Un comerciante y su hija parten en busca del legendario cementerio de los elefantes en el África más profunda, para encontrarse con un salvaje criado por simios.Un comerciante y su hija parten en busca del legendario cementerio de los elefantes en el África más profunda, para encontrarse con un salvaje criado por simios.Un comerciante y su hija parten en busca del legendario cementerio de los elefantes en el África más profunda, para encontrarse con un salvaje criado por simios.
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- 2 premios ganados y 1 nominación en total
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Opiniones destacadas
This movie made me feel like a young boy, craving excitement and adventure. This first installment in the MGM Tarzan movies delivers big time. Yes, the special effects and interweaving of the stock footage looks a bit dated, but remember that this film was only made three years after the first "talkie" (i.e. a sound picture, not a silent movie). There are certain techniques that obviously stem from the silent movie days. But to me, this just adds to the charm.
The animal footage is excellent. For the first time in a long time, I was actually on the edge of my seat during a movie. The CGI effects today are amazing, but they're so overdone (most of the time). The thrills and suspense in "Tarzan" are heightened, because you know everything you see is physically tangible, not an actor reacting to a green screen.
I still don't know how they did some of those scenes without anyone getting hurt. Swinging from the treetops, wrestling with lions, wrestling with leopards, being chased by wild animals--all of these things make for great entertainment and adventure.
I should also mention that the relationship between Tarzan and Jane is one of the most captivating I've ever seen in a movie. It's very understated, yet very sexy. Today, they would ruin the story by making the couple have sex after five minutes. But because the sexual chemistry is only hinted at, the entire relationship is one of Jane flirting and Tarzan pursuing. It just builds and builds. This romance actually has excitement to it. Definitely one of the best screen romances of all time.
Despite a few minor shortcomings in the special effects of the time, this is a thrilling movie. Great adventure, great excitement, great entertainment. Don't miss it!
This was in fact the "original" of a long series of Tarzan movies starring Weissmuller and O' Sullivan that were made by Metro-Goldwyn Mayer,which in turn made Tarzan a hot commodity and its studio a Hollywood producing powerhouse of great entertainment. Dubiously faithful to the Edgar Rice Burroughs story about the humble beginnings to where Tarzan is introduced has been remade numerous times,but this is the 1932 original where Johnny Weissmuller and Maureen O'Sullivan bring a class of style of wit to the roles and the results are absolutely brilliant from beginning to end. Then in 1934,MGM made a sequel entitled "Tarzan And His Mate" which was the second entry in the lavishly produced MGM Tarzan series. Weissmuller and O'Sullivan cohabit in an unmarried bliss before the Hays Code of the era moved them into a treehouse with twin beds. There is also the swimming scene,which until now has been restored from the original print which has been banned for years until MGM reissued this scene back into the film. The scene where Maureen O'Sullivan is swimming with Weissmuller,completely nude was in its day very noticeable and very restricted toward adult audiences. Among the challenges that they face in there private domain is against nasty white hunters,savage natives,angry elephants,hungry lions and maneating crocodiles.
"Tarzan Escapes",was the third entry in the series released in 1936. In this sequel,Jane(O'Sullivan)is tricked by evil hunters into abandoning her fairy tale life with Tarzan(Weissmuller). So the Ape Man sets out to reunite with is one true love,and as he sets out to get back with Jane,trouble ensumes. The third entry in MGM's successful Weissmuller/O'Sullivan series is still among the better Tarzan movies thanks to the leads,but the Hays Office made sure that Jane was wearing a lot more clothes this time around since this was also aimed toward adult audiences. The series from this point takes a three-year hiatus. Then in 1939,the fourth entry in MGM's Weissmuller/O'Sullivan series went toward the kiddie fare with "Tarzan Finds A Son" which was family oriented material and a little more tamer than the first two installments. However,Weissmuller and O'Sullivan returned to their roles after three years with the addition of five year-old Johnny Sheffield as "Boy". He's an orphan whose awful relatives hope he stays lost so they can collect and inheritance. Tarzan and Jane fight to adopt the tyke and when the new family are captured by a wicked tribe only an elephant stampede and Tarzan's call of the jungle can save them.
Then in 1941,after a two year hiatus,the fifth entry in the series was really standard kiddie fare with "Tarzan's Secret Treasure". Tarzan saves an expedition from a savage tribe only to be repaid by having greedy hunters hold Boy and Jane hostage. They want Tarzan's help in finding a secret cache of gold hidden in the jungle. But Tarzan doesn't take kindly to threats against his family and teaches those evil-doers a lesson they'll never forget! This one was action-packed and it does show Weissmuller doing some of his own stunts. Then,in 1942,the last and final entry in the MGM Tarzan series titled "Tarzan's New York Adventure",marked Maureen O'Sullivan's final appearance as Jane. This one is so-so adventure with some very humorous moments when Tarzan meets the big city. When Boy is kidnapped by a evil circus owner,Tarzan,Jane and Cheta head out to rescue him.Then Tarzan shows off his jungle prowless by climbing skyscrapers and diving off the Brooklyn Bridge into the East River. This final Tarzan entry for both Weissmuller and O'Sullivan showcases some very interesting cameo appearances including one which features Elmo Lincoln,the screen's first Tarzan in a cameo appearance.
