Agrega una trama en tu idiomaA young woman's financial problems continue through a troubled marriage to a gambler.A young woman's financial problems continue through a troubled marriage to a gambler.A young woman's financial problems continue through a troubled marriage to a gambler.
- Dirección
- Guionistas
- Elenco
Sheila Bromley
- Wedding Girl
- (escenas eliminadas)
Betty Farrington
- Mrs. Braddock
- (escenas eliminadas)
Ralf Harolde
- Willie
- (escenas eliminadas)
Nat Pendleton
- Dance Hall Plumber
- (escenas eliminadas)
Harold Waldridge
- Messenger
- (escenas eliminadas)
Robert Bennett
- Floor Boy
- (sin créditos)
Eileen Carlisle
- Rose, a Salesgirl
- (sin créditos)
Eddy Chandler
- Delivery Man
- (sin créditos)
Charles Coleman
- Floorwalker
- (sin créditos)
Jack Curtis
- Carpenter in Hardware Department
- (sin créditos)
Opiniones destacadas
Predictable story of department store clerk Loretta Young (she's beautiful and erotic and gives an honest performance) marrying compulsive gambler Norman Foster. Winnie Lightner provides the comic relief as her best friend. There is some pre-code innuendo, but it's all rather mild. ** out of 4.
Warner Brothers should have been embarrassed to release this. The story is both absurd and boring, the characters are as unbelievable as they are annoying and the direction is of the: just read your lines in turn and avoid any interaction with your fellow actors. As for the acting, Loretta Young is the only person who is actually acting giving this movie the impression that her scenes are taken from a different (professional) film which have been spliced into this dreadful piffle.
Worst of all is Winnie Lightner. I don't like to say anything bad about people, she might have been a lovey person but as an actress she is beyond terrible. She's so extraordinary awful that she almost makes this film unwatchable. Words cannot describe just how bad she is!
One slightly interesting line is said by Miss Young which portends her future fling with 'the king of Hollywood' - commenting on her beau's kissing technique she says: 'They can do better in movies - come on Gable, get hot.' There's absolutely nothing else of interest in this.
Maybe the reason this was made was simply to provide evidence to to those people now who believe that films of the 1930s were dreadful?
Worst of all is Winnie Lightner. I don't like to say anything bad about people, she might have been a lovey person but as an actress she is beyond terrible. She's so extraordinary awful that she almost makes this film unwatchable. Words cannot describe just how bad she is!
One slightly interesting line is said by Miss Young which portends her future fling with 'the king of Hollywood' - commenting on her beau's kissing technique she says: 'They can do better in movies - come on Gable, get hot.' There's absolutely nothing else of interest in this.
Maybe the reason this was made was simply to provide evidence to to those people now who believe that films of the 1930s were dreadful?
Glamour is what is missing from movies today. Alone in our living rooms and Inured to the smaller-than-life figures on our little TV sets, we've lost sight of the larger-than-life gods on the mammoth screens in darkened movie palaces, surrounded by hundreds of our neighbors. Not even Marlene Dietrich photographed by von Sternberg and Lee Garmes could outshine spectacular 19 year old Loretta Young, presented here by the great Gregg Toland. This cautionary tale of a naive young woman, swept off her feet by a glib, compulsive gambler (Norman Foster) should edify young couples everywhere. This mercifully brief, cliche-riddled show should also serve as a reminder that the screenplay is the most important element in any movie.
Given her origins--her mother died while giving birth to her--Buster Green (Loretta Young) is averse to taking risks and not inclined to marry. Her plan is to rise above her station as a department store clerk through dedicated hard work. But when she meets Wallie Dennis (Norman Foster) she finds herself succumbing to his spontaneous style and marries him--only to find out on their honeymoon that he makes his "living" as a gambler.
He promises to reform but betrays her faith in him time and again. So when she finds herself pregnant she feels she has no choice but to cast him out and go it alone. Faced with mounting bills and prospect of giving birth to her child in poverty, she turns to gambling herself in a desperate attempt to reverse her fortunes.
19 year old Loretta Young is superb in this cautionary romantic tale; her combination of pluck and beauty make us root for her all the way. Winnie Lightner, playing her stalwart friend and defender Georgine, lends the story a down-to-earth realism as well as comic relief.
Gregg Toland's cinematography is crisp and economical--a highlight is the suspenseful scene that overlays a slow zooming in on Young's reactions over exciting footage of the horses at the track as her horse gains on the others in the race. Ray Enright's pacing of the story is masterful: the last ten minutes as things come to a head will keep you on the edge of your seat.
This general storyline has been filmed dozens of times--but Loretta Young's performance and the taut direction makes this one a keeper!
He promises to reform but betrays her faith in him time and again. So when she finds herself pregnant she feels she has no choice but to cast him out and go it alone. Faced with mounting bills and prospect of giving birth to her child in poverty, she turns to gambling herself in a desperate attempt to reverse her fortunes.
19 year old Loretta Young is superb in this cautionary romantic tale; her combination of pluck and beauty make us root for her all the way. Winnie Lightner, playing her stalwart friend and defender Georgine, lends the story a down-to-earth realism as well as comic relief.
Gregg Toland's cinematography is crisp and economical--a highlight is the suspenseful scene that overlays a slow zooming in on Young's reactions over exciting footage of the horses at the track as her horse gains on the others in the race. Ray Enright's pacing of the story is masterful: the last ten minutes as things come to a head will keep you on the edge of your seat.
This general storyline has been filmed dozens of times--but Loretta Young's performance and the taut direction makes this one a keeper!
Loretta Young is perfectly lit here, which enhances her beauty immeasurably, and she is quite believable in this role. I first saw her in her later movies--and on her TV show, swirling through the door every week--so it's quite a revelation to see her at the absolute peak of her talent and looks. Winnie Lightner does her usual gum-chewing, wisecracking shtick, and the rest of the cast is quite good. The script is a little weak, and things get a bit maudlin at times, although the pre-code one-liners are fun. (Winnie, as her bloomers blow off the makeshift clothesline and out the window: "Oh, that was my last pair of panties!" Loretta: "What will you do?" Winnie: "Stay off of ladders!")
¿Sabías que…?
- TriviaFilm debut of James Ellison.
- ErroresNear the start of the film there are brief glimpses of various store departments. In the plumbing department, Winnie Lightner is in the background perched on a sink. That makes no sense, as it is only later on in the story that her character is reassigned from hardware to plumbing (One publicity still for the film is a close-up of Winnie on the sink, but there is no such scene in the movie. Probably a sequence involving Winnie in the plumbing department was deleted, but then Warners decided to use that opening shot figuring nobody would notice Winnie in the background).
- Citas
Georgine Hicks: [Wind blows away a pair of panties hang drying in the window] Oh! Oh! Oh-oh-oh!
Buster 'Bus' Green Dennis: What's the matter?
Georgine Hicks: Oh, there goes my last panties!
Buster 'Bus' Green Dennis: Well, now what are you gonna do?
Georgine Hicks: Keep off of step ladders.
- Bandas sonorasThe Wedding March
(1843) (uncredited)
from "A Midsummer Night's Dream, Op. 61"
Music by Felix Mendelssohn
Played briefly when the passport is shown
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Detalles
- Tiempo de ejecución
- 1h(60 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.37 : 1
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