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IMDbPro

Taxi!

  • 1931
  • Approved
  • 1h 9min
CALIFICACIÓN DE IMDb
6.6/10
1.7 k
TU CALIFICACIÓN
James Cagney and Loretta Young in Taxi! (1931)
CrimenDramaRomance

El taxista independiente Matt Nolan está preparado para dejar que sus puños y su pistola se venguen después de que una gran empresa de taxis utilice la intimidación y la violencia para expri... Leer todoEl taxista independiente Matt Nolan está preparado para dejar que sus puños y su pistola se venguen después de que una gran empresa de taxis utilice la intimidación y la violencia para exprimir a los trabajadores de poca monta.El taxista independiente Matt Nolan está preparado para dejar que sus puños y su pistola se venguen después de que una gran empresa de taxis utilice la intimidación y la violencia para exprimir a los trabajadores de poca monta.

  • Dirección
    • Roy Del Ruth
  • Guionistas
    • Kenyon Nicholson
    • Kubec Glasmon
    • John Bright
  • Elenco
    • James Cagney
    • Loretta Young
    • George E. Stone
  • Ver la información de producción en IMDbPro
  • CALIFICACIÓN DE IMDb
    6.6/10
    1.7 k
    TU CALIFICACIÓN
    • Dirección
      • Roy Del Ruth
    • Guionistas
      • Kenyon Nicholson
      • Kubec Glasmon
      • John Bright
    • Elenco
      • James Cagney
      • Loretta Young
      • George E. Stone
    • 49Opiniones de los usuarios
    • 16Opiniones de los críticos
  • Ver la información de producción en IMDbPro
  • Ver la información de producción en IMDbPro
  • Fotos38

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    Editar
    James Cagney
    James Cagney
    • Matt Nolan
    Loretta Young
    Loretta Young
    • Sue Riley Nolan
    George E. Stone
    George E. Stone
    • Skeets
    Guy Kibbee
    Guy Kibbee
    • Pop Riley
    Leila Bennett
    Leila Bennett
    • Ruby
    Dorothy Burgess
    Dorothy Burgess
    • Marie Costa
    David Landau
    David Landau
    • Buck Gerard
    Ray Cooke
    Ray Cooke
    • Danny Nolan
    Joe Barton
    • Jewish Man with Cop - Matt's Pal
    • (sin créditos)
    Berton Churchill
    Berton Churchill
    • Judge West
    • (sin créditos)
    Donald Cook
    Donald Cook
    • Actor playing Ferdinand in Movie Clip
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    Jesse De Vorska
    • Goldfarb
    • (sin créditos)
    Bobby Dunn
    Bobby Dunn
    • Cab Driver at Meeting
    • (sin créditos)
    Audrey Ferris
    Audrey Ferris
    • Dance Contestant
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    Eddie Fetherston
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    Ella Hall
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    • (sin créditos)
    Henry Hebert
    Henry Hebert
    • Trial Spectator
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    Ben Hendricks Jr.
    • Moving Man
    • (sin créditos)
    • Dirección
      • Roy Del Ruth
    • Guionistas
      • Kenyon Nicholson
      • Kubec Glasmon
      • John Bright
    • Todo el elenco y el equipo
    • Producción, taquilla y más en IMDbPro

    Opiniones de usuarios49

    6.61.6K
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    Opiniones destacadas

    8barryrd

    Classic Cagney

    The early 1930's in New York City is the scene for this movie where men fight one another for advantage in the taxi business. The women in their lives get embroiled in the crime wave that breaks out. Jimmy Cagney is Matt Nolan, the pugnacious rabble rouser and the little guy with a chip on his shoulder in a role that defines his mannerisms and style as the lovable tough guy. Loretta Young is Sue Riley, the daughter of a driver who gets killed in the working class warfare, who Cagney falls in love with. She is every bit as spunky in her effort to stop the vicious rivalry that took the life of her father. Young became one of the most loved actresses of her time. She made this movie in her late teens and is brilliant. Leila Bennett is Ruby, Sue's close friend, who delivers a large measure of humor and her New York twang gives it that extra zing. The movie takes us through the streets and into the ballrooms and apartments of depression era New York. Judging by the names, the characters are mostly Irish, with Irish cops and priest to complete the picture. However, it is Cagney and Young who shine. When he falls for Sue, Matt is putty in her hands but when his temper gets the better of him, the romance wanes. Sue is every bit as lovestruck when Matt kisses and flirts with her. This is a crime movie with lots of fun and a great slice of New York City life but most of all, I liked the match-up of the two stars, who are at their best.
    Doylenf

    Pugnacious Cagney manages to be likable even when his character is obnoxious...

