The Phantom of Crestwood

This one is getting a 7/10 from me just on originality, even if the proceedings were a bit rushed and confusing. The film opens with a radio announcer asking the listeners to solve the mystery. But then the film solves it for you? A well dressed fur wrapped woman (Karen Morley as Jenny Wren) is going around town running errands. She is being followed by a man (Ricardo Cortez) yet unnamed for an unnamed purpose, but he does not want to give his correct name and keeps calling himself "Mr. Farnesbarnes" to anyone who asks. He obviously does not know the woman because he poses as somebody interested in renting her soon to be vacated apartment, and she does not recognize him.

That night Jenny has arranged for all of the married and well connected men with whom she has been having affairs to meet at the Andes seaside retreat home, "Crestwood", where she announces she is blackmailing them all for large sums of money so that she can retire in style. In a completely separate development, Jenny's little sister is there to with her fiancé, Frank Andes, the son of one of the men Jenny is blackmailing. Little sister is hoping to be welcomed into the Andes family. In the middle of the night, Jenny is killed with a dart to the neck, the police are called before the phone goes out, and in burst several hoods led by Gary Curtis alias Farnesbarnes, who has nothing to do with the murder but is a well known criminal. Knowing the police will try to pin the murder on him he sets about to try and solve the crime. He can do this because he and his companions are all armed. Oh, and the road is washed out too, delaying the police.

What follows is part Sherlock Holmes, part Old Dark House, part Poe (those portraits!), part German Expressionist with some crazy camera work, a ghost, hidden passage ways, and more murders. I was expecting this all to be the work of George Zucco, but alas he wasn't in the film. Ricardo Cortez is a real hoot in this one, showing a bit of his comedic side.

Guys, check out the clinging gowns the girls wear. Kind of makes me wish I was born a lot sooner. Also, those early scenes are provocative by innuendo, when we find out the sleek Jenny Wren (Morley) is really a high-class call girl, implicating some of the city's most powerful men. In fact, the undercurrent is a topical theme of the times since these guys are bankers and politicians, the very types that crashed the economy several years earlier. I'll bet audiences of the time appreciated that angle. Applying that to today, it seems like some things never change.

This first part is intriguing and well done, but once the action switches to Crestwood Manor, the plot settles into a more familiar type murder mystery. It's an interesting, if complicated puzzle, with lots of flashbacks and suspects. But once Morley drops out, a powerful presence is lost, one that Cortez (Curtis) can't equal. In fact, there're an unusual number of strong female performers deserving mention-- Pauline Frederick as the snobbish aunt, Hilda Vaughn as the tart-tongued maid, and Aileen Pringle as the abrasive Mrs. Walcott. Include the beauteous Anita Louise as Jenny's sister, and the women of the movie far outshine the men in both appearance and stage presence.

All in all, it's a superior little murder mystery that director Ruben wisely keeps from bogging down into too much talk, a 70-minutes that also includes an unusually atmospheric last scene. But most of all, the film's a showcase for that fine, fine actress Karen Morley, and a chance to see her if you never have.

1932 murder/mystery movie which takes place on a dark and stormy night (of course) and in a "country house" which looks like a castle (don't they all?). Actually this was based on a 1932 radio show which played for (I believe) 6 weeks. It ended with a murder unsolved--to find out who the killer is, you had to see this movie. It's still very easy to follow--you don't have to know the radio show to understand this.

It's lots of fun--there are plenty of suspects, film moves like lightning, has a few very scary moments (the appearances of the "phantom"), an eye-catching flashback technique and a pretty good performance by tall and very handsome Ricardo Cortez. Sometimes the age of this film shows (especially in the outdoor scenes) but, most of the time, it looks great.

This is (unfortunately) a little known film--it pops up on TCM occasionally but that's about it. If you get a chance, see it! It's incredible how this film still holds up after 70 years.

This one does not show up very often, so watch for it. It's a rather curious film directed by journeyman director J. Walter Rubens and has a cast to die for if you are an early film buff.....Ricardo Cortez, Karen Morley, H.B. Warner Pauline Frederick, Anita Louise et al.

The story revolves around a thoroughly unlikeable schemer (Karen Morley) who is a blackmailer and all around con woman. Inviting her former victims to a party she makes one last demand for money and is murdered by one of those guests.....but who? Other murders occur and general mayhem results. The murderer wears a glowing mask which adds a nice touch to the creepiness of this film The identity of the killer is fairly easy to guess but that does not take away from the film's interest. When finally cornered by Ricardo Cortez, the killer's manner of demise is rather surprising and the camera work on the death scene is quite good for the time.

This is a tidy little film that runs just over an hour. It's a keeper.

This film is the concluding episode of a radio mystery, wherein listeners were to try to figure out who the murder is.

In a unique plot twist, the head of a gang (Ricardo Cortez) becomes a "detective" to find the "real killer" before the

police arrive and accuse HIM.

The reviewer who wrote that the "ending makes no sense at all" should watch it more carefully; it makes COMPLETE sense, and shows how the movie "steers you" into thinking that the reason for the murder is one thing, while the ACTUAL reason is something totally different! (I can't say any more without spoiling the ending).

By ALL MEANS, see it! Norm