Una mujer pobre y un hombre de una familia de clase alta se enamoran, pero su madre hará todo lo posible para detener su matrimonio.Una mujer pobre y un hombre de una familia de clase alta se enamoran, pero su madre hará todo lo posible para detener su matrimonio.Una mujer pobre y un hombre de una familia de clase alta se enamoran, pero su madre hará todo lo posible para detener su matrimonio.
- Dirección
- Guionistas
- Elenco
- Toby
- (as Robert Alden)
- Banquet Party Guest
- (sin créditos)
- Photographer
- (sin créditos)
- Cop
- (sin créditos)
- Mr. Dean
- (sin créditos)
- Judge
- (sin créditos)
- Banquet Party Guest
- (sin créditos)
- Murray - Headwaiter
- (sin créditos)
- Party Guest
- (sin créditos)
- Dirección
- Guionistas
- Todo el elenco y el equipo
- Producción, taquilla y más en IMDbPro
Opiniones destacadas
In one scene Stanwyck, trying to memorize the dictionary as a means of self improvement, shows her suitor a list of words beginning with the letter "e" which she has written down. He reads them aloud, stops after "ejaculate," looks at her with some curiosity and says that even he would never use such a word. That moment immediately pigeonholes this film as pre-Code. The scene continues artfully with one-word exchanges all starting with the letter "e." Later, while Lucien Littlefeld is conversing about the Stanwyck-Toomey relationship with Oscar Apfel, a couple of lines are very clumsily overdubbed by other actors. Makes one wonder what was actually said. Late in the film there is an imaginative banquet scene in which the camera carefully pans the length of a dining table highlighting the place cards (each a little paper doll inscribed with a guest's name) while the corresponding but off-screen voices converse on the soundtrack; then the camera moves back to reveal the whole table and all of the people we have been listening to. The yard between the diner where Stanwyck works and the house where the owners live is well depicted: tattered laundry hanging on a line, overflowing garbage cans and kittens playing.
The screenwriter Robert Riskin contributes some snappy and witty dialogue. He worked quite frequently with Frank Capra, penning the scripts for IT HAPPENED ONE NIGHT, MEET JOHN DOE, LADY FOR A DAY and MR. DEEDS GOES TO TOWN, among others. All of these films address the issue of "decency" what truly constitutes decency? Saying you are decent or actually being decent?
This is a rather simple and weak romance. The guy is stiff and his character is lacking. He is nothing special but she is another story. A young Barbara Stanwyck is starting to gain traction and one can see the reason. She has amazing screen presence and a powerful personality. She's a rising star and overpowers her acting partner. She is something to behold.
The son of an overly possessive mother, David Livingston falls hard for tip chaser Kitty Lane at a local greasy spoon. Clinging mom is not about to let this happen and she wastes no time in exercising her considerable pull in getting a big time judge relative to send her to the slammer for 90 days on morals charges. Upon release Kitty goes on stage and makes it big. Six years later she runs into David, now a doctor again along with his mother still intent on keeping a firm grip on him.
There is some very ugly abuse of power that takes place in Shopworn as the son obsessed mother badgers the judge to do her corrupt bidding in getting Kitty out of the way. There are also swipes at law enforcement, the penal system and polite society, with Kitty being an ideal lynch pin for such actions. As Kitty, Stanwyck does an excellent job of vociferously exposing hypocrisy, especially in the scene where she is bribed and threatened as she throws the money in the judge's face and berates the police. The ending is contrived however and the sickeningly sweet finale is hard to swallow. Babs is too good for the lot of 'em. Mom and son (a wincingly woosie performance by Regis Toomey) don't deserve to be in the same room as her.
'Shopworn' is certainly watchable, it actually takes a lot for me to say that something is lacklustre or less. At the same time, it is a disappointment when it actually had all the ingredients to be very good and even great with the right execution and there is much better in the genre. Stanwyck comes off very well but she deserved better and there are things done pretty well, but what should have particularly worked doesn't quite and the waste of ZaSu Pitts is unforgivable.
The best thing about 'Stanwyck' in a classic example of a performance that is much better than the film itself, her character's determination, dignity, charm, sensuality and wit are all brought out brilliantly and quite relateably. The best of the rest of the actlors is by a mile a frighteningly beastly Clara Blandick. While not mind-blowing, the photography is very pleasing to look at. Especially clever in a banquet scene later on in the film.
Furthermore, the costuming and settings are handsome, and the music fits nicely and while not amazing it at least fits and is pleasant. There are a good deal of very snappy dialogue, with lines tht do put a smile on the face. The story has its charms and is not dull at least. The chemistry between Stanwyck and Regis Toomey has its moments and the direction, while not exactly special, is not the kind that is indifferent or amateurish.
On the other hand, Toomey generally is very bland and looks stiff. If he was a better presence his and Stanwyck's chemistry would have been more believable. Pitts has very little to do, and her rather subdued presence means that she doesn't really register.
Would have slightly forgiven the lack of surprises if the film didn't let itself down as much in the last 15-20 minutes or so. This portion felt rather rushed and contrived, and did it really need "to" on the somewhat convenient and saccharine way that it did?
All in all, above average for mainly Stanwyck but disappointing. 6/10
¿Sabías que…?
- TriviaThe print shown on Turner Classic Movies, from Sony's archives, displays title credits which were modernized and re-designed in 1938 for a re-release that took place only after several minutes worth of deletions were made to meet the standards of the Production Code, which was more rigorously enforced starting in 1934. These revised title credits also display a Production Code Certificate of Approval 4749-R indicating a re-release, so some further trimming most definitely may have occurred.
- ErroresWhen Kitty and David are parked next to the golf course, the windshield on his car is struck with a ball, causing it to crack on Kitty's side. In the next scene where they are parked and his mother and the judge pull abreast of them, the windshield is intact.
- Citas
Judge Forbes: [trying to bribe Kitty to give David up] I thought you'd prefer cash. Five thousand dollars. Merely for leaving town, immediately.
Kitty Lane: [She looks down at the bills in his hand, and slowly raises her head with a look of anger and contempt in her eyes.] What are you trying to make of me--what you wish I was? Something cheap and common, something that money can buy?
[her anger rising]
Kitty Lane: Well, you can't. Nobody can! You and the nice, decent people who sent you here are the real cheap ones ... trying to put a price on something there isn't any price for.
[almost hysterical now]
Kitty Lane: If that's being decent, I'm glad I'm common!
[crying and screaming]
Kitty Lane: If that's being rich, I'm glad I'm cheap, and I'm gonna stay cheap! Because no matter how cheap I am, I'm not for sale!
[She throws the money in his face and runs out.]
- ConexionesFeatured in Barbara Stanwyck: Fire and Desire (1991)
- Bandas sonorasBridal Chorus (Here Comes the Bride)
(1850) (uncredited)
from "Lohengrin"
Music by Richard Wagner
Hummed by Regis Toomey
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Detalles
- Tiempo de ejecución1 hora 12 minutos
- Color