    TAXI takes the James Cagney persona to extremes in the context of showing him as a tough guy with a fist in love with a girl (Loretta Young) who abhors violence. The love you/hate you relationship between Cagney and Young is what keeps the movie interesting as the story develops, but the stupid things that Young's character does to keep her man from killing the thug who killed her brother-in-law is too incredible to swallow.

    Thankfully, we have some funny and romantic moments that Cagney and Loretta Young manage to do beautifully. She looks lovely throughout and it's her sweet natured temperament that makes it hard to understand why she would be attracted to a man like Cagney in the first place. He's promising to stop his hot tempered violence in an attempt to convince her to marry him, but never manages to cool it.

    Despite all the loopholes in the script and many flaws, this is a tidy little melodrama, very dated in its subject matter, with Cagney stealing the spotlight all the way through. Most annoying feature of the film is the so-called comic relief of Leila Bennett whose nasal voice and flat one-liners are supposed to invoke laughter. It doesn't work.

    Worth a view to see early Cagney, but the motivations for Young's character are unbelievable.
    8Maleejandra

    "I'd like to bury the hatchet, right in their thick skulls."

    Matt Nolan (James Cagney) is a cab driver, but a group of new cabbies are trying to muscle into the area. They use intimidation and force when they feel it is necessary which tends to be sooner rather than later. Take Pop Riley (Guy Kibbee) for example. He'd been running the same route for years until the new gang came to town and decided they didn't want the competition. They totaled his car and got him sent to prison when he retaliated. His little girl Sue (Loretta Young) doesn't want to see anyone else suffer the same fate, so when she falls in love with Matt, she does her best to keep his temper under control. It isn't easy, especially when the opposing group starts harassing him.

    Roy Del Ruth keeps the story exciting with the typical Warner Brother's format. Taxi! features a great cast, quick dialogue, fast action, and a short run time. Cagney is the true star of the movie; he can lay it on thick with the romantic scenes, pop out the cocky one-liners like no other, and even dance around like a pro. (We are treated to a preview of his talents; they would not be utilized in film until a few years later.) Young is absolutely beautiful, as she is in all of her pre-code movies, and her acting abilities hold up against Cagney's. Also notable are the sidekicks of the two leads: Leila Bennett and George E. Stone who play great backup.

    This movie is definitely worth catching late night on TCM.
    lge-946-225487

    Enjoyable from a whole lot of angles.

    Other reviewers have covered main topics like plot, cast, etc. I'd just like to comment on some incidentals I enjoyed.

    Cagney always uses such colorful language, as he does in this movie. When a fat man stands on Cagney's foot in an elevator (and I mean STANDS on it for several seconds) Cagney gets mad. Loretta Young tries to calm him down, and Cagney bursts out, "Over nothing?!? What do you expect me to do -- let a big hippo like that plant his clod-hoppers all over me?"

    Incidentally, the elevator scene showed a good lesson for all would-be hat-wearers today. Young has to remind Cagney to take his hat off in the elevator -- a necessity of etiquette then, as was taking your hat off indoors, when you got where you were going. People who wear hats today, should wear hats like people who know HOW to wear hats.

    Leila Bennett -- some people don't appreciate her flavor of humor, but I get a big kick out of her. She drones on and on in that adenoidal, nasal monotone, completely oblivious to whether anyone's listening or not. In fact, Cagney asks her at one point to button her lip, and Bennett just drawls, "Oh, I ain't said much," and goes on with her story. She's just droll and comical because of her personality. (In the restaurant, she says, "Well, the fish died an unnatural death. It isn't fit to eat -- even in a restaurant.")

    And say -- isn't Buck Gerard a nasty, low-life villain! He's abominable! On Cagney's wedding night, he says, "I bet you HAD to marry the bim" (i.e., bimbo).

    Little touches enliven this movie throughout -- like Cagney throwing his hat into Young's apartment when she's mad at him, to see if she'll leave it in or throw it back out. Charming incidentals add to the richness of the mosaic. (How poetical!)
    61930s_Time_Machine

    Are You Lookin At Me?

