El expreso del oeste

In this entry in the Michael Shayne series, Lloyd Nolan gets the job of escorting Mary Beth Hughes to San Francisco on the sleeper train from New York. Hughes is beautiful but most uncooperative. She's a key defense witness in a murder trial, but all the restrictions Shayne has placed on her is cramping her style. Hughes is a most sociable girl.

Also on the train is Lynn Bari an old girlfriend of Shayne's who's a Lois Lane like reporter. She's got a new fiance Don Douglas who's from San Francisco and is a rising mover and shaker there.

Whether Hughes believes it or not there are people who want her to complete the journey and will go to any lengths to see it doesn't happen. There's a nice cast of familiar character players and the trick is to see which are the good and the bad guys.

Some nice snappy patter dialog is a must for this kind of film and it has it with an actor that can deliver it. Lloyd Nolan in his long career never gave a bad performance, even if the film was a stinker he never was. He fit so well in the role of Michael Shayne.

There are also a few side plots in this B film unusual for a movie not in the A list category. This one will make you a fan of Michael Shayne and Lloyd Nolan.

"Sleepers West" is a very enjoyable Michael Shayne mystery from 1941. Lloyd Nolan is Shayne, of course, and Mary Beth Hughes is the surprise witness he's trying to get to court before anyone can get at her.

He doesn't have a tremendous amount of luck there, as he runs into his ex-fiancé, reporter Kay Bentley, at the train station, and she's going to be on the same train. And Helen Carlson, the witness, isn't very cooperative. After being brought on board on a stretcher in a black wig, she rips off the wig and wants a drink.

Neat and fast-moving story with Shayne working to clear a criminal who, for once, is innocent, while other people have their own agenda for wanting him found guilty.

Nice, energetic film with the likable Nolan and wisecracking Lynn Bari.

Lloyd Nolan is back as Mike Shayne, Private Detective. This time he's escorting Mary Beth Hughes from Colorado to San Francisco. She's a moderately hard-boiled showgirl, and her testimony will make all the difference in a trial. There's a wide variety of characters aboard the train, like reporter Lynn Bari, who's sometimes Nolan's fiancee, now engaged to high-powered attorney Donald Douglas, whose boss is running for governor. There's also Edward Brophy, who's supposed to be a detective, Don Costello, who looks rather suspicious, and Louis Jean Heydt, who claims to be running away from a dull life. But not everyone is who they claim. Some of them are looking for Miss Hughes, hoping to stop her from testifying.

Seems familiar? Yes, it's a remake of 1934's Sleepers East -- sounds like they didn't think too hard about the title. It's based on a story by Frederick Nebel, and the basic situation has been used many times with many variations. This one is pretty good, with Brett Halliday's character slipping right into the proceedings, thanks to Nolan's typically solid performance. There are also a large number of supporting actors that 20th Century-Fox's B division could summon forth, like Oscar O'Shea, Harry Hayden, Ferike Boros, and Mantan Moreland. Just right for a snappy second feature!

"Sleepers West," originally titled "Sleepers East," is one of the most enjoyable of the seven Michael Shayne detective mysteries from Sol Wurtzel's B-picture unit at Fox. This entry, however, is not based on any of the scores of Shayne pulps written by Brett Halliday, but on a novel by Frederick Nebel, notable as the first star writer of the legendary BLACK MASK magazine in the 1920's. Although Nebel licensed his most famous character, Torchy Blaine, to the movies in the 1930's, he held Hollywood in contempt and avoided adapting any of his material to the screen.

The film's premise has Shayne covertly escorting a secret surprise witness to a high-profile San Francisco trial aboard a cross-country passenger train. While trying to keep her location and identity a secret, he also has to contend with sinister on-board forces that are trying to silence her. The setting of a sleeping car has traditionally been an intriguing background for thrillers from Hitchcock's "The Lady Vanishes" to Sidney Lumet's "Murder on the Orient Express," and the restrictions of narrow dining cars and narrower sleeping berths, the incessantly repetitive sound of the train's mechanics, and the readily available supply of red herrings add an air of claustrophobic excitement to the proceedings.

If the film's plot of a secret witness threatened by sinister forces sounds familiar, it is because that entire premise was later borrowed without attribution for the highly-acclaimed 1952 Noir thriller, "The Narrow Margin" directed by Richard Fleischer. It was remade in 1990 with Gene Hackman under the same title and credited the '52 film as the source. Despite the fact that "Sleepers West" is largely ignored and forgotten, as is the entire Shayne series, one must wonder why it receives so little attention.

A possible explanation lies with Fox's conception of the Shayne persona. The original Halliday stories were largely ignored by the studio's screenwriters, and the tough, no-nonsense character of Shayne himself was reshaped for the wise-cracking, breezy style of actor Lloyd Nolan, who bears little resemblance to Halliday's hard-boiled gumshoe.

No matter. "Sleepers West" and the other series entries are great escapist fun, filled with sharply witty dialogue and some of Hollywood's most idiosyncratic character actors at their peak, including Mary Beth Hughes, George Chandler, Eddie Brophy, and, in possibly the best role of his lengthy career, Louis Jean Heydt. "Sleepers West" also gives significant screen time to some of best black comedians of Hollywood's Golden Age as Pullman porters. Those of you who remember and appreciate the unsung talents of Mantan Moreland, Ben Carter (Moreland's old nightclub partner), Fred "Snowflake" Toones, and Sam "Deacon" McDaniel are in for an enjoyable 74 minutes.

In terms of suspense and action, this is one of the weaker entries in the Shayne series. Most of the storyline is confined to a train ride carrying a secret witness to a west coast trial, who Shayne is supposed to protect from those who don't want her to appear. Unfortunately, not much use is made of the confined conditions to build suspense. Then too, we know early on the identity of the witness and who's on board to silence her, so there's not much mystery, either.

Fortunately, there is a sparkling cast, led by the breezy Nolan, along with a brassy Hughes and a bumptious Bari. In fact, Bari and Hughes are natural personality rivals, setting off some delicious undercurrents. Then there's an unheralded threesome of black porters, who contribute humorously to the overall lightweight mood. Look also for Louis Jean Heydt, a familiar face from that era, who does well with a larger than usual role. All in all, it's an entertaining 70-minutes, but not up to the series' trademark mix of suspense plus humor.