Lo Mejor es lo Malo Conocido

Before becoming the master of suspense, Alfred Hitchcock made this odd little romantic comedy that's a bit biographical. Fred Hill (Could be short for Alfred H.) and his wife Emily depart their dreary middle class life to go on a world cruise via a rich uncle. Fred gets mixed up with a sexy con artist while Emily courts a rich older man. There are a ton of Hitchcock touches (Fred is to meet the con artist in room 22. All around are references to the number 22. Fred and Em argue about each other's affairs while a Salvation Army band plays across the street, and in a truly exciting sequence, Fred and Em's ship begins to sink. The camera never leaves their stateroom (Shades of the camera never leaving the crashing plane in "Foreign Correspondent") An unusual, sometime entertaining work. A must for Hitchcock fans. Others just looking for a scary Hitchcock film to rent should go with a more familiar title

Many people think of Hitchcock, and when many of them do, they think of 3 movies: Birds Psycho Rear Window. But this film along with many other rarely heard of Hitchcock films are great! This one particulary because it was Hitchcock's first use of a blonde in sound films. Many would follow. Hitchcock also made this film sort of autobiographical of himself. I recommend it to all Hitchcock fans.

Rich and Strange or East of Shanghai, is a British romantic comedy dating from the transitional period between silent and sonic film. It was not very popular at the box office, but remains one of the director's (Alfred Hitchcock) favorite works from the period. The reasons seem obvious enough. Unlike the classic Hitchcock thriller/mystery/comedy "The Lady Vanishes" released several years later, Rich and Strange was an adaptation of a semi-comedic novel which was not plot-heavy but did rely on equally strong characterization. Hitchcock took the change of pace for a ride, and played with visual experiments, jokes and even visual metaphors which, if you notice them and think about them, actually enhance character development.

Some reviewers have complained about the use of placecards - actually I think this was intended to enhance the comedic aspect of the film. Take a look back two years at Hitccock's "Blackmail" for comparison. This film was originally intended and partially shot silent. Hitchcock neither used placecards nor did he need them to convey his points in Blackmail.

There are some classic bits of Hitchcock camera-work here. During meaningless conversations, meaningless framing is used seemingly to mock the action of the film itself. The classic example of this is a pair of symmetrically arranged scenes where two of the main characters are walking to and from a social event on a cruise ship, blathering away, while the camera follows their feet and Emily's (Joan Barry) dragging dress. Jarring, yet humorous!

Joan Barry's stunning and adorable portrayal of Emily -our protagonist- is a bit of a perverse male fantasy - she is beautiful, intelligent (when she needs to be) and undervalues herself terribly - so her loyalty to a husband deserving of much much less is a bit exasperating. She is married to a whining, opportunistic, bore named Fred, and becomes romantically attracted to the charming Commander Gordon. The story boils down to this: Emly and Fred lead a life which causes Fred to whine (but this, it becomes clear later, is genetic and part of the fiber of his being).

One night, they receive an early inheritance and decide to take a cruise around world and live the good life. Fred, however, remains the miserable lout he was at the beginning, but adds to his follies alcoholism, philandering, and seasickness. Money does not cure everything - a bit of cliché, but, with Rich and Strange, it doesn't end there.

All of the acting is quite good, though as some have noted, it is sometimes over-the-top (perfectly appropriate for a comedy, IMO).

This 1931 movie is of interest simply because it is one of Alfred Hitchcock's early films that he made in Great Britain. It is also of interest because of the titles between sections of this film as though it were a silent film. That makes us very aware that silent movies had just been replace by 'talkies'. The copyright date is shown as 1931 on the film, not 1932 as IMDB has it listed. A man whose life has become mundane and tiresome is given money by a relative to enjoy life with. He and his wife set off on a cruise around the world. "Rich and Strange" begins well and certainly has its interesting moments. However, it bogs down after about the first half hour and doesn't recover until the last few minutes. Far too much time is spent aimlessly following the relationships outside the marriage by both the husband and wife of the couple. It seems that this part of the film is overblown. A highlight of the film is the spinster played by Elsie Randolph who is quite hilarious. Joan Barry is also very watchable as Emily. However, "Hitch" had not quite hit his stride yet and his best work was yet to come. This movie is mainly for diehard Hitchock fans.

This change-of-pace from Hitchcock is quite an interesting film, often pleasantly witty and at other times a bit unsettling in its observations on human nature. It won't appeal to those looking for Hitchcock-style suspense (although there is one such sequence), but it is worth watching for some other reasons.

The story is about Fred and Emily Hill, an average couple living a routine middle class life. The opening sequence, which is very nicely done using many of Hitchcock's silent film skills, immediately makes you feel the boredom and shallowness of Fred's world, while being amusing as well. Suddenly Fred receives word that a rich relative is giving him a large sum of money so that he can see the world, and the Hills are off on an extended trip to several foreign countries. The substance of the movie is in the ways that their new-found wealth and the many unfamiliar environments affect them and their marriage. Their new world is one of a couple of possible meanings of the title "Rich and Strange", in addition to the Shakespeare allusion.

The cast is very small, and consists of actors little known today, but they are generally good and make their characters believable. As the Hills encounter hazards, temptations, and adventure, the question is whether they have really changed or learned anything from their experiences - the amusing last scene gives one possible answer, and along the way there are a lot of other subtle points.

While not at all like Hitchcock's more famous films, in a different sense it is all Hitchcock - a distinctive movie, and carefully crafted. While only a minor effort among his many masterpieces, it is still worth a look for those who enjoy older comedies.