Un disparo en la oscuridad

No, this is not the Peter Sellers movie of the 60s. it is a short and fast moving mystery/comedy that might have originated as a project planned for James Cagney and Pat O'Brien.

A Shot In The Dark gas reporter William Lundigan witness the murder of a man about to purchase nightclub owner Ricardo Cortez's business interests. The assigned detective is Regis Toomey, Lundigan's rival for singer Nan Wynn who works for Cortez.

Lundigan and Toomey act like juveniles around Wynn lucky they had time to solve the murder. She gets to sing some popular standards and for once not as Rita Hayworth's or someone else's dubbed voices.

Both the guys get a good comeuppance from Wynn in the end. Considering the times the film came out in, a proper one too.

The Bill Lundigan one. Peter Sellers made another (unrelated) one in 1964. When Richards (Cortez) sells the Royal Club to an out of towner, the murders start. The locals team up to figure out who dunnit. Singer Dixie (Nan Wynn) and Kennedy the reporter (Lundigan) offer to help Lt. Ryder (Regis Toomey) any way they can. This film is just filled with the usual ingredients in an old who-dunnit; competing for the girl, cracking stupid jokes while trying to solve the murder. In this one, the police lieutenant never seems to do any actual police work... he's always hanging around in nightclubs and bars, with his hands at his side. And why is Lundigan always hiding under desks and behind pillars? Is he five years old?? When he sits in a chair, he hangs one leg over the arm of the chair. Was the director trying to make him look like a teenager? This was released JUST before the japanese bombed pearl harbor... it would be all war films in just a couple months. And this one also has a strange ending. It's a short B film from Warner Brothers, so I guess the expectations were already pretty low. Directed by Bill McGann. Was a special effects guy on some real big films before turning director. Key Largo, Treasure of the Sierra Madre.

Typical, unpretentious Warner Bros. 'B' programmer. A brash reporter and a dour homicide cop investigate the murder of a nightclub owner. The film zips along at such whiplash speed (running time a mere 57 minutes)that you may well lose track of the complicated plot. No matter. William Lundigan is lively and likeable as the newsman, and, as a special bonus, this is one of the few films featuring the delectable Nan Wynn (best-known for her luscious dubbing of most of Rita Hayworth's musicals). Wynn is a fetching delight in the female lead as a nightclub singer, and sings three songs with style to spare. Why Nan Wynn didn't become a musical movie star in her own right (instead of being Rita Hayworth's 'Marni Nixon') and why Lundigan never joined the 'A' list of leading men are unanswered questions more mystifying than anything in the plot of "A Shot in the Dark."

No, it's not the Inspector Clousseau picture, it's a fast-moving Warner's B picture, with reporter William Lundigan and police detective Regis Toomey teaming up to investigate a murder. Nightclub owner Ricardo Cortez is trying to sell his night club to an out-of-town buyer. Apparently the local mobster objects, because the buyer winds up dead.

It's no classic, but the leads keep up the pace under William McGann, and the Warner Brothers stock company is on hand, with time out for chanteuse Nann Wynn to belt out three songs, including "I'm Just Wild About Harry". It's an enjoyable time-waster.

William Lundigan stars in "A Shot in the Dark" from 1941, which also stars Regis Toomey, Ricardo Cortez, and Nan Wynn.

Phil Richards (Cortez) a friend of police detective Bill Ryder, has decided to sell his nightclub and other properties to a buyer from out of town, although a mob boss has offered him a higher price. Richards has always been clean, and is determined that his businesses are sold to someone with the same values.

Newspaperman Peter Kennedy (Lundigan) goes to the airport to interview the buyer; after a brief interview, the man is shot dead. Ryder dogs his detective friend as he works on the case.

Nan Wynn turns in a lovely performance as Dixie, the club singer, whom both Kennedy and Ryder are interested in. Sadly, this actress' career ended in 1947 when a cancerous growth was removed from her throat.

Not very good, but I do appreciate goofball Lundigan. He at least is lively. At the end, Ryder and Kennedy recap the case since the script wasn't written well enough to follow.

Appearing as Richard's girlfriend is the beautiful Maris Wixon. Her biography says she it all going to be a star but somehow didn't make it. She was much in demand for magazine covers, and the great photographer George Hurrell loved her. Warners put her under contract and loaned her to Monogram, a poverty row studio!

With the #metoo situation getting so much publicity today, and the fact that this actress was married for 59 years, one wonders if her refusal to play the Hollywood casting couch game didn't contribute to her lack of success. That actually happened quite a bit in Hollywood. And still does.