Their First Mistake

I suspect that a few years after its released "Their First Mistake" might've not been allowed to show all the things that it did. Much of it is Stan and Ollie doing their usual stuff - with Ollie constantly irritated at Stan's idiocy - but their is a scene showing them in bed together with the baby. Maybe it was more acceptable since this was a comedy and thus not to meant to get taken seriously, but I can imagine that a number of people would've found it extreme back then.

Aside from that, it's a funny short, with no shortage of the pair's typical mishaps. As always, Hardy suffers the most due to Laurel's incompetence. The best scenes involve the lamp.

Good one.

An above-average Laurel and Hardy short feature, this two reel affair is directed by George Marshall (later at the helm of many top-flight comedy features) and is marked, specially so during its initial two-thirds, by a greater emphasis upon character development than upon physical humour, to the work's advantage. After Oliver and his wife Arabella (Laurel/Hardy regular Mae Busch) have a violent spat due to his expenditure of a majority of his free time with Stan, the latter suggests that Ollie adopt a baby with which to occupy Arabella's hours, freeing the two pals to enjoy themselves, and Ollie immediately does so (following an optical wipe), but too late because a process server (Billy Gilbert) presents him with divorce papers along with a similar document to Laurel for "alienation of Mr. Hardy's affections." This leads to one of the better developed scenes from the duo's films wherein Ollie pastiches the Abandoned Maiden genre after his buddy tries to leave him alone to care for his new infant, a very funny and original piece of cinematic business that, in addition to a poignant scene when the men revert to boyhood while lolling atop Stanley's bed in his adjacent apartment, make of this a better than standard effort of Laurel and Hardy.

This Laurel and Hardy short, with the guys stuck with a baby they adopted to give Ollie's wife something to do during the day (loved that) was an eye opener for me when I first viewed it in the mid eighties, over a half century after it was made.

After the wife storms out, Ollie is holding the baby and Stan is going to leave. Ollie asks where Stanley is going. Stanley asks what does he have to do with the baby.

Ollie: "What do you have to do with it? Why, you're the one who wanted me to have a baby."

Stan: "Well, I can't be tied down to a baby. I have my future, . . my career to think about."

Ollie: "Well, what about me? What will my friends say? I'll be . . . ostracized."

Why are youth panicked into what do and not to do when obviously the same problems have been going on for longer than anyone wants to admit?

Thank you, Laurel and Hardy, for at least documenting it.

Mr Hardy is married, his wife disapproves of his friendship with Mr Laurel and sees neither of their lives going anywhere. When Hardy tries to sneak out with Laurel without letting her know she snaps and a large fight ensues. Laurel has the idea that a baby in the family will distract and placate Mrs Hardy and the pair go off to adopt. Returning home with the baby, Laurel and Hardy find that Mrs Hardy has left and is filing for divorce, leaving them, quite literally, holding the baby.

I love Laurel and Hardy. I found something wonderful about the fact that their shorts were made before even my parents were born but yet ¾ of a century later I'm still watching (and enjoying) their films. The fact that the humour is so universal is shown in the way they not only travel well but have transcended generations. Laugh for laugh this is not one of their best shorts, the reason being the lack of really strong routines.

The plot only allows for basic knockabout stuff and the final scene is not anywhere near strong enough to finish on. The only really strong bit is the `lights out' sequence but the rest is quite ordinary. Happily we have a talent like Hardy to lift things – for me he made this better than it was. His constant double-takes and looks of amazement to camera are worth the price of this film alone. Even lacking several strong physical scenes, he plays the dialogue for all it's worth and makes Laurel's clowning funnier than it is by complimenting it with double takes etc. That's not to say Laurel is lesser, but here he is much more clearly in a supporting role than in other films.

Overall this has some good moments and is carried through the rest by a well used and on-form Hardy, but it is not one of their better efforts – too much of it is ordinary and lacking their inspired wit.

In this talking Laurel & Hardy movie Hardy is married. Laurel is also unhappy. With these two statements the short movie starts. Hardy's wife thinks he does to much with Laurel, he likes Laurel more than he likes her. When Laurel calls if they will do something nice tonight Hardy pretends that he is talking to his new boss. When the wife finds out she gets very mad. Laurel thinks he has the solution. They need a baby, because that will draw all the attention of the wife and Hardy can do fun stuff with Laurel again. Hardy thinks it is a pretty good idea and they adopt a baby. When they enter Hardy's home again his wife is gone. A man arrives telling them both that Hardy is sued for divorce and Laurel is sued for the reason of alienation of Hardy from his wife. Now they are stuck with a baby, their first mistake.

This is a very nice short. Of course a baby is an inspiration for a lot of nice little gags. The bottle with milk has a main part for those gags and Laurel makes sure every single one of them works. The usual jokes with tripping over things also work most of the time, although they are very predictable. It is quite an accomplishment that those predictable moments also bring a smile to your face. Like with most Laurel & Hardy shorts you will have a pretty good time.