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William Powell is a smooth jewel thief who captivates Kay Francis in "Jewel Robbery," a 1932 film made before the dreaded code kicked in.

Set in Vienna, Francis plays a baroness who, like her friends, has married a dull man for money and takes lovers. While her husband is buying her a 28-carat diamond and she's arguing with her boyfriend, William Powell and his team enter to rob the store. It's love at first sight.

This is a slight but very amusing film, interesting for the racy story line, the outfits, and Kay Francis herself. A very unusual-looking woman, Francis' heyday was in the '30s, and everything about her screamed '30s, of course - her hair, her fashions, and the kind of films she made. She's somewhat frozen in time there.

Powell is his usual dashing, delightful self, and the two work very well together. The scene at Powell's place is particularly interesting, as she demands not to be asked to do anything, but to be forced, at which point, he picks her up and throws her onto his huge bed. "But there are so many pleasant in between steps," she objects.

A delightful movie, not terribly long, but fascinating given the era in film in which it was made.

"Jewel Robbery" reflects the comic virtuosity of actors and actresses - and directors - in an eclectic Hollywood too soon to be stifled by THE Code. Kay Francis, little known to most movie buffs today, sparkles as a liberated, adventuresome and bored wife of a doting, not doddering exactly, but boring rich hubby. Apparently only his largess keeps her hitched and she seems quite open about looking for some exciting liaisons and she ain't talking about platonic ones either. The sexual innuendos aren't subtle. Neither are they serious.

William Powell is a suave and quick-witted gentleman jewel thief. In one sentence he dismisses the violence of his American counterparts, asserting the urbane civility of the European high class criminal.

"Reefer Madness," one of Hollywood's all-time great comedies, came out in 1937. In 1932 Powell, the jewel thief, dispenses marijuana cigarettes left and right and although the name is never used, the goofy behavior of the smokers prefigures the exaggerated and demonic grass-induced St. Vitus dance of the later documentary.

A short, sprightly comedy where crime is neither dangerous nor particularly even objectionable, "Jewel Robbery" is a small gem from a long bygone Hollywood. If you can rent it, do so. You won't be disappointed.

This is one of the raciest films of the 1930's. A married woman is having affairs all over the place, and then is willingly seduced by a gallant jewel thief. The movie just drips with illicit sex - you've got to see this one to believe it. Damn the Production Code for stopping films like this! Wavising Kay Fwancis has never been better!

A bored Baroness discovers love & excitement when she becomes caught up in a thrilling JEWEL ROBBERY.

Scintillating, light as air and slightly naughty, this pre-Code charmer will delight discriminating viewers looking for a sophisticated comedy, a little trifle with which to while away an idle hour. Thievery, marijuana and infidelity--while very serious subjects--are here satirized almost to the point of insignificance. The whole purpose of this forgotten film--which compares nicely with the best of Lubitsch--is to provide the audience with a good time, and in that it succeeds quite admirably.

Beautiful Kay Francis is enchanting, her cool demeanor barely concealing the mischievous passions just below her elegant surface. Very bored with her wealthy but unattractive husband (Henry Kolker), she yearns for a more exciting life. Gentlemanly thief William Powell provides that opportunity. Suave & debonair, he instantly makes the viewer forgive his regrettable vocation. As a twosome, the stars bring just the right frisson of pleasure to their scenes to please all but the most jaded viewer.

The supporting cast further adds to the film's fine distillation. Hardie Albright as Francis' admirer & Helen Vinson as her friend both portray willing partakers of Old Vienna's hedonistic lifestyle. Spencer Charters is very humorous as a completely incompetent night watchman. Sour Clarence Wilson plays a police official, while Alan Mowbray shines in his few minutes as a no-nonsense detective.

Movie mavens will recognize rotund Robert Greig as a chauffeur, tobacco-eating George Davis as a police secretary & the wonderful Ruth Donnelly as Miss Francis' maid--all uncredited.

First comes the disclaimer – I admit to being a big time Kay Francis fan. I particularly love her in movies like this – light romantic comedies. She simply shines – she is sophisticated, enchanting, elegant, seductive and absolutely inimitable; while at the same time projecting an impish charm and sense of humor that simply captivates - hell, I admit to even adoring her slight lisp – it's the minor "imperfection" that enhances the whole! This movie was released a good ten years before I was born, but I finally got to see it last week and it was worth waiting for. Other reviewers have outlined the plot, so I will only add that this movie is Kay Francis at her best, as good as, or better than her role in "Trouble in Paradise". She and William Powell play beautifully off each other, and the supporting cast – each and every one of them – is nothing short of terrific. This movie is really a gem and a wonderful example of what Hollywood could do (and did) in the early days of "talkies" before the Hayes Office Code made a travesty of film-making. They could not have made this film in 1935, just three years later. The sexual innuendos and situations would have been verboten – yet everything was merely insinuated, not blatantly exploited. This small three or four year "window" in the history of movies was able to be sophisticated, witty, erudite and adult without the necessity of crudity, gratuitous sexuality or the use of language and violence simply for it's shock value rather than for what it adds to the story or plot. Yes, yes, I know – I'm old and need to move with the times. However, this movie shows just how entertaining, funny and charming and sexy good writing, good acting and good direction can be. If you haven't seen it – do so – you won't be disappointed.