The Mouthpiece

A disillusioned Assistant DA becomes THE MOUTHPIECE for a scurvy assortment of crooks & criminals. His new public persona is mirrored by his shady, lustful private life. Can the influence of two very different women save him before it's too late?

Warren William drives this very entertaining, albeit forgotten courtroom melodrama. With its rapid-fire plot & smart aleck dialogue, the film is a perfect representation of its era.

William was ideal at this kind of role; indeed, he played several others in the early 1930's which were almost mirror images of Vincent Day, the shyster lawyer he gives life to here. With his patrician bearing & interesting bass voice, William's characters were always worth watching. In this film, his courtroom scenes are especially engrossing as he engages in histrionics & sly subterfuge to sway the juries. It is to Hollywood's discredit that this very fine actor is virtually unknown today.

Aline MacMahon gives another of her splendid performances, here as William's world-weary, tough-as-nails secretary who secretly loves him. Sidney Fox is very good as the innocent Southern girl who's smart enough to recognize William's wicked ways.

Guy Kibbee has the small role of a sympathetic bartender. Movie mavens will spot an uncredited Charles Lane as a hotel clerk.

The Mouthpiece (1932)

*** 1/2 (out of 4)

Highly entertaining moral tale from Warner about D.A. Vincent Day (Warren William) who has a change in heart after sending an innocent man to the electric chair. He decides to switch sides and take the money in return for getting criminals off of crimes they've committed but he starts to have second thoughts after falling for a woman (Sidney Fox) who works for him. THE MOUTHPIECE is such a good film that after viewing it I was rather shocked to realize that not too many people know of it. Warner was the king at delivering these moral tales during this period so it's kind of shocking that this here has been swept under the rug and forgotten. It's certainly a prime candidate for being rediscovered because there's just so many great things going on here. We can start with the terrific cast being led by William in one of the greatest performances I've seen from him. Yes, he can play that ruthless character better than anyone else but this here shows the actor at his very best. The supporting cast is equally great with Fox really coming across good as the woman the lawyer falls for. Aline MacMahon is also very memorable as the secretary and we also get great work from John Wray, Ralph Ince, Morgan Wallace, J. Carrol Naish and J. Carrol Naish who plays one of the thugs. The film has several sequences taking place inside the courtroom and these are some of the most imaginative court scenes you're going to witness. It was wickedly fun watching William work his magic and especially during one scene involving some poison. If I had a problem with the film it was the love story aspect. I just never fully bought why this lawyer would fall so hard for this girl but this really doesn't take away much. THE MOUTHPIECE is a terrific little drama that has the studio and cast doing their best and it needs to be viewed by more people.

ADA Vincent Day (Warren William) successfully prosecutes a man for murder through only circumstantial evidence, and when his innocence is discovered Day tries to contact the prison before the man is executed, only to be too late. He is torn up about this, resigns, and then oddly tries to right his wrong by becoming a criminal defense lawyer and getting acquittals for people who are very guilty. He does this sometimes just through his great talent, but he also does some dishonest and very risky things.

Day also likes the ladies, and he hires naive country mouse Celia Farraday (Sidney Fox) for his office staff planning to seduce her. But when her reaction to his advances is not what he expects he has a rebirth of conscience. This conscience comes in handy when Celia's fiance is arrested and accused of stealing his employer's bonds though he claims that he was robbed, and he doesn't seem to have a consistent believable story at all. Complications ensue.

This was the part that got Warren William noticed. He had been playing the cad for about a year, but his performances, though enchanting, didn't have the depth and empathy of his role in The Mouthpiece. The success of this film caused him to be placed in similar roles in a string of precode movies to the point he was typecast and had a hard time continuing his career at the leading man level once the precode era ended. Sidney Fox, largely a Universal star, really does well here. It may even be the best thing she ever did, in spite of that rather distracting southern accent. With Aline MacMahon as Day's Girl Friday with her usual witticisms and wise girl attitude, this one is well worth watching 90 years later.

An ambitious Ass't DA switches his talents to defending the mob. But is it permanent.

Watching the imperious Warren William (Day) as a legal shark is really impressive. He's got all the tricks of a Houdini, along with the ethics of a cobra. Drinking the poison in court is a real grabber. This part of the movie is riveting and dynamic playing to William's commanding strength. And that's so, even if the diminutive ingenue Fox (Cecilia) is a foot shorter and a lot younger, so there seems something illegal going on when they passion kiss. I can understand the peculiar casting here since Fox projects just the kind of sweet innocence that might turn the head of even the most jaded scalawag. Still, the big turnaround doesn't really jibe with Day's power-grabbing character, and in my book, undercuts the initial setup of its powerful promise.

Speaking of characters, Aline MacMahon (Hickey) darn near steals the film as Day's wisecracking secretary. What a shrewd piece of casting since few actresses can actively compete with the forceful William. Yet, she does, and makes you believe it. Good to see her cast as someone besides a maiden aunt or the family wallflower. Despite the story's central difficulty, this is a smooth production, fluidly paced, that demonstrates the expert professionalism of the old studios, in this case Warner Bros. Anyway, here's to Warren William, a great screen personality deserving of rediscovery.

One of the better movies of 1932, "The Mouthpiece" features a tour de force performance by Warren William as a brilliant but corrupt prosecutor with a weakness for dames, drink and dollars but who is redeemed by a stubborn moral sense that sometimes overcomes his vices. The screenplay, by the prolific but tragically short-lived Joseph Jackson (whose other work includes such gems as "Safe in Hell" and "One Way Passage"), is both hard-edged and witty, with many of the funniest wisecracks delivered memorably by the incomparable Aline MacMahon as William's loyal secretary, the type of role that might have been played by Joan Blondell or Glenda Farrell had the studio casting dice landed another way. The familiar Warners-First National stock company appears in full force including Guy Kibbee as a speakeasy bartender; Noel Francis as a golddigger; J Carrol Naish as a gangster; Walter Walker as a district attorney. The diminutive Sidney Fox persuasively plays a secretary in William's firm who helps to set him on the right path.