    Nothing could be more typical of early 30s Warner Brothers than this. Daryl Zanuck was pumping out about fifty motion pictures a year - not for the learned, not for the artists, not for the sophisticated dinner party sets but for the ordinary people whom The Depression had chewed up and unceremoniously spat out. These films were about people and for people whom society, authority and big business had treated like dirt. Zanuck's Warner Brothers was the people's studio and James Cagney was the people's actor. TAXI is not as powerful as the more 'campaigning' WB films of that era but it still has Zanuck's familiar: "we're on you side, boys" feel about it which when watched today still feels warm and caring.

    What's fascinating watching this today is realising what a different race of people we are compared with those who lived here ninety years ago. It's amazing how different our attitudes were: how violence was so much more widespread and normalised. One could not imagine a scriptwriter today having a gentle old man (Guy Kibbee ) gunning down someone simply because he destroys his taxi - let alone the general casual use of guns, knives and fists used in response to things which today might just elicit 'a hard stare' (in the case of Paddington anyway!) Equally fascinating is how our attitudes, the way we treat each other - especially the relationship between men and women has changed. This is one of Cagney's least likeable characters, he's a violent, uncouth yob who treats Loretta Young absolutely horribly and yet he's the hero of the film. Loretta Young's feisty, self-assured character, Sue, is very much a modern woman and yet she simply accepts that that's just the way he is, this is how things are and so loves him just the same - different times!

    As stupid as it is, I find myself comparing this with Scorsese's masterpiece TAXI DRIVER. Of course that's an idiotic thing to do but there are some similarities (besides the obvious). They're both broken people struggling to survive and struggling to have a relationship. However whereas Robert De Niro is a lonely repressed psychopath about to explode, James Cagney's psychopath's pressure is constantly leaking out through his uncontrollable temper. This temper is uncontrollable and although all the misfortunes which befall him are all because of it, he shows no remorse, no acknowledgment that all this is his fault, no realisation that he needs to change his ways.

    However many times I see Loretta Young in these early 30s movies I am always shocked, amazing and astounded at how unbelievably pretty she is. Not in a sexual or saucy way, she's almost like a painting come to life. That aside, she seriously is an exceptional actress and portrays a very authentic believable young woman we can instantly empathise with and she is only 18! Can she change Cagney's character, if anyone can reform him, surely someone as optimistic, positive and sensible as she can? No, it's a hopeless task. The violence, the uncontrollable temper is as much a part of him as his own blood and bone. Like De Niro, where Cagney has come from, that cruel and brutal world has made him who he is. Growing up in the squalid slums of New York at the beginning of the century was especially tough for the Irish kids.

    Overall this is entertaining and reasonably exciting upbeat movie. It is snappily directed and as it's a cost conscious WB production where every millimetre of film has to be used efficiently, there no time wasted on padding so it zips along. It's well acted by everyone, even the bit players - Leila Bennett as the annoying friend who never shuts up is particularly good and offers a good contrast with Loretta Young's quiet and considered persona. Worth an hour of your time.

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    Argumento

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    • Trivia
      James Cagney spoke fluent Yiddish, and in this film got the opportunity to demonstrate it.
    • Errores
      Although the story takes place in New York City, it's apparent the exterior scene with the three taxicabs was filmed in Los Angeles.
    • Citas

      Matt Nolan: Come out and take it, you dirty, yellow-bellied rat, or I'll give it to you through the door!

    • Conexiones
      Featured in Brother Can You Spare a Dime (1975)
    • Bandas sonoras
      The Darktown Strutters' Ball
      (1917) (uncredited)

      Music and Lyrics by Shelton Brooks

      Played by the band for the final number in the dance contest

      Danced by James Cagney, Loretta Young, George Raft and his unidentified partner

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    Preguntas Frecuentes

    • How long is Taxi?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 23 de enero de 1932 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Idiomas
      • Inglés
      • Yidis
    • También se conoce como
      • Taxi
    • Locaciones de filmación
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, California, Estados Unidos(Studio)
    • Productora
      • Warner Bros.
    • Ver más créditos de la compañía en IMDbPro

    Especificaciones técnicas

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    • Tiempo de ejecución
      1 hora 9 minutos
    • Color
      • Black and White

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