Day of Reckoning

"Day of Reckoning" is a surprisingly involving and well-done minor effort from MGM in 1933. It does not stiffly unspool like most films from the early 1930's, as it has excellent pacing and the performances are effortless and realistic. A variety of personalities are on display, played by a troupe of comfortably familiar actors from the era, and weave themselves in and out of the proceedings in a most natural way. Director Charles Brabin orchestrates and maintains a modern fluidity through the entire film.

More than a decade later Richard Dix made a picture with a very similar story in a Whistler feature, but this one seems to be a little more energetic and less maudlin, at least as I remember it now. One especially appreciated element is how the precipitating reason for the ensuing drama is not even depicted (it seems to me that this particular plot and story-telling device was rarely-- if ever-- used in the countless detective and other dramas on television).

As a side note, I explored a scoring quirk that I discerned. This quirk is that the 12 viewers who previously reviewed the film here on IMDb assigned an average score for the film of 8.0, while the other 248 viewers who only rated the picture and provided no review assigned an average score of 6.3, nearly two points lower. There are at least two or three reasons why this might be; however, I will only offer the data as food for thought.

In conclusion, "Day of Reckoning" is dramatic and exciting and is very much worth a look by vintage movie fans.

I learned of "Day of Reckoning" when I learned of Charles Brabin and looked at his filmography. Now that I've seen it, I'm impressed. This look at a man sent to jail after dipping into his firm's finances to feed his wife's insatiable desire for material wealth doesn't let up (especially since it got released before the Hays Code). It's not a masterpiece, but the intense performances and stealthy direction drive everything. And make no mistake about it, Madge Evans, Una Merkel and Isabel Jewell were some real babes.

As for the songs, they were "Drink to Me Only with Thine Eyes" (used in "I Love to Singa") and "Tales from the Vienna Woods" (used in "A Corny Concerto").

John Day (Richard Dix) has a pretty young wife (Madge Evans) who wants the finer things in life. He can't seem to say no to her so he embezzles money in order to support her expensive lifestyle. He gets caught and goes to jail, thanks in part to a crooked lawyer hired by George Hollins (Conway Tearle), a rich lecher who wants Day's wife. While in jail, Day's faithful maid and nanny (Una Merkel) lovingly takes care of his children while his wife is seduced by Hollins.

Entertaining melodrama with good performances by lantern-jawed Dix and the always adorable Una Merkel. There are several twists in the plot and not all of them are predictable. I especially enjoyed the climactic scene on the top of the county jail. Spanky from Our Gang plays one of the kids.

A young husband has his DAY OF RECKONING when he's sent to prison for embezzlement.

Fine performances raise what is essentially a soap opera above its material and provides some dandy entertainment along the way. While the subplots grow a little thick, all is resolved in time for an idyllic, if somewhat bittersweet, ending.

Leading man Richard Dix sheds his usual in-charge persona for a much more vulnerable characterization. Although they share few scenes, he is given firm support by perky Una Merkel playing his devoted Southern maid. She easily upstages pretty Madge Evans as Dix's conflicted wife. Stalwart Stuart Erwin plays the friendly milkman in love with Merkel.

Some fine character actors do quite well in smaller roles. Conway Tearle is the family friend who takes advantage of Dix's absence. Isabel Jewell is properly distraught as Tearle's former mistress. Raymond Hatton is effective as a prison trustee who befriends Dix. James Bell is noteworthy as a prisoner driven crazy by worry over his wife's supposed infidelity. Samuel S. Hinds manages to become suitably repellent in his brief screen time as a crooked lawyer. Tiny Spanky McFarland, of OUR GANG fame, turns on the charm as Dix's infant son.

Movie mavens will recognize an unbilled Clarence Wilson as a bail bondsman.

Day of Reckoning (1933)

*** (out of 4)

Highly entertaining pre-code from MGM about a loving husband (Richard Dix) who embezzles some money in order to keep his shop-happy wife (Madge Evans) into the things she needs. The husband gets sent away for two years and while the maid (Una Merkel) is busy taking care of the two kids, the wife is out doing other things. There's a lot more details to the plot but I'm going to quit there because the twists are so good that there's really no point in ruining them for those unfamiliar with the picture. It's always great fun when a film buff can see a forgotten movie and then go out and sing its praises and DAY OF RECKONING is just the type of film that deserves to be rediscovered. I'm sure most people are familiar with the always fun Dix but this here is without question one of the best performances I've seen from him. This character goes through quite a bit in the picture and I thought Dix was incredibly sympathetic but when he "snaps" you can believe and see the rage and anger in his eyes. Evans is also extremely entertaining as the wife and there's no question that Conway Tearle makes for a great villain. Merkel steals nearly every scenes she's in as the loving maid and manages to bring some laughs. Classic film fans will also recognize Raymond Hatton, Paul Hurst, George 'Spanky' McFarland and D.W. Griffith regular Wilfred Lucas can be briefly spotted. The screenplay certainly doesn't fall into the "B" movie traps and instead it stays original throughout and manages to throw a couple nice twists at the viewer as well. One of the best moments in the film is when the maid and her boyfriend are trying to write a letter and there's a baby in the sequence. It appears the baby is acting up and not really behaving like she's supposed to but it's rather cute seeing that the director just let it go and had the actors deal with it the best way that they could. DAY OF RECKONING is one of hundreds of films that have been forgotten but if you're a fan of classic dramas then it's a must see.