincidental to the looming and rapidly gathering clouds of War. The numbers of super hero features their proliferation continued as sort of psychological protective response to the Axis threat.

Admittedly, their roots go much deeper into literary figures and the Great Depression gave them the first propagating stimulus; but it was still World War II that stimulated the colorful Magazines or Periodicals (Comic "Book" being an obvious malapropism.).

As an example, typical comics' covers of 1941-45 would feature war related illustrations that weren't related to any of the internal stories' content, except in the broadest, most general sense. Heavily symbolic illustrations on Action Comics with Superman saving a Tank crew, Detective Comics with Batman & Robin presenting a G.I. with a new rifle, USA Comics with Captain America kicking Hitler in the nuts, Whiz Comics with Captain Marvel airlifting Refugee Kids to Freedom and Marvel Mystery featuring Sub-Mariner sinking a U Boat while The Human Torch burns the wing off of a Messerschmitt.

There is little wonder that the Super-Hero would soon move off of the comics page to the daily newspaper strip, Radio Programs, Movie Serials and the Animated Cartoon Short. (Television was still off in the not too distant future.) And leading the parade was that Strange Visitor from another Planet, the Man of Steel (Himself), Superman! The first roll on the Monopoly Board landed Superman on Mutual Radio's Network in 1940. This gave the World The Adventures of Superman 15 minute daily serialized program. The cast featured Bud Collyer's multi-ranged vocals voicing both the mild mannered, high pitched Clark Kent as well as the richer, deeper and powerful Superman. Miss Joan Alexander did Lois Lane with Announcer ("….The Adventures of Syue-Puhr-Man!") Jackson Beck did Perry White. (As for Cub Reporter, Jimmy Olsen, he didn't appear until later in the decade, originating on the Radio, not in the comics, as Jimmy, the Office Boy.)

When the deal was struck between Superman's copyright owner, DC Comics/National Comics Publications and the Fleischer Brothers Animation Studios, tendering the rights to produce the first Superman animated series, the decision was made to retain the services of Mr. Collyer, Miss Alexander and Mr. Beck to reprise their voice characterizations.

So the first cartoon was on the drawing board. Not surprisingly, it would contain the obligatory origin sequence. But in dealing with this in a rapid, sort of re-cap style; Max & Dave and company avoided using-up a whole cartoon; thus allowing the story of 'The Mad Scientist' (alternate & possibly working title). As for this story it is sort of typical, but gained in status by being the first with Superman (or any other Super Hero, for that matter).

OUR STORY (at last)………………..The Editorial Offices of THE METROPOLIS DAILY PLANET are inundated with reports of wanton destruction of bridges, buildings and urban infrastructure of the City. The Editor (called oddly enough, "Chief" wants Clark Kent to investigate, but spunky Lois Lane, Girl Reporter, is determined to scoop Kent, only to be taken hostage by the Evil, Mad Scientist. (Is there any other kind?) Superman shows up, saves Lois from being consumed in molten metal and apprehends the villainous (Is there any other kind?) renegade genius. Lois gets scoop and by line. Clark establishes a series long custom of winking at the audience as ironic conversation about the adventure fills the Planet's Editorial Office.

WE feel obligated to two neat, little touches that made for a much better first episode. First is the use of the Mad Doctor's pet anthropomorphic cuddly vulture. Secondly we salute the eerie, hauntingly bizarre voice of the MAD SCIENTIST; which we just discovered was provided by Mr. Jack Mercer, famous for Popeye's gravely voice.

The series hasn't a real klunker in the whole bunch; though naturally, some individual cartoons will be found to be better than others. We noticed that the shorts produced at the Fleischer Studios auspices seem superior to those made after that notorious coup-de-tat that transformed the animation house into Paramount's Famous Studios.

EDITOR'S NOTE: Warning! Achtung! Cuidado! When you get your Tape or Whole DVD Set, do not attempt to view multiple shorts, one after another. Doing your watching in this manner tends to render them seemingly repetitive, monotonous and boring even; kinda like attempting a 3 Stooges marathon of shorts featuring Joe Besser. Try instead to do your viewings interspersed with other features.

After all, this is truly "…..Truth, Justice and the American Way!"