After the huge success of the Tarzan films for MGM,Johnny Weissmuller continue to played The Ape Man in six more films for RKO Pictures which began in 1943 and ended in 1948,where Weissmuller's final appearance as the Ape Man concluded in "Tarzan And The Mermaids",before he would venture into a new medium---television as "Jungle Jim" in the early-1950's. He also played "Jungle Jim" in several theatrical films for Columbia Pictures. As for actress Maureen O'Sullivan,after the success of the Tarzan films,she would go on to star in several films including "The Big Clock" and "Bonzo Goes To College" opposite Ronald Reagan and so many more. As for Johnny Sheffield,he would go on to continue the role of "Boy" in five more Tarzan films with Johnny Weissmuller until 1949,when he went on to star in more than twelve features as Bomba Of The Jungle under RKO Pictures and would continue that role on television.
Edgar Rice Burrough's Tarzan is one of the most-filmed characters in movie history. Live action or animation, there have been tons of adaptations and they continue to this day. Well, for my money, none beats the Johnny Weissmuller series at MGM (and later RKO). They were exceptional adventure stories, sheer fun for young and old alike. Like most film series, the earlier movies in the Tarzan series are the better ones, starting with this first film.
Olympic swimmer Johnny Weissmuller does a fantastic job as Tarzan. He was obviously cast for his looks and athleticism but he brings a sensitivity to the part that's unexpected. He plays him as a laconic man-child, innocent and peaceful until the things he cares about are threatened. That famous yell of Tarzan's is unforgettable. Maureen O'Sullivan is charming and easy to fall in love with. Her performance is so effortless and real for this period in film. She elevates every scene and makes whoever's acting opposite her give more relaxed performances, as well. She has playful and at times sizzling sexual chemistry with Weissmuller. She also has a nice familial chemistry with C. Aubrey Smith. Their scenes have an authenticity about them that is rare to see but is appreciated. The success of the early Tarzan series owes as much to Maureen's Jane as it does to Johnny's Tarzan. Neil Hamilton, an actor most will remember as Commissioner Gordon from the '60s Batman TV show, does fine playing the part of the guy in love with Jane but can't compete with the rugged but kind Tarzan.
Let's not forget this is a Pre-Code movie. Maureen appears scantily clad and even wearing a soaking wet thin dress in one scene. And, of course, Weissmuller wears nothing but a loincloth throughout. Being that it was filmed in 1932, there is some inevitable creakiness, an overuse of stock footage, and some spotty rear projection effects. But these things are minor negatives. The action scenes are great. Tarzan wrestling with an obviously stuffed leopard may seem hokey to many modern viewers, but it holds a certain quaint appeal for me. The animals are fun. Who doesn't love Cheeta? The matte painting backdrops are also nice. It's exciting romantic escapism with a good cast and solid direction from Woody 'One Take' Van Dyke. Followed by many sequels, the first of which is even better than this classic.
All kidding aside this is a really good adventure film of the sort that they don't make any more. The first of the MGM series, though not the first Tarzan movie, nor the only Tarzan film made during the same period (Edgar Rice Burroughs had deals with several producers) this is the film that broke box office records and spawned ten million "Me Tarzan, you Jane" jokes.
The film was made to cash in the previous years Trader Horn, a jungle picture that MGM had produced. Wanting to feed a public that wanted more as well as to make use of the hours of location footage shot for that film. The ape man was the perfect choice.
The plot has to do with Jane arriving in the jungle to see her father and then going of to find the elephant grave yard. Along the way is carried off by Tarzan and the rest is the movie. Its an exciting ride (especially if you forgive the creaky special effects and ape suits).
A perfect film for a rainy afternoon
¿Sabías que…?
- TriviaThe elephants used in the early Weissmuller films were not African but Asian elephants with African sized ears strapped on. This practice is still common because the Asian species is much more docile than the African. In later films the fake ears were abandoned altogether figuring no one would know the difference.
- ErroresWhile swimming across a river, Tarzan gives off his full Tarzan yell while his head is completely submerged under water.
- Citas
Jane Parker: Thank you for protecting me.
Tarzan: Me?
Jane Parker: I said, thank you for protecting me.
Tarzan: [points at Jane] Me?
Jane Parker: No. I'm only "Me" for me.
Tarzan: [points at Jane] Me.
Jane Parker: No. To you, I'm "You."
Tarzan: [points at himself] You.
Jane Parker: No...
[Thinks for a second]
Jane Parker: I'm Jane Parker. Understand? Jane, Jane.
Tarzan: [points at Jane] Jane, Jane.
Jane Parker: Yes, Jane. And you?
[Tarzan stares]
Jane Parker: [points at herself] Jane.
Tarzan: Jane.
Jane Parker: [points at Tarzan] And you?
Tarzan: Tarzan. Tarzan.
Jane Parker: Tarzan...
- Versiones alternativasColorized version was available... and shown on TNT
- ConexionesEdited into La fuga de Tarzán (1936)
- Bandas sonorasVoo-Doo Dance
(uncredited)
Music by George Richelavie
Arranged by Paul Marquardt & Fritz Stahlberg
Played during main title
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Detalles
Taquilla
- Presupuesto
- USD 652,675 (estimado)
- Total a nivel mundial
- USD 72
- Tiempo de ejecución1 hora 40 minutos
- Relación de aspecto
- 1.37 : 1