Agrega una trama en tu idiomaSinister forces compete to find the million dollars in gold hidden by recently deceased gangster Joe Valerie in his family's old dark house 15 years earlier,Sinister forces compete to find the million dollars in gold hidden by recently deceased gangster Joe Valerie in his family's old dark house 15 years earlier,Sinister forces compete to find the million dollars in gold hidden by recently deceased gangster Joe Valerie in his family's old dark house 15 years earlier,
- Dirección
- Guionistas
- Elenco
Gertrude Hoffman
- Mattie
- (as Gertrude W. Hoffman)
Stanley Blystone
- Police Car Driver
- (sin créditos)
Ed Brady
- Paddywagon Cop
- (sin créditos)
Tom Brower
- Detective Schultz
- (sin créditos)
Pat O'Malley
- Detective Brady
- (sin créditos)
Ted Oliver
- Police Desk Sergeant Hamilton
- (sin créditos)
Irving Pichel
- Police Radio Announcer
- (voz)
- (sin créditos)
Max Wagner
- Policeman in Car
- (sin créditos)
Opiniones destacadas
Joe Valerie is a gangster who has stashed his loot. He's suffering unbearable pains on his death bed and offers Dr. Cornelius the location for a quick end. Mrs. Marble reads about Joe's death in the newspaper and assumes ownership of the loot. Mattie disagrees. Mrs. Marble falls down the stairs dead after seeing a vision. The police recruits clairvoyant Patricia to help with the investigation.
It's a haunted house meets murder mystery. I do like the starting premise. The police using a clairvoyant is a little out there. Warner Oland who plays Dr. Cornelius made his name playing Charlie Chan. At least, he's not doing a fake Asian here. It's fun that devolves a little into Scooby Doo territories. It's fine.
It's a haunted house meets murder mystery. I do like the starting premise. The police using a clairvoyant is a little out there. Warner Oland who plays Dr. Cornelius made his name playing Charlie Chan. At least, he's not doing a fake Asian here. It's fun that devolves a little into Scooby Doo territories. It's fine.
Back in the 1920s and 30s, Hollywood made a bunch of creepy old dark house films. This is yet another one, though it's a tad different here and there...enough so that it's worth seeing even if the plot isn't especially believable.
When the story begins, a man is dying in agony. He begs his doctor (Warner Oland) to kill him and put him out of his mercy....and the doctor agrees to do so AFTER the man tells him about a fortune in hidden gold.
Some time passes. At the home where the money is hid, the dead man's widow learns of his death. Now she no longer needs to keep the loot hidden...she wants to live in style. But when the ghost of the dead man seems to appear, she dies of fright.
Soon after this, the police constable (Stu Erwin) is investigating some psychic frauds. However, one of them seems to have genuine powers and the police decide to let her investigate the death of the lady by fright. What's really going on here and will they figure out the truth in time?
This is a decent old mystery, though I must admit that Warner Oland overacted horribly throughout the film. Additionally, who the killer is becomes rather obvious. Despite this, the film is enjoyable and fun...if also a bit antiquated.
When the story begins, a man is dying in agony. He begs his doctor (Warner Oland) to kill him and put him out of his mercy....and the doctor agrees to do so AFTER the man tells him about a fortune in hidden gold.
Some time passes. At the home where the money is hid, the dead man's widow learns of his death. Now she no longer needs to keep the loot hidden...she wants to live in style. But when the ghost of the dead man seems to appear, she dies of fright.
Soon after this, the police constable (Stu Erwin) is investigating some psychic frauds. However, one of them seems to have genuine powers and the police decide to let her investigate the death of the lady by fright. What's really going on here and will they figure out the truth in time?
This is a decent old mystery, though I must admit that Warner Oland overacted horribly throughout the film. Additionally, who the killer is becomes rather obvious. Despite this, the film is enjoyable and fun...if also a bit antiquated.
The dying Joe Valerie tells a psychiatrist (Warner Oland) that he has hidden a million dollars in gold from a robbery committed years before. He offers the location of the gold in exchange for the doctor ending his life.
The gold is in the house being guarded by two elderly women. One is Mrs. Marble (Jane Darwell). She reads of Valerie's death and intends to take the money and leave. But Joe's ghost appears to her and as a result, she falls down the stairs and dies.
The police aren't sure what happened. At the urging of the officer in charge of arresting fake clairvoyants (Stuart Erwin), they use Patricia, who is actually a real clairvoyant, to tell them what happened.
This was a lot of fun, with young Dorothy Wilson as the clairvoyant and Dudley Digges as her father. Stuart Erwin had a pleasant screen personality used to good advantage here, and Warner Oland, who would become one of the Charlie Chans, is quite different here.
For me the most fascinating thing about the film is that as of this writing, it's 81 years old. Everything in the world has changed, everyone in this film is long gone, and people are still watching the movie.
The gold is in the house being guarded by two elderly women. One is Mrs. Marble (Jane Darwell). She reads of Valerie's death and intends to take the money and leave. But Joe's ghost appears to her and as a result, she falls down the stairs and dies.
The police aren't sure what happened. At the urging of the officer in charge of arresting fake clairvoyants (Stuart Erwin), they use Patricia, who is actually a real clairvoyant, to tell them what happened.
This was a lot of fun, with young Dorothy Wilson as the clairvoyant and Dudley Digges as her father. Stuart Erwin had a pleasant screen personality used to good advantage here, and Warner Oland, who would become one of the Charlie Chans, is quite different here.
For me the most fascinating thing about the film is that as of this writing, it's 81 years old. Everything in the world has changed, everyone in this film is long gone, and people are still watching the movie.
A pretty clairvoyant (Dorothy Wilson), her greedy father (Dudley Digges), a shady doctor (Warner Oland), and a detective (Stuart Erwin) all look for hidden gold in a haunted house. Nice little old dark house mystery with good direction from Irving Pichel. Dorothy Wilson isn't well known today but she impresses in this role. I'm not sure why she didn't have a bigger career. She's certainly talented enough and beautiful, too. Speaking of people not well-known, Stuart Erwin had a career that last five decades but most people wouldn't know him from Adam today. He was always a solid actor, usually in comedies. But here he shows he can handle being the leading man. He was nominated for the Best Supporting Actor Oscar a few years later but didn't win. Warner Oland takes time off from being Charlie Chan to be a bespectacled villain here. He's always good. Character actor Dudley Digges is reliable as ever. Jane Darwell has a brief bit but she's good. Gertrude Hoffman is great, too. Wait until you see her final scene. Overall, a solid cast and nice direction elevates a somewhat flimsy story. Very interesting for the time in that it treats psychic phenomena as real.
Detective Stu Erwin is arresting psychics and scoops up Dorothy Wilson and her father, Dudley Diggs. It takes him about ten minutes of screen time to realize she's no phony and enlist her aid investigating the murder of Jane Darwell.
It's a movie clearly influenced by Avery Hopwood's THE BAT, with an old dark house, a hidden million dollars in gold, someone wandering around the house terrorizing anyone who might take the money. There's a lot going on for a a 60-minute movie, and Irving Pichel directs efficiently, with a cast that includes Warner Oland ad Oscar Apfel in the largest role I've ever seen him in. Erwin, who usually annoys me with his passive persona in comedies, is okay; Miss Wilson doesn't have much to do. Given the short length, this movie at a good clip.
It's a movie clearly influenced by Avery Hopwood's THE BAT, with an old dark house, a hidden million dollars in gold, someone wandering around the house terrorizing anyone who might take the money. There's a lot going on for a a 60-minute movie, and Irving Pichel directs efficiently, with a cast that includes Warner Oland ad Oscar Apfel in the largest role I've ever seen him in. Erwin, who usually annoys me with his passive persona in comedies, is okay; Miss Wilson doesn't have much to do. Given the short length, this movie at a good clip.
¿Sabías que…?
- TriviaHollywood Reporter news items had Gregory Ratoff, Hobart Cavanaugh, and Lal Chand Mehra as cast members, but they did not appear or were not identifiable in the movie. At one point, several arrested psychics exited a police van, but only the back of their heads was visible. One was wearing a turban, a common costume for Mehra.
- Citas
Dwight Wilson: [to Patricia] Say, baby, I'm for yuh. My face hasn't been so red since I went to my first burlesque show.
- Bandas sonorasThe Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream, Op.61"
Written by Felix Mendelssohn
In the score at the end
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Detalles
- Fecha de lanzamiento
- País de origen
- Idiomas
- También se conoce como
- Death Watch
- Locaciones de filmación
- Productora
- Ver más créditos de la compañía en IMDbPro
- Tiempo de ejecución
- 1h(60 min)
- Color
- Relación de aspecto
- 1.37 : 1
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