Hell's House

One of the first films Bette D ever did. and unfortunately, one of the last that Howard Higgin directed. and almost the end of the road for Junior Durkin (played "Jimmy") as well. more about them later. In the film, Jimmy's mom gets bumped off, and he goes to live with relatives. Pat Obrien is "Kelly", a no-good boarder, and Davis is his girl. Jimmy takes the fall for Kelly, and now he's off to reform school. Sound and picture are pretty rough, which is probably why we never see this one on Turner Classics. director Higgin died quite young at 47. and Junior Durkin, the "star" of this also died young, at 19 in a car accident. Durkin also lost his own mother at a young age, just like in this film. The car was driven by friend Jackie Coogan. The film's okay. and a good oppurtunity to see a young Bette Davis in an early, small role. Showing on Moonlight Movies channel.

I love the homo-erotic nature of this film, especially because of the time it was made. Unfortunately Bette Davis does not have a big part, though it is still important. What this boy goes through just because he is naive is a tragedy. This film is hard to find but I recommend searching for it. The story is original and daring. The loss of innocence is heartbreaking and must be seen for yourself.

"Hell's House" (Capital Films, 1932), directed by Howard Higgins, is a low-budget drama that might have been a much better reform school drama had it been produced at the Warner Brothers studio, in spite of pre-Warner Brothers contract players of Pat O'Brien and Bette Davis in supporting roles that give this the Warner Brothers feel. The central character to the story happens to be played by Junior Durkin (famous for his role as Huck Finn in Paramount's Mark Twain classics, "Tom Sawyer" (1930) and "Huckleberry Finn" (1931), both starring Jackie Coogan). But for today's viewers who may possibly find this movie in a local video store, Bette Davis is the one who brings added interest in a somewhat small role.

The story opens at a farm where Jimmy Mason (Junior Durkin) helps his widowed mother (Mary Alden) with the chores. The pleasant day turns out tragically when Mrs. Mason is suddenly struck and killed by a passing automobile. Left alone, Jimmy decides to come to the city and live with his Uncle Henry (Charley Grapewin) and Aunt Emma (Emma Dunn), landlords of an apartment building. There he meets one of their tenants, Matt Kelly (Pat O'Brien), who befriends the boy, and later introduces him to his girlfriend, Peggy (Bette Davis), a tough babe with a good heart, who takes an instant liking to this young teen. Jimmy, however, is quite naive and doesn't realize that Kelly is a smooth-talking, small-town operator and racketeer. Jimmy is soon offered a job by Kelly answering the telephone at his bootlegging headquarters. After showing him what to do and say, Kelly leaves Jimmy alone to tend to business. As Kelly slowly drives away, he looks at his rear view mirror to find the police barging in the place and arresting Jimmy. While in juvenile court, Jimmy believes that Kelly will come and speak on his behalf, and be released (no such luck). He refuses to identify Kelly as the man who hired him to the judge (Wallis Clark). Because of this, Jimmy is sentenced to three years in a state reformatory. While there, Jimmy becomes the victim of a cruelly-operated institution.

The supporting cast includes Junior Coughlan as Shorty, a reform school boy with a heart ailment who befriends Jimmy; Morgan Wallace as Frank Gebhardt, a crusading publisher wanting to improve reform school conditions; and James Marcus as the superintendent. While the opening credits presented on TV or video today give Davis and O'Brien star billing over Junior Durkin, the current opening credits are actually taken from reissue prints that capitalized on the stardom of both Davis and O'Brien, and is not the original opening credits as presented to 1932 audiences, hence the misspelling of Durkin's surname spelled Dirkin.

Although a reform school drama like this had been produced numerous times by other studios throughout the 1930s, "Hell's House," is really nothing new, in fact, a trifle slow at 70 minutes, handicapped by low-budget production values. Acting is good and reform school situations are grimly handled. However it's still interesting to see mainly because of the supporting actors of O'Brien and Davis, both of whom would become major film stars in later years, especially at Warner Brothers. (**1/2)

In the days of Prohibition, orphaned country boy Junior Durkin (as James "Jimmy" Mason) goes to live in the city with his aunt and uncle, after his mother is hit by a car. There, Mr. Durkin becomes meets, and hero-worships charismatic boarder Pat O'Brien (as Matt Kelly). Durkin doesn't know it, but Mr. O'Brien is a bootlegger. O'Brien dupes Durkin into being the lookout for a cache of liquor, which police discover. Durkin naively thinks the booze was planted, and refuses to squeal. O'Brien lets the lad take the rap, and Durkin is sentenced to three years in "The State Industrial School for Boys".

After arguing over who gets top, Durkin befriends bunkmate Frank "Junior" Coghlan (as "Shorty"), who has a heart ailment. Conditions in the reformatory are terrible. The boys have a plan to spring Durkin, but young Coghlan is caught. While his pal lies close to death, in solitary confinement, Durkin breaks out to enlist O'Brien's help in finding suitable doctors for Coghlan. But, O'Brien doesn't want to get involved, or he'll have to leave pretty Bette Davis (as Peggy Gardner) for prison...

Howard Higgin's "Hell House" was relatively ahead of the juvenile reformatory curve, and boasts several points of interest.

First off, you have the two "Juniors" Durkin and Coghlan in the same picture, comparable to the 1980s "Coreys" Haim and Feldman. Durkin even looks a little like Feldman. Unfortunately, Durkin died in a car accident. Coghlan's supporting performance upstages even Ms. Davis - and, you will see Davis get her hair messed up as O'Brien tell her, "I just washed my hands and I can't do a thing with 'em!" Note, this was before Davis uttered her famous trademark response, "I'd like to kiss ya, but I just washed my hair" (see "The Cabin in the Cotton"). Finally, you have a delirious Coghlan "talking" to his dead mother quite credibly in one scene - and, in the end, Durkin's deathly "conversation" gives the story startling emotional closure.

******* Hell's House (1/30/32) Howard Higgin ~ Junior Durkin, Frank Coghlan Jr., Pat O'Brien, Bette Davis

Plot-- Following his mother's untimely death, young Jimmy (Durkin) is misled into a crime by fast-talking family friend Kelly (O'Brien). Betrayed again by Kelly, Jimmy is sent to a boy's reformatory where he experiences many institutional cruelties, but also meets fellow inmate Shorty (Coghlan), where a fast-friendship is formed. The question is what will become of Jimmy, friend Shorty, and will the cruelties of the reformatory and Kelly be rectified.

That reformatory brickyard is stacked to the skies and unlike anything I've seen. Should the mountainous stacks tumble, I doubt the boy stackers would ever be found. The movie's an interesting antique (1932) where O'Brien gets to show his fast-talking specialty as a pretentious bootlegger. But the real focus is Durkin, a likable kid, maybe too much so for the toughened last part. Sorry to say Davis's role looks like an add-on as O'Brien's conscionable girlfriend, and one that also gets a woman into a mainly male cast. It's still early in her career, but already Davis has that hard-eyed stare. And catch that toe-the-line stare-at-the-wall punishment misbehaving boys have to go through. That too is unlike anything I've seen.

Anyway, most of the runtime occurs inside the reformatory, minus the two top-billed players. Apparently, Durkin didn't have that same name recognition even though he gets the screen time. Too bad he died at such a young age and with so much to live for. His scenes with Junior Coughlin are unusually tender and moving, and dare-I-say, almost homo-erotic. All in all, the movie's in the prison-reform wave that occupied much of Hollywood at the time- e.g. Hell's Highway (1932); I Am a Fugitive from a Chain Gang (1932). Despite the many passing decades, the hour still holds interest, so shouldn't be passed up