Two Seconds

The movie, itself, may not be the finest available for viewing entertainment. However, the outstanding acting skills of Edward G. Robinson are fulling exploited and beautifully captured. And, that talent, that genius, makes "Two Seconds" a must see.

Robinson shows the depth of his talents and the emotions he is capable of demonstrating. Ah, that contemporary actors could act so well. Watch the expressions on his face, watch his hands, watch his walk, watch the pain -- this is not melodrama, this is a thespian par excellence showing the world how it is done.

Alas, the movies does not appear to be available for purchase, but this is one outstanding film that should be in any collection of those who are serious about studying drama and acting skills.

Two Seconds is quite a one of a kind picture and not seen as much as it should be. I've also seen it said that some thought the magnificent Edward G. Robinson performance is over the top - but, these folk don't seem to realise that's just as it should have been!. Playing high rise construction riveter John Allen, he's giving us is a character performance as true to type as we're ever likely to see. A common everyman who understands that there's so much more to know, and he wants to delve into learning more about everything. In fact, it's a serious study of the common people who make up the majority of working-class society. The pre-code dialogue tells it just the way they did in these circles, and the perverse characters that cruise within these situations - see in this simple idealistic man - a choice target for their predatory vulgarity.

A strong compliment of supporting cast members brings them to the screen bristling with life. Legendary director Mervin LeRoy keeps his story moving along its unpredictable path - with superb Sol Polito cinematic photography, creating eye-popping visuals that carry the viewer to the haunting finale within a darkened courtroom, then onto the final jolt. For a motion picture produced in 1932, the use of sound (especially in the linking devices) is exemplary.

No-one serious about the development of motion pictures as a dramatic art form or the sterling career of the one and only Mr Robinson should miss this minor classic. The Warner Archive DVD is so cheaply packaged they even have a still from another movie on the cover! Thank goodness the original film source supplies images clean enough to enjoy. Highly recommended.

Edward G. Robinson again shows what a powerful actor he was in "Two Seconds," a precode from 1932 directed by Mervyn LeRoy. The two seconds refers to the time it takes a man to die in the electric chair.

Robinson plays John Allen, who is condemned to death and about to be executed. As he waits for the electric current, he relives how he wound up there.

Allen and his best friend, Bud (Preston Foster) were welders on a huge building. That part of the story was probably inspired by the Empire State Building, which opened to the public in 1931.

Bud wants his girlfriend to find a girl for John so they can double date, but John hates the women Bud's girlfriend finds for him. And the current on is no exception. He leaves the three of them and goes to a dime a dance joint. There, he meets a pretty young woman who dances there, Shirley, and they start to date. Bud thinks she's a gold digger and handing him a big line, and warns John that he's going to end up married and miserable. John pays no attention.

One night, he gets blotto drunk and Shirley manages to get him to a Justice of the Peace and tie the knot. Bud confronts her, and we see more of Shirley's true colors as she undresses in front of Bud and plans to get the marriage consummated before John sobers up and wants an annulment.

John was making good money, but Shirley spends it faster than he can make it. When tragedy strikes, John is a completely broken man and can no longer work and Shirley goes back to the dime a dance joint. More tragedy will follow.

Very absorbing film, with an excellent performance by Robinson for those times - I say that because acting today has been toned down some, and he has a huge monologue that today seems a little over the top.

In the beginning of the film, we see a closeup of a college student (William Janney) who attends the execution as part of research for a paper. The film ends with the same closeup.

Very, very well done. Robinson was part of a small group of character actors who rose to leading man status - Spencer Tracy, James Cagney, Humphrey Bogart, and Wallace Beery. He was an actor of tremendous range and ability, and it shows here.

Highly recommended, a great precode.

I caught this movie last night when I couldn't sleep.Not being a fan of Edward G Robinson I decided to watch for the kitch appeal I guess I was expecting to see him play some world weary mob gut who would say funny things that I could repeat at work,well about 30 minutes in I was absolutely gob-smacked It was like watching a train wreck I could not take my eyes off it. I am not exaggerating when I say I will always remember this movie and be haunted absolutely haunted by the riviting almost painful job done by Mr.Robinson I thought I knew who this man was I thought I could judge his body of work with out ever seeing this movie I was wrong This movie will stay with me for a long long time

"Two Seconds" is a relatively minor film by "Warner Bros." The story is fairly basic and low key. The cast is quite small and the entire film was made on soundstages. It is the performance of Edward G. Robinson that makes "Two Seconds" so memorable. He gives a truly in-depth performance that is a mixture of humour, tension and then despair. The film's plot is mainly a flashback, with Robinson looking back on the circumstances that led to his being incarcerated in the first place. He is unfortunate enough to be in the hands of a callous and vindictive woman and he can only tolerate her for so long..... I particularly enjoyed the scene where Robinson talks to the camera, to give the impression that he is addressing a person. His monologue lasts for a few minutes as the camera slowly draws closer to Robinson and the set goes dark apart from one light that is focused upon him. It is a powerful scene and captivating. The film isn't a long one and the time